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Metropolis - 2010/2. - Film and Globalisation - Table of Contents
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2012/1 -
Narrative Complexity
| 2012/2 -
Consciousness – Dream – Film
2011/1. -
Joel and Ethan Coen
| 2011/2. -
Contemporary South Korean Cinema
| 2011/3 -
Contemporary Hungarian cinema – Cultural interpretations
| 2011/4 -
Michael Haneke
2010/1. -
Hungarian Genre Films
| 2010/3. -
Hollywood Renaissance
| 2010/4. -
Hungarian Film in the 1980s
| 2010/2. -
Film and Globalisation
2009/1. -
The Animated Film
| 2009/2 -
Robert Altman
| 2009/3. -
Hungarian Film Canon
| 2009/4. -
Theory of Documentary Film
2008/1. -
Space in Film
| 2008/3. -
The Film Musical
| 2008/4. -
Contemporary American Television Series
2007/2. -
Self-Reflexivity in the Film
| 2007/1. -
Bollywood
| 2007/3. -
The Thriller
| 2007/4. -
Miklós Erdély
2006/1. -
The Horror Film
| 2006/4. -
Metropolis 80 – 10
| 2006/2. -
Lars von Trier
| 2006/3. -
Contemporary Iranian Film
2005/4. -
Wong Kar-wai
| 2005/1. -
Suture Theory
| 2005/3. -
István Gaál
2004/3. -
Film and Phenomenology
| 2004/1. -
Psycho-Analysises
| 2004/4. -
András Jeles
| 2004/2. -
Hungarian Documentary Film after the Fall of Communism
2003/1. -
Photo and Film
| 2003/2. -
Science Fiction
| 2003/4. -
Auteur Theory
| 2003/3. -
István Szabó
2002/2. -
Stanley Kubrick
| 2002/3. -
East European Film after the Fall of Communism
2001/3. - 2002/1. -
Miklós Jancsó
2000/3. -
Antonin Artaud and the Film
| 2000/4. -
Feminism and Filmtheory
| 2000/2. -
Orson Welles
| 2000/1. -
Hungarian Cinematographers
1999/Fall I. -
Genre-theory
| 1999/Summer -
Péter Forgács
| 1999/Winter -
Jean-Luc Godard
| 1999/Fall II. -
Károly Makk
1998/Winter - 1999/Spring II. -
Atom Egoyan
| 1998/Winter - 1999/Spring I. -
Cognitive Film Theory
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