Szerkesztőség

Feminizmus és filmelmélet – Válogatott bibliográfia


Bibliográfiai összeállítások

 

Cook, Samantha: Women and Film: Bibliography. London: British Film Institute, 1992.

Kowalski, Rosemary Ribich: Women and Film: a Bibliography. Metuchen, NJ: Scarecrow Press, 1976.

Manchel, Frank: The Feminist Approach. In: Manchel: Film Study: An Analitical Bibliography. IV. Rutherford: Associated University Presses, 1990. Volume I, pp. 465–526.

 

 

Könyvek

 

Acker, Ally: Reel Women: Pioneers of the Cinema, 1896 to the Present. New York: Continuum, 1991.

Anderson, Lisa: Mammies No More: The Changing Image of Black Women on Stage and Screen. Lanham, MD: Rowman & Littlefield, 1997.

Arnold, William: Shadowland. New York: McGraw-Hill, 1978.

Baker, M. Joyce: Images of Women in Film: The War Years, 1941–1945. Ann Arbor: UMI Research Press, 1980.

Barr, Marleen S. – Feldstein, Richard (eds.): Discontented Discourses: Feminism/Textual Intervention/Psychoanalysis. Urbana: University of Illinois Press, 1985.

Barreca, Regina: They Used to Call Me Snow White… But I Drifted: Women’s Strategic Use of Humor. New York: Penguin, 1994.

Basinger, Jeanine: A Woman’s View: How Hollywood Spoke to Women, 1930–1960. New York: Knopf, 1993.

Battersby, Christine: Gender and Genius: Towards a Feminist Aesthetics. Bloomington: Indiana University Press, 1990.

Becker, Susanne: Gothic Forms of Feminine Fictions. Manchester, UK: Manchester University Press, 1999.

Bell, Elizabeth – Haas, Lynda – Sells, Laura (eds.): From Mouse to Mermaid: The Politics of Film, Gender, and Culture. Bloomington, IN: Indiana University Press, 1995.

Bell-Metereau, Rebecca: Hollywood Androgyny. New York: Columbia University Press, 1986.

Benedict, Helen: Virgin or Vamp. New York: Oxford University Press, 1992.

Berenstein, Rhona Joella: Attack of the Leadig Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema. New York: Columbia University Press, 1995.

Berger, Ronald J. – Cottle, Charles: Feminism and Pornography. Westport, CT: Praeger, 1991.

Bingham, Dennis: Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood. New Brunswick, NJ: Rutgers University Press, 1994.

Blonski, Annette – Creed, Barbara – Freilberg, Freda: Don’t Shoot Darling!: Women’s Independent Filmmaking in Australia. Richmond, Australia: Greenhouse, 1987.

Bonner, Frances – Goodman, Lizbeth – Allen, Richard – Janes, Linda – King, Catherine (eds.): Imagining Women: Cultural Representations and Gender. Cambridge: Polity Press, 1992.

Brown, Mary Ellen (ed.): Television and Women’s Culture: The Politics of the Popular. Newbury Park, CA: Sage Publications, 1990.

Bruno, Guiliana – Nadotti, Maria (eds.): Off Screen: Women and Film in Italy. New York: Routledge, 1988.

Brunsdon, Charlotte: Screen Tastes: Soap Opera to Satellite Dishes. New York: Routledge, 1997.

Brunsdon, Charlotte: The Feminist, the Housewife, and the Soap Opera. New York: Oxford University Press, 2000.

Brunsdon, Charlotte: Films for Women. London: British Film Institute, 1986.

Buikema, Rosemarie – Smelik, Anneke (eds.): Women’s Studies and Culture: A Feminist Introduction. London, New Jersey: Zed Books, 1991.

Burchill, Julie: Girls on Film. New York: Pantheon, 1986.

Burgwinkle, William – Man, Glen – Wayne, Valerie (eds.): Significant Others: Gender and Culture in Film and Literature, East and West: Selected Conference Papers, Honolulu: College of Languages, Linguistics, and Literature. Honolulu: University of Hawaii: EastWest Center, 1993.

Butler, Judith: Gender Trouble. London: Routledge, 1990.

Byars, Jackie: All That Hollywood Allows: Re-Reading Gender in the 1950s Melodrama. Chapel Hill: University of North Carolina Press, 1991.

