Könyvek, tanulmánykötetek, folyóirat-összeállítások
Andreescu, Florentina C.: From Communism to Capitalism: Nation and State in Romanian Cultural Production. London: Palgrave Macmillan, 2013.
Corciovescu, Cristina – Mihăilescu, Magda (coord.): Cele mai bune zece filme româneşti ale tuturor timpurilor. Iasi: Polirom, 2014.
Corciovescu, Cristina – Mihăilescu, Magda (coord.): Noul cinema românesc. De la tovarăşul Ceauşescu la domnul Lăzărescu. Iaşi: Polirom, 2011.
Ferencz-Flatz, Christian: Incursiuni fenomenologice în noul film românesc. Cluj-Napoca: Editura Tact, 2015.
Fulger, Mihai: „Noul val” în cinematografia românească. Bucureşti: Grupul Editorial ART, 2006.
Gorácz, Anikó: Forradalmárok. Budapest: Mozinet, 2010.
Gorzo, Andrei – State, Andrei (eds.): Politicile filmului. Contribuţii la interpretarea cinemaului românesc contemporan. Cluj-Napoca: Editura Tact, 2014.
Gorzo, Andrei: Lucruri care nu pot fi spuse altfel. Bucureşti: Humanitas, 2012.
Gross, Peter: Mass Media in Revolution and National Development: The Romanian Laboratory. Ames, Iowa: Iowa University Press, 1996.
Ilieşiu, Marilena: Povestea poveştii în filmul românesc (1912-2012). Iaşi: Polirom, 2013.
Kortárs román film. Filmszem 4. (2014) no. 3. http:filmszem.net/archivum/2014-negyedik-evfolyam/
Kortárs román film. Metropolis (2016) no. 2.
Nasta, Dominique: Contemporary Romanian Cinema. History of an Unexpected Miracle. Columbia University Press, 2013.
Petrovszky, Konrad–Ţichindeleanu, Ovidiu: Revoluţia Română televizată. Contribuţii la istoria culturală a mediilor. Cluj-Napoca: Idea Design & Print, 2009.
Pop, Doru: Romanian New Wave Cinema. Jefferson, NC: McFarland, 2014.
Pusca, Anca: Revolution, Democratic Transition and Disillusionment: The Case of Romania. Manchester University Press, 2013. Şerban, Alex. Leo: 4 decenii, 3 ani şi 2 luni cu filmul românesc. Iaşi: Polirom, 2009.
Special Double issue on Romanian Cinema. Film Comment 34 (2010) no. 2-3.
Special Issue 6: Romanian Cinema. Kinokultura. (2007) http:www.kinokultura.com/specials/6/romanian.shtml
Stoil, Michael J.: Balkan Cinema: Evolution after the Revolution. Ann Arbor, MI: UMI Research Press, 1982.
Stojanova, Christina (ed.): The New Romanian Cinema. A Reader. Edinburgh: Edinburgh University Press, 2018. Megjelenés alatt.
Strausz, László: Hesitant Histories on the Romanian Screen. London: Palgrave Macmillan, 2017. Megjelenés alatt.
Țuțui, Marian: A Short History of Romanian Cinema. Bucharest: Noi Media Print, 2011.
Țuțui, Marian: Orient Express: The Romanian and Balkan Cinema. Bucharest: Noi Media Print, 2011.
Ujica, Andrei – von Amelunxen, Hubertus: Television- Revolution: Das Ultimatum des Bildes- Rumanien im Dezember 1989. Weimar: Jonas Verlag, 1990.
Tanulmányok, cikkek, filmelemzések
Andreescu, Florentina C.: Seeing the Romanian Transition in Cinematic Space. Space and Culture 16 (2013) no. 1. pp. 73–87.
Batori, Anna: Power and Acts of Resistance in Cristian Mungiu's 4 Months, 3 Weeks, 2 Days. Studies in Eastern European Cinema 7 (2016) no. 2. pp. 127–138.
Bradeanu, Adina: Microfone Test. In: Iordanova, Dina (ed.): The Cinema of the Balkans. London: Wallflower, 2006.
