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About Us

Metropolis, a Hungarian journal of film theory and film history, was founded in 1996 upon the initiative of a handful of students at what was then called Moving Image Theory and Pedagogy program at the Humanities Faculty of Eötvös Loránd University (ELTE), Budapest. (This course of study has since metamorphosed into ELTE’s Film Theory and Film History BA and MA programs.) Since the inception of Metropolis, the editors have been maintaining it primarily from state subventions and from support from non-governmental organizations. »»»

Metropolis Publication and Ethics Policy

Metropolis publishes original, independent research and translations in Hungarian within the expansive fields of screen and cultural studies. Our objective is to contribute to the Hungarian body of literature in screen studies, disseminate new research, and make influential international works in screen studies accessible in Hungarian. We are committed to a flexible, interdisciplinary approach that fosters scientific and cultural dialogue, with an emphasis on open access to research findings. Accordingly, we welcome »»»

English articles

Board & Staff

Editorial board: Yvette Bíró / Gábor Gelencsér / Tibor Hirsch / András Bálint Kovács

Editors: Beja Margitházi / Györgyi Vajdovich / Balázs Varga / Teréz Vincze

Editor-in-chief: Györgyi Vajdovich

Editorial assistant: Helén Jordán

Metropolis is published by Dezső Kosztolányi Cultural Foundation (KDKKA)

Managing director: Balázs Varga

ISSN 1416-8154

ENGLISH ABSTRACTS

Disclaimer

Whilst considerable effort has been made to correctly identify and contact the copyright holders of texts published on our webpage this has not been possible in all cases. We apologise for any apparent negligence and any omissions or corrections brought to our attention will be remedied.