Carson, Diane – Dittmar, Linda – Welsch, Janice R. (eds.): Multiple Voices in Feminist Film Criticism. Minneapolis: University of Minnesota Press, 1994.

Clark, VeVe A. – Modson, Millicent – Neiman, Catrina: The Legend of Maya Deren. I. New York: Anthology Film Archives, 1984 and 1988.

Clover, Carol J.: Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton, NJ: Princeton University Press, 1992.

Cohan, Steve – Hark, Ina Rae (eds.): Screening the Male: Exploring Masculinities in the Hollywood Cinema. New York: Routledge, 1992.

Cook, Pam – Dodd, Philip (eds.): Women and Film: A Sight and Sound Reader. Philadelphia, PA: Temple University Press, 1993.

Corber, Robert J.: Homosexuality and Cold War America. Raleigh/Durham: Duke University Press, 1997.

Corber, Robert J.: In the Name of National Security: Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America. Durham: Duke University Press, 1993.

Cowie, Elizabeth: Representing the Woman: Cinema and Psychoanalysis. Minneapolis: University of Minnesota Press, 1997.

Craig, Steve (ed.): Men, Masculinity, and the Media. Newbury Park, CA: Sage Publications, 1992.

Creed, Barbara: The Monstrous-Feminine: Film, Feminism, Psychoanalysis. New York: Routledge, 1993.

D’Acci, Julie: Definig Women: Television and the Case of Cagney & Lacey. Chapel Hill: University of North Carolina Press, 1997.

Dash, Julie: Daughters of the Dust: The Making of an Afro-American Woman’s Film. New York: New Press, 1992.

de Lauretis, Teresa – Heath, Stephen (eds.): The Cinematic Apparatus. London: Macmillan, 1980.

de Lauretis, Teresa: Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984.

de Lauretis, Teresa: Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington: Indiana University Press, 1987.

Dines, Gail – Humez, Jean M. (eds.): Gender, Race and Class in Media: A Text-Reader. Thousand Oaks: Sage Publications, 1995.

Doane, Mary Ann – Mellencamp, Patricia – Williams, Linda (eds.): Re-Vision: Essays in Feminist Film Criticism. Los Angeles: American Film Institute, 1984.

Doane, Mary Ann: Femmes Fatales: Feminism, Film Theory, and Psychoanalysis. New York: Routledge, 1991.

Doane, Mary Ann: The Desire to Desire: The Woman’s Film of the 1940’s. Bloomington: Indiana University Press, 1987.

Dolan, Jill: The Feminist Spectator as Critic. Michigan: Michigan University Press, 1991.

Dow, Bonnie J.: Prime-Time Feminism: Television, Media Culture, and the Women’s Movement Since 1970. Philadelphia: University of Pennsylvania Press, 1997.

Durham, Carolyn A.: Double Takes: Culture and Gender in French Films and Their American Remakes. Hanover, NH, Dartmouth: University Press of New England, 1998.

Dyer, Richard: Now You See It: Studies on Lesbian and Gay Film. New York: Routledge, 1990.

Dyer, Richard: The Matter of Images: Essays on Representations. New York: Routledge, 1994.

Dyer, Richard (ed.): Gays and Film. London: British Film Institute, 1980.

Dyer, Richard: Heavenly Bodies. London: British Film Institute, 1987.

Dyer, Richard: Stars. London: British Film Institute, 1979.

Ecker, Gisela (ed.): Feminist Aesthetics. Boston: Beacon Press, 1985.

Erens, Patricia (ed.): Issues in Feminist Film Criticism. Bloomington: Indiana University Press, 1990.

Erens, Patricia (ed.): Sexual Strategems: The World of Women in Film. New York: Horizon, 1979.

Feldstein, Richard – Roof, Judith (eds.): Feminism and Psychoanalysis. Ithaca, London: Cornell University Press, 1989.

Fischer, Lucy: Cinematernity: Film, Motherhood, Genre. Princeton, NJ: Princeton University Press, 1996.

Fischer, Lucy: Shot/Countershot: Film Tradition and Women’s Cinema. Princeton, NJ: Princeton University Press, 1989.

Flinn, Caryl: Strains of Utopia: Gender, Nostalgia, and Hollywood Film Music. Princeton, NJ: Princeton University Press, 1992.

Flitterman-Lewis, Sandy: To Desire Differently: Feminism and the French Cinema. Urbana: University of Illinois Press, 1990.