Dánél, Mónika: 1989/Románia. Újrajátszás, archívum, történelmi esemény. Híd LXXX (2016) no. 5. pp. 5–30.
Dánél, Mónika: Magunk módján. A személyes történelem remedializációja, avagy a közvilágítás felkapcsol(ód)ásának kétféle technikája Porumboiu Volt-e vagy sem? című filmjében. Prizma (2012) no. 8. pp. 56–63.
Dániel, Ferenc: A Conducator árnyéka. Filmvilág 51 (2008) no. 1. pp. 38-40.
Filimon, Monica. Incommunicable Experiences: Ambiguity and Perceptual Realism in Cristi Puiu's Aurora (2010). Studies in Eastern European Cinema 5 (2014) no. 2. pp. 169–184.
Filimon, Monica: Popular Cinema in the 1960s Romania. In: Bahun, Sanja – John Haynes (eds.) Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989. New York: Routledge, 2014. pp. 94-114.
Flusser, Vilém: Die Macht des Bildes. In: Amelunxen, Hubertus von – Ujica, Andrei (eds.): Television-Revolution. Das Ultimatum Des Bildes. Weimar: Jonas Verlag, 1990. pp. 117-125.
Fulger, Mihai: Lényeges vonatkozási pontok az új román filmművészetben. Korunk 3. folyam, 19 (2008) no. 2. http:korunk.org/?q=node/8&ev=2008&honap=2&cikk=8805
Gheorgescu, Lucian: The road movies of the New Romanian Cinema. Studies in Eastern European Cinema 3 (2012) no. 1. pp. 23–40.
Gyenge, Zsolt: This is Not Magritte. Corneliu Porumboiu’s Theory of Representation. Contact Zones 1 (2016) no. 2. http:contactzones.elte.hu/1451-2
Iftene, Daniel: 2013. Truth through the Meaning Glass: Tanacu in Literature, Theatre and Film. Studia Universitatis Babeş–Bolyai, Dramatica LVIII (2013) no. 1. pp. 77–88.
Ilea, Corina: Mediated Memory: Scenarios for Staging the Revolution]. Ekphrasis 9 (2016) no. 2. pp. 83–96.
Ioniță, Maria: Framed by Definitions. Corneliu Porumboiu and the Dismantling of Realism. In: Janelle Suzanne Blankenship and Tobias (eds.): European Visions: Small Cinemas in Transition. 2015, Bielefeld: Transcript, 173–86.
Kernbauer, Eva: Establishing Belief: Harun Farocki and Andrei Ujica, Videograms of a Revolution. Grey Room 41 (Fall 2010) pp. 72–87.
Király, Hajnal: Leave to live? Placeless people in contemporary Hungarian and Romanian films of return. Studies in Eastern European Cinema 6 (2015) no. 2. pp. 169–183.
Király, Hajnal: Looking West: Understanding Socio-Political Allegories and Art References in Contemporary Romanian Cinema. Acta Universitatis Sapientiae, Film and Media Studies 8 (2016) no. 12. pp. 67–86.
Király, Hajnal: Places of Encounter: Thematising Cultural Exchange in Contemporary Hungarian-Romanian Co-Productions. Contact Zones 1 (2016) no. 1. http:contactzones.elte.hu/1063-2
Király, Hajnal: The Unseen and the Unspeakable in Radu Jude's It Can Pass through the Wall. Short Film Studies 7 (2017) no. 2. pp. 177–180.
Maierean, Andreea: The Media Coverage of the Romanian Revolution. CEU Political Science Journal (2006/1) pp. 25–39.
Megyeri, Dániel: A tűzijáték másik oldalán (Cristian Nemescu: California Dreamin’). Prizma. 2010 január 4. http:prizmafolyoirat.com/2010/01/04/megyeri-daniel-a-tuzijatek-masik-oldalan-cristian-nemescu-california-dreamin%E2%80%99/
Nagy, Boglárka: Ma még tegnap van (Răzvan Rădulescu, Melissa de Raaf: Felicia, înainte de toate / Felicia, mindenekelőtt). Filmtett. 2010 szeptember 16. http:www.filmtett.ro/cikk/1953/razvan-radulescu-melissa-de-raaf-felicia-inainte-de-toate-felicia-mindenekelott
Nagy, Bori: Ember az embertelenségben (Marian Crisan: Morgen). Prizma. 2011 május 2. http:prizmafolyoirat.com/2011/05/02/nagy-borbala-ember-az-embertelensegben-marian-crisan-morgen/
Nițu, Ciprian – Parvulescu, Constantin: Challenging Communities of Values. The Peripheral Cosmopolitanism of Marian Crișan’s Morgen. Iluminace 26 (2014) no. 2. pp. 99–118.