Flitterman-Lewis, Sandy: To Desire Differently: Feminism and the French Cinema. (Bővített kiadás.) New York: Columbia University Press, 1996.

Foreman, Alexa L.: Women in Motion. Bowling Green, OH: Bowling Green University Popular Press, 1983.

Foster, Gwendolyn Audrey: Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale: Southern Illinois University Press, 1997.

Foster, Gwendolyn Audrey: Women Film Directors: An International Bio-Critical Dictionary. West Port, CT: Greenwood Press, 1995.

Fox, Jo: Filming Women in the Third Reich. New York: New York University Press, 2000.

Francke, Lizzie: Script Girls: Women Screenwriters in Hollywood. London: British Film Institute, 1994.

Fregoso, Rosa Linda: The Bronze Screen: Chicana and Chicano Film Culture. Minneapolis: University of Minnesota Press, 1993.

French, Brandon: On the Verge of Revolt: Women in American Films of the Fifties. New York: Ungar, 1978.

Frieden, Sandra – McCormick, Richard W. – Petersen, Vibeke R. – Vogelgang, Melissa Laura (eds.): Gender and German Cinema I–II. New York: Berg, 1993.

Fuss, Diana (ed.): Inside/Out: Lesbian Theories, Gay Theories. New York: Routledge, 1991.

Gaines, Jane – Herzog, Charlotte: Fabrications: Costume and the Female Body. New York: Routledge, 1990.

Gamman, Lorraine – Marshment, Margaret (eds.): The Female Gaze: Women as Viewers of Popular Culture. Seattle: The Real Comet Press, 1989.

Gentile, Mary C.: Film Feminisms: Theory and Practice. Westport, CT: Greenwood Press, 1985. (Egyik fejezete: Marta Meszaros and Women: Learning to Accept Multiplicity.)

Gledhill, Christine: Stardom: Industry of Desire. New York: Routledge, 1991.

Gledhill, Christine: Home is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute, 1987.

Grant, Barry (ed.): Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press, 1996.

Green, Philip: Cracks in the Pedestal: Ideology and Gender in Hollywood. Amherst: University of Massachusetts Press, 1998.

Hart, Lynda: Fatal Women: Lesbian Sexuality and the Mark of Aggression. Princeton, NJ: Princeton University Press, 1994.

Haskell, Molly: Holding My Own in No Man’s Land: Women and Men, Film and Feminists. New York: Oxford, 1997.

Haskell, Molly: From Reverence to Rape: The Treatment of Women in the Movies. New York: Holt, Rinehart and Winston, 1974.

Heck-Rabi, Louise: Women Filmmakers: A Critical Reception. Metuchen, NJ: Scarecrow Press, 1984.

Heide, Margaret J.: Television Culture and Women’s Lives: Thirtysomething and the Contradictions of Gender. Philadelphia: University of Pennsylvania Press, 1995.

Hein, Hilde – Korsmeyer, Carolyn (eds.): Aesthetics in Feminist Perspective. Bloomington: Indiana University Press, 1993.

Hershfield, Joanne: Mexican Cinema/Mexican Woman, 1940–1950. Tucson: University of Arizona Press, 1996.

Higashi, Sumiko: Virgins, Vamps, and Flappers: The American Silent Movie Heroine. St. Albans, VT: Eden Press Women’s Publications, 1978.

Higgins, Lynn A. – Silver, Brenda R. (eds.): Rape and Representation. New York: Columbia University Press, 1990.

Hogan, David J.: Dark Romance: Sex and Death in the Horror Film. Jefferson, NJ: McFarland, 1986.

Hollinger, Karen: In the Company of Women: Contemporary Female Friendship Film. Minneapolis: University of Minnesota Press, 1998.

Humm, Maggie: Feminism and Film. Bloomington: Indiana University Press, 1998.

Isaacs, Susan: Brave Dames and Wimpettes: What Women Really Are Doing on Page and Screen. New York: Ballantine, 1999.

Jacobs, Lea: The Wages of Sin: Censorship and the Fallen Woman Film, 1928–1942. Madison, Wisconsin: University of Wisconsin Press, 1991.

Jeffords, Susan: Hard Bodies: Hollywood Masculinity In the Reagan Era. New Brunswick, NJ: Rutgers University Press, 1993.

Johnston, Claire (ed.): Notes on Women’s Cinema. London: Society for Education in Film and Television, 1973.

Johnston, Claire (ed.): The Work of Dorothy Arzner: Towards a Feminist Cinema. London: British Film Institute, 1975.

Kaplan, E. Ann (ed.): Psychoanalysis and Cinema. New York, London: Routledge, 1990.

Kaplan, E. Ann (ed.): Women in Film Noir. London: British Film Institute, 1978.

Kaplan, E. Ann (ed.): Feminism and Film. New York: Oxford University Press, 2000.

Kaplan, E. Ann: Looking for the Other: Feminism, Film, and the Imperial Gaze. New York: Routledge, 1997.

Kaplan, E. Ann: Women and Film: Both Sides of the Camera. London: Routledge, 1983.

Kay, Karyn – Peary, Gerald (eds.): Women and the Cinema: A Critical Anthology. New York: E.P. Dutton, 1977.

Keough, Peter (ed.): Flesh and Blood: The National Society of Film Cricics on Sex, Violence, and Censorship. San Francisco: Mercury House, 1995.

Kirkham, Pat – Thumin, Janet (eds.): You Tarzan: Masculinity, Movies and Men. London: Lawrence and Wishart Press, 1993.

Kirkham, Pat – Thumim, Janet (eds.): Me Jane. Masculinity, Movies and Women. London: Lawrence and Wishart Press, 1995.

Krutnick, Frank: In a Lonely Street: Film Noir, Genre, and Masculinity. New York: Routledge, 1991.

Kuhn, Annette – Radstone, Susannah (eds.): Women in Film: An International Guide. New York: Fawcett Columbine, 1990.

Kuhn, Annette: The Women’s Companion to International Film. Berkeley: University of California Press, 1990.

Kuhn, Annette: Cinema, Censorship, and Sexuality, 1909-1925. New York: Routledge, 1988.

Kuhn, Annette: The Power of the Image: Essays on Representation and Sexuality. Boston: Routledge & Kegan Paul, 1985.

Kuhn, Annette: Women’s Pictures: Feminism and Cinema. London, Boston: Routledge & Kegan Paul, 1982.

Kurtz, Robin Sue: The Impact of Soap Opera Viewing on Women’s Adjustment Based on Demographic and Effective Variables. Flagstaff, AZ: Northern Arizona University, 1991.

Lane, Christina: Feminist Hollywood: From Born in Flames to Point Break. Detroit: Wayne State University Press, 2000.

Lant, Antonia: Blackout: Reinventing Women for Wartime British Cinema. Princeton, NJ: Princeton University Press, 1991.

LaSalle, Mick: Complicated Women: Sex and Power in Pre-Code Hollywood. New York: Thomas Dunne Books/St. Martin’s Press, 2000.

Lawrence, Amy: Echo and Narcissus: Women’s Voices in Classical Hollywood Cinema. Berkeley: University of California, 1991.

Lewis, Lisa A.: Gender Politics and MTV: Voicing the Difference. Philadelphia: Temple University Press, 1990.

Linville, Susan: Feminism, Film, Fascism: Women’s Auto/Biographical Film in Postwar Germany. Austin: University of Texas Press, 1998.

Locke, Maryel – Warren, Charles (eds.): Jean-Luc Godard’s Hail Mary: Women and the Sacred in Film. Carbondale, IL: Southern Illinois University Press, 1993.

Lupack, Barbara Tepa (ed.): Vision/Re-Vision: Adapting Contemporary American Fiction by Women to Film. Bowling Green: Bowling Green State University, 1996.

Maio, Kathi: Popcorn and Sexual Politics. California: The Crossing Press, 1991.

Maio, Kathi: Feminist in the Dark: Reviewing the Movies. Freedom, CA: The Crossing Press, 1988.

Marantz Cohen, Paua: Alfred Hitchcock: The Legacy of Victorianism. Lexington, KY: University Press of Kentucky, 1995.

Marchetti, Gina: Romance and the “Yellow Peril”: Race, Sex, and Discursive Strategies in Hollywood Fiction. Berkeley: University of California Press, 1993.

Mayne, Judith: Cinema and Spectatorship. London: Routledge, 1993.

Mayne, Judith: Directed by Dorothy Arzner. Bloomington: Indiana University Press, 1994.