Papp Attila Zsolt: Csalódás, főnév. Corneliu Porumboiu: Poliţist, adjectiv / Rendészet, nyelvészet. Filmtett. 2009 június 6. http:www.filmtett.ro/cikk/860/corneliu-porumboiu-politist-adjectiv-rendeszet-nyelveszet
Parvulescu, Constantin: Embodied Histories. Harun Farocki and Andrei Ujică's Videograms of a Revolution and Ovidiu Bose Pastina's Timisoara—December 1989 and the Uses of the Independent Camera. Rethinking History: The Journal of Theory and Practice 17 (2013) no. 3. pp. 354–82.
Parvulescu, Constantin: Post-Heroic Revolution. Depicting the 1989 Events in the Romanian Historical Film of the Twenty-First Century. In: Rosenstone, Robert A. – Constantin Parvulescu (eds.): A Companion to the Historical Film. Hoboken: Wiley-Blackwell, 2013. pp. 365–383.
Parvulescu, Constantin: The Cold World Behind the Window: 4 Months, 3 Weeks and 2 Days and Romanian Cinema’s Return to Real-Existing Communism. Jump Cut 51 (Spring 2009). https:www.ejumpcut.org/archive/jc51.2009/4months/
Pethő, Ágnes: Between Absorption, Abstraction and Exhibition: Inflections of the Cinematic Tableau in the Films of Corneliu Porumboiu, Roy Andersson and Joanna Hogg. Acta Universitatis Sapientiae, Film and Media Studies 7 (2015) no. 11. pp. 39–76.
Pieldner, Judit: History, Cultural Memory and Intermediality in Radu Jude's Aferim!
Acta Universitatis Sapientiae, Film and Media Studies 8 (2016) no. 13. pp. 89–105
Pieldner, Judit: Magic Realism, Minimalist Realism and the Figuration of the Tableau in Contemporary Hungarian and Romanian Cinema. Acta Universitatis Sapientiae, Film and Media Studies 8 (2016) no. 12. pp. 87–114
Pop, Doru: Feminism, feminine discourse and the representation of women in the new Romanian cinema. Ekphrasis 4 (2011) no. 1. pp. 12–37.
Pop, Doru: The “Transnational Turn”. New Urban Identities and the Transformation of the Romanian Contemporary Cinema. Ekphrasis 7 (2014) no. 1. pp. 9–22.
Pop, Doru: The Aesthetics of the Non-Cinematic in Cristian Mungiu’s Cinema. Ekphrasis 9 (2016) no. 2. pp.8–23.
Pop, Doru: Making and Breaking the New Wave Canon in Romanian Cinema. In: Andrea Virginás (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016, pp. 268–288.
Popa, Diana: Probing the Body − Political and Medical (Empty) Authority in the New Romanian Cinema. Acta Universitatis Sapientiae, Film and Media Studies 3 (2011) no. 4. pp. 15−129.
Sándor, Katalin: The Polaroid and the Cross. Media-Reflexivity and Allegorical Figurations in Lucian Pintilie's The Oak (1992). Acta Universitatis Sapientiae, Film and Media Studies 8 (2016) no. 12. pp. 45−66
Șerban, Alex. Leo: Flashback. Hîrtia va fi albastră. http:agenda.liternet.ro/articol/3312/Alex-Leo-Serban/Flashback-Hirtia-va-fi-albastra.html
Șerban, Alexandru Leo: Romanian Cinema: From Modernity to Neo-Realism. Film Criticism 34 (2010) no. 2-3. pp. 2–21.
Simuţ, Andrei: Alternative Histories of the Communist Past: Typologies of Representation in the Romanian Film and Novel after 1989. Ekphrasis 8 (2015) no.1. pp. 175–187.