Mayne, Judith: Framed: Lesbians, Feminists & Media Culture. Minneapolis: University of Minnesota, 2000.

Mayne, Judith: Kino and the Woman Question: Feminism and Soviet Silent Cinema. Columbus: OSU Press, 1989.

Mayne, Judith: The Woman at the Keyhole: Feminism and Women’s Cinema. Bloomington: Indiana University Press, 1990.

McCreadie, Marsha: The Casting Couch and Other Front Row Seats: Women in Films of the 1970s and 1980s. New York: Greenwood, 1990.

McCreadie, Marsha: The Women Who Write the Movies: From Frances Marion to Nora Ephron. Secaucus, NJ: Carol Publication Group, 1994.

McHugh, Kathleen: American Domesticity: From How-To Manual to Hollywood Melodrama. New York: Oxford University Press, 1999.

Mellon, Joan: Big, Bad Wolves: Masculinity in the American Film. New York: Pantheon, 1977.

Mellon, Joan: Women and Their Sexuality in the New Film. New York: Dell, 1973.

Mellencamp, Patricia: Indiscretions. Bloomington: Indiana University Press, 1990.

Meyers, Marian (ed.): Mediated Women: Representations in Popular Culture. Cresskill, NJ: Hampton Press, 1999.

Modleski, Tania: The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Methuen, 1988.

Modleski, Tania: Feminism without Women: Culture and Criticism in a Postfeminist Age. New York: Routledge, 1991.

Modleski, Tania: Loving with a Vengeance: Mass Produced Fantasies for Women. New York: Routledge, 1984.

Modleski, Tania: Old Wives Tales and Other Women’s Stories. New York: New York University Press, 1998.

Mulvey, Laura: Fetishism and Curiosity. London: The British Film Institute, 1996.

Mulvey, Laura: Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.

Mumford, Laura Stempel: Love and Ideology in the Afternoon: Soap Opera, Women, and Television Genre. Bloomington: Indiana University Press, 1995.

Nordquist, Joan: Audiovisuals for Women. Jefferson, NC: McFarland, 1980.

Olson, Jenni: The Ultimate Guide to Lesbian and Gay Film and Video. New York: Serpents Tail, 1996.

O’Sickey, Ingeborg Majer – von Zadow, Ingeborg (eds.): Triangulated Visions: Women in Recent German Cinema. Albany: State University of New York Press, 1998.

Pacteau, Francette: The Symptom of Beauty. Cambridge, MA: Harvard University Press, 1995.

Parker, Roszika – Pollock, Griseld: Framing Feminism: Art and the Women’s Movement 1970-1985. London: Pandora, 1987.

Penley, Constance – Willis, Sharon (eds.): Male Trouble. Minneapolis: University of Minnesota Press, 1993.

Penley, Constance (ed.): Feminism and Film Theory. New York: Routledge, 1988.

Penley, Constance: Close Encounters: Film, Feminism, and Science Fiction. Minneapolis: University of Minnesota Press, 1991.

Penley, Constance: The Future of an Illusion: Film, Feminism, and Psychoanalysis. Minneapolis: Univeristy of Minnesota Press, 1989.

Petro, Patrice: Joyless Streets: Women and Melodramatic Representation in Weimar Germany. Princeton: Princeton University Press, 1989.

Pietropaolo, Laura – Testaferri, Ada (eds.): Feminisms in the Cinema. Bloomington and Indianapolis: Indiana University Press, 1995.

Pinedo, Isabel: Recreational Terror: Women and the Pleasure of Horror Film Viewing. Albany: State University of New York Press, 1997.

Pomerance, Murray – Sakeris, John (eds.): Pictures of a Generation on Hold: Selected Papers. Toronto: Media Studies Working Group, 1996.

Portuges, Catherine: Screen Memories: The Hungarian Cinema of Marta Meszaros. Bloomington – Indianapolis: Indiana University Press, 1993.

Press, Andrea Lee: Women Watching Television: Gender, Class, and Generation in the American Television Experience. Philadelphia: University of Pennsylvania Press, 1991.

Pribram, E. Deidre (ed.): Female Spectators: Looking at Film and Television. London: Verso, 1988.

Quart, Barbara: Women Directors: The Emergence of a New Cinema. New York: Praeger, 1988.

Quinlan, David: Wicked Women of the Screen. New York: St. Martin’s Press, 1987.

Rabinovitz, Lauren: For the Love of Pleasure: Women, Movies, and Culture in Turn-of-the-Century Chicago. New Brunswick, NJ: Rutgers University Press, 1998.

Renov, Michael: Hollywood’s Wartime Woman: Representation and Ideology. Ann Arbor: UMI Research Press, 1988.

Rich, Ruby B.: Chick Flicks: Theories & Memories of the Feminist Film Movement. Durham, NC: Duke University Press, 1998.

Robertson, Pamela: Guilty Pleasures: Feminist Camp From Mae West to Madonna. Durham, NC: Duke University Press, 1996.

Robin, Diana –Jaffe, Ira (eds.): Redirecting the Gaze: Gender, Theory, and Cinema in the Third World. Albany: State University of New York Press, 1999.

Rose, Jacqueline: Sexuality in the Field of Vision. London: Verso, 1986.

Rosen, Marjorie: Popcorn Venus: Women, Movies, and the American Dream. New York: Coward, McCann & Geoghegan, 1973.

Rosenberg, Jan: Women’s Reflections: The Feminist Film Movement. Ann Arbor: UMI Research Press, 1983.

Rowe, Kathleen: The Unruly Woman: Gender and the Genres of Laughter. Austin: University of Texas Press, 1995.

Ruppert, Jeanne (ed.): Florida State University Conference on Literature and Film, Gender: Literary and Cinematic Representation: Selected Papers from the Eleventh Annual Florida State University Conference on Literature and Film. Tallahassee, FL: State University Press, 1994.

Russo, Vito: The Celluloid Closet: Homosexuality in the Movies. New York: Harper and Row, 1981.

Seger, Linda: When Women Call the Shots: The Developing Power and Influence of Women in Television and Film. New York: Henry Holt and Company, 1996.

Segrave, Kerry – Martin, Linda: The Post-Feminist Hollywood Actress. Jefferson, NC: McFarland, 1990.

Shattuc, Jane: The Talking Cure: TV Talks Shows and Women. New York: Routledge, 1997.

Sheridan, Susan (ed.): Grafts: Feminist Cultural Criticism. London: Verso, 1988.

Sieglohr, Ulrike: Heroines without Heroes: Reconstructing Female and National Identities in European Cinema, 1945–51. New York: Cassell, 2000.

Silverman, Kaja: The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988.

Silverman, Kaja: Male Subjectivity at the Margins. New York: Routledge, 1992.

Simpson, Amelia S.: Xuxa: The MegaMarketing of Gender, Race, and Modernity. Philadelphia: Temple University Press, 1993.

Smith, Sharon: Women Who Make Movies. New York: Hopkinson & Blake, 1975.

Sochen, June: From Mae to Madonna: Women Entertainers in Twentieth-Century America. Lexington: University Press of Kentucky, 1999.

Spigel, Lynn – Mann, Denise (eds.): Private Screenings: Television and the Female Consumer. Minneapolis: University of Minnesota Press, 1992.

Spilsbury, Christina: Women and Film/Television. Frederick, MD: University Publications of America/The American Film Institute, 1979.

Stacey, Jackie: Star-Gazing: Hollywood Cinema and Female Spectatorship. New York: Routledge, 1994.

Staiger, Janet: Bad Women: Regulating Sexuality in Early American Cinema. Minneapolis: University of Minnesota Press, 1995.

Stamp, Shelley: Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon. Princeton, NJ: Princeton University Press, 2000.

Stoddard, Karen M.: Saints and Shrews: Women and Aging in American Popular Film. Westport: Greenwood, 1983.

Straayer, Chris: Deviant Eyes, Deviant Bodies: Sexual Re-Orientations in Film and Video. New York: Columbia University Press, 1996.

Studlar, Gaylyn: In the Realm of Pleasure: Von Sternberg, Dietrich and the Masochistic Aesthetic. Urbana: University of Illinois, 1988.

Studlar, Gaylyn: This Mad Masquerade: Stardom and Masculinity in the Jazz Age. New York: Columbia University Press, 1996.

Sullivan, Kaye: Films for, by and about Women. Metuchen, NJ: Scarecrow Press, 1980.

Sullivan, Kaye: Films for, by, and about Women. II. Metuchen, NJ: Scarecrow Press, 1985.