Strausz, László: A második hullám. Filmvilág 55 (2012) no. 12. pp. 38–41.
Strausz, László: Hesitant Journeys: fugitive and migrant narratives in the new Romanian Cinema. In. Bayman, Louis –Pinazza, Natalia (eds.): Journeys On Screen: Theory, ethics and aesthetics. Edinburgh: Edinburgh University Press, 2017. Megjelenés alatt.
Strausz, László: Realism under Construction: Radu Jude's It Can Pass Through the Wall”, Short Film Studies 7 (2017) no. 2. pp. 149–52.
Turcuş, Claudiu: From the Nostalgia of Aestheticism to the Rediscovery of Ideology. Romanian Literary and Film Criticism After 2000. Ekphrasis 6 (2013) no. 1. pp. 9–24.
Turcuş, Claudiu: Recycling and Confronting Ostalgie under the Romanian Transition. I’m an Old Communist Hag – an Unfaithful Adaptation. Ekphrasis 6 (2013) no. 2. pp. 63–76.
Turcuş, Claudiu: Paradigms of Rememoration in Postcommunist Romanian Cinema. In: Andrea Virginás (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016, pp. 216–244.
Ujică, Andrei: Im Gespräch Mit Livius Ciocârlie, Șerban Foarță, Andrei Pleșu Und Mihai Șora. In: Amelunxen, Hubertus von – Ujica, Andrei (eds.): Television-Revolution. Das Ultimatum Des Bildes. Weimar: Jonas Verlag, 1990. pp. 27-77.
Uricaru, Ioana: 4 Months, 3 Weeks and 2 Days: The Corruption of Intimacy. Film Quarterly 61 (2008) no. 4. pp. 12–17.
Ursa, Mihaela: Monstrous Maternity as Disembodied Materiality in Romanian New Wave Cinema. In: Andrea Virginás (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016, pp. 153–167.
Virginás, Andrea: New Filmic Waves in Hungarian and Romanian Cinema: Allegories or Stories about Flesh? Acta Universitatis Sapientiae, Film and Media Studies 3 (2011) no. 4. pp. 131−141.
Virginás, Andrea: Bányák és kráterek a diegetikus térben, avagy kollektív traumafeldolgozás román-magyar játékfilmekben. Győri Zsolt és Kalmár György (szerk.): Tér és hatalom és identitás viszonyai a magyar filmben. Debrecen: Debreceni Egyetemi Kiadó/Debrecen UP, 2015, pp. 171–182.
Virginás, Andrea: Fragile diegetic spaces and mobile women: coping with trauma in Hungarian and Romanian films. In: Andrea Virginás (ed.): Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016, pp. 66–84.
Virginás, Andrea: Hungarian and Romanian film production in transnational frameworks: small domestic taste. In: Jana Dudková and Katarina Mišíková (eds.): Transformation Processes in Post-Socialist Screen Media. Bratislava: Academy of Performing Arts, Institute of Theatre and Film Research–The Slovak Academy of Sciences, 2016, pp. 77–96.
Virginás, Andrea: Female stardom in contemporary Romanian New Wave cinema: Unglamour? Alphaville Journal of Film and Screen Media (2015) no. 10. http:alphavillejournal.com/Issue10/PDFs/ArticleVirginas.pdf
Young, Benjamin: “Media and Democratic Politics: Videograms of a revolution.” In: Elsaesser, Thomas (ed.): Harun Farocki: working on the sightlines. Amsterdam: Amsterdam University Press, 2004. pp. 245–260.
Zágoni, Balázs: Bombafenntartó misszió. Cristian Nemescu: California dreamin’ (nesfârşit). Filmtett. 2007 november 15. http:www.filmtett.ro/cikk/72/cristian-nemescu-california-dreamin-nesfarsit
Online bibliográfiák
Parvulescu, Constantin: Romanian Cinema. In: Krin Gabbard (ed.): Oxford Bibliographies in Cinema and Media Studies. Oxford: Oxford University Press. http:www.oxfordbibliographies.com/view/document/obo-9780199791286/obo-9780199791286-0156.xml