Tasker, Yvonne: Working Girls: Gender and Sexuality in Popular Cinema. New York: Routledge, 1998.

Tasker, Yvonne: Spectacular Bodies: Gender, Genre, and the Action Cinema. London, New York: Routledge, 1993.

Thornham, Sue (ed.): Feminist Film Theory: A Classical Reader. New York: New York University Press, 1999.

Thornham, Sue: Passionate Detachments: An Introduction to Feminist Film Theory. New York: Oxford University Press, 1997.

Todd, Janet M.: Women and Film. New York: Holmes & Meier, 1988.

Traube, Elizabeth G.: Dreaming Identities: Class, Gender, and Generation in 1980s Hollywood Movies. Boulder, CO: Westview Press, 1992.

Trinh, T. Min-Ha: Framer Framed. New York: Routledge, 1992.

Trinh, T. Min-Ha: When the Moon Waxes Red: Representation, Gender and Cultural Politics. New York: Routledge, 1991.

Trinh, T. Min-Ha: Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington: Indiana University Press, 1989.

Tyler, Parker: Screening the Sexes: Homosexuality in the Movies. New York: Da Capo Press, 1993.

Tyler, Parker: Sex Psyche Etcetera in the Film. New York: Horizon, 1969.

Ussher, Jane: Fantasies of Femininity: Reframing the Boundaries of Sex. New Brunswick, NJ: Rutgers University Press, 1997.

Walker, Janet: Couching Resistance: Women, Film and Psychoanalytic Psychiatry. Minneapolis: University of Minnesota Press, 1993.

Weed, E.: Coming to Terms: Feminism, Theory and Practice. London: Routledge, 1989.

Weldon, Fay: The Life and Loves of a She-Devil. London: Hodder and Stoughton, 1983.

White, Susan: The Cinema of Max Ophuls: Marginality, Magisterial Vision and the Figure of Woman. New York: Columbia University Press, 1995.

Williams, Linda R.: Sex in the Head: Visions of Femininity and Film in D. H. Lawrence. Detroit: Wayne State University Press, 1993.

Willis, Sharon: High Contrast: Race and Gender in Contemporary Hollywood Film. Durham, NC: Duke University Press, 1997.

Wolmark, Jenny: Aliens and Others: Science Fiction, Feminism and Postmodernism. Iowa City: University of Iowa Press, 1994.

Young, Lola: Fear of the Dark: ‘Race’, Gender and the Sexuality in the Cinema. New York: Routledge, 1996.

 

 

Cikkek, tanulmányok

 

Abbe, Elfrieda: Screenings: Films about Violence against Women, Racism, Alzheimer’s Disease and Human Rights in Guatemala. Angles 3 (1995) no. 1.

Addison, Erin: Saving Other Women From Other Men: Disney’s Aladdin. Camera Obscura (January–May 1993) no. 31.

Adelson, Leslie A.: Racism and Feminist Aesthetics: The Provocation of Anne Duden’s Opening of the Mouth. Signs 13 (Winter 1988) no. 2.

Allen, Jeanne Thomas: Fig Leaves in Hollywood: Female Representation and Consumer Culture. In: Gaines, Jane – Herzog, Charlotte (eds.): Fabrications: Costume and the Female Body. New York: Routledge, 1990.

Artel, Linda – Wengraf, Susan: Screening Women’s Films. In: Erens, Patricia (ed.): Issues in Feminist Film Criticism. Bloomington: Indiana University Press, 1990.

Badikian, Baetriz: Food and Sex, That’s All We’re Good For: Images of Women in Like Water for  Chocolate (1993). Film & History 28 (1998) nos. 1–2.

Balsamo, Anne: On the Cutting Edge: Cosmetic Surgery and the Technological Production of the Gendered Body. Camera Obscura (1992) no. 28.

Bergstrom, Janet – Doane, Mary Ann: The Female Spectator: Contexts and Directions. Camera Obscura (May 1989) nos. 20–21.

Bergstrom, Janet: Enunciation and Sexual Difference. In: Penley, Constance (ed.): Feminism and Film Theory. New York: BFI Publishing, 1988.

Bergstrom, Janet: Rereading the Work of Claire Johnston. Camera Obscura (Summer 1979) nos. 3–4. pp. 21–31.

Bernard, Andrea: Experiencing Problems: The Relationship Between Women’s Studies and Feminist Film Theory. Women’s Studies International Forum 18 (1995) no. 1.

Bingham, Dennis: Warren Beatty and the Elusive Male Body in Hollywood Cinema. Michigan Quarterly 33 (Winter 1994) no. 1.

Bodroghkozy, Aniko: Is This What You Mean by Color TV? Race, Gender, and Contested Meanings in NBC’s Julia. In: Dines, Gail – Humez, Jean M. (eds.): Gender, Race and Class in Media: A Text-Reader. Thousand Oaks: Sage Publications, 1995.

Bovenchen, Silvia: Is There a Feminin Aesthetic? (trans. Weckmueller, Beth). New German Critic (Winter 1977) no. 10. Eredeti megjelenés: Aesthetik und Kommunikation 25 (September 1976).

Britton, Andrew: Cary Grant: Comedy and Male Desire. Cineaction! (December 1986) no. 7.

Brown, Jane D. – Schulze, Laurie: The Effects of Race, Gender, and Fandom on Audience Interpretations of Madonna’s Music Videos. In: Dines, Gail – Humez, Jean M. (eds.): Gender, Race and Class in Media: A Text-Reader. Thousand Oaks: Sage Publications, 1995.

Brown, Jeffrey A.: Bullets, Buddies, and Bad Guys: The ‘Action Cop’ Genre. Journal of Popular Film and Television 21 (1993) no. 2.

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Bruno, Giuliana: Spectatorial Embodiments: Anatomies of the Visible and the Female Bodyscape. Camera Obscura (January, 1992) no. 28.

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Fisher, Lucy: The Image of Woman as Image: The Optical Politics of Dames. Film Quarterly 30 (Fall 1976)

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Fuentes, Annette – Schrage, Margaret: Sexual Representation: Deep Inside Porn Stars. Jump Cut (April 1986) no. 32.

Fuss, Diana: Fashion and the Homospectatorial Gaze. Critical Inquiry 18 (1992) pp. 713–737.

Gaines, Jane: White Privilege and Looking Relations: Race and Gender in Feminist Film Theory. In: Carson, Diane – Dittmar, Linda – Welsch, Janice R. (eds.): Multiple Voices in Feminist Film Criticism. Minneapolis: University of Minnesota Press, 1994.

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Ganguly, Keya: Carnal Knowledge: Visuality and the Modern in Charulata. Camera Obscura (1996) no. 37.

Garber, Marjorie: From Dietrich to Madonna: Cross-gender Icons. In: Cook, Pam – Dood, Philip (eds.): Women and Film: A Sight and Sound Reader. Philadelphia: Temple University Press, 1993.

Gledhill, Christine: Developments in Feminist Film Criticism. In: Doane, M. A. – Mellencamp, P. – Williams, L. (eds.): Re-Vision: Essays in Feminist Film Criticism. Los Angeles: American Film Institute, 1984. pp. 18–48.

Gledhill, Christine: Image and Voice: Approaches to Marxist-Feminist Criticism. In: Carson, Diane – Dittmar, Linda – Welsch, Janice R. (eds.): Multiple Voices in Feminist Film Criticism. Minneapolis: University of Minnesota Press, 1994.

Goffmann, Erving: A nemek a reklámokban. In: S. Nagy Katalin (szerk.): Művészetszociológiai szöveggyűjtemény II. Vizuális kommunikáció. Budapest: Gondolat, 1991.

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Kaplan, E. Ann: The Case of the Missing Mother: Maternal Issues in Vidor’s Stella Dallas. Heresies 16 (1983) pp. 81–85.

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Feminista filmes folyóiratok

 

Angles:

1992 óta megjelenő negyedéves amerikai folyóirat. A film- és videoművészetben dolgozó női alkotók munkáival foglalkozik.

 

Camera Obscura:

1976 óta megjelenő, feminizmussal és filmelmélettel foglalkozó amerikai folyóirat.

 

Jump Cut:

1974 óta megjelenő folyóirat. Rendszeresen publikál cikkeket nők és a film témakörében. Az 1974–80 között a lapban megjelent feminista filmelméletet tárgyaló írások bibliográfiája: Jump Cut (March 1981) no. 24–25.

 

Frauen und Film:

1976 óta félévente megjelenő tematikus folyóirat. Kiadja a Stroemfeld Verlag.

Vissza

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