Könyvek
Berry, Chris — Robinson, Luke (eds.): Chinese Film Festivals: Sites of Translation (Framing Film Festivals). New York: Palgrave Macmillan. 2017.
Biskind, Peter: Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. London: Bloomsbury Paperbacks. 2016.
De Valck, Marijke: Film Festivals: History and Theory of a European Phenomenon that Became a Global Network. Dissertation. Amszterdam: University of Amsterdam, ASCA. 2006.
De Valck, Marijke — Kredell, Brendan — Loist, Skadi (eds.): Film Festivals: History, Theory, Method, Practice. New York: Routledge. 2016.
De Valck, Marijke: Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam University Press. 2007.
Edwards, Rona — Skerbelis, Monika: Complete Filmmaker’s Guide to Film Festivals: Your All Access Pass to Launching Your Film on the Festival Circuit. San Fransisco: Michael Wiese Productions. 2012.
Fischer, Alex: Sustainable Projections: Concepts in Film Festival Management. St Andrews: St Andrews Film Studies. 2013.
Fléchet, Anaïs — Gœtschel, Pascale — Hidiroglou, Patricia — Jacotot, Sophie — Moine, Caroline — Verlaine, Julie (eds.): Une histoire des festivals: XXe—XXIe siècle. Párizs: Publications de la Sorbonne. 2013.
Gann, John: Behind the Screens: Programmers Reveal How Film Festivals Really Work. Washington DC: Reel Plan Press. 2012.
Iordanova, Dina (ed.): The Film Festivals Reader. St Andrews: St Andrews Film Studies. 2013.
Iordanova, Dina — Rhyne, Ragan (eds.): Film Festival Yearbook 1: The Festival Circuit. St. Andrews: St. Andrews Film Studies. 2009.
Iordanova, Dina — Cheung, Ruby (eds.): Film Festival Yearbook 2: Film Festivals and Imagined Communities. St. Andrews: St. Andrews Film Studies. 2010.
Iordanova, Dina — Cheung, Ruby (eds.): Film Festival Yearbook 3: Film Festivals and East Asia. St. Andrews: St. Andrews Film Studies. 2010.
Iordanova, Dina — Torchin, Leshu (eds.): Film Festival Yearbook 4: Film Festivals and Activism. St. Andrews: St. Andrews Film Studies. 2012.
Iordanova, Dina — Van de Peer, Stefanie (eds.): Film Festival Yearbook 6: Film Festivals and the Middle East. St. Andrews: St. Andrews Film Studies. 2014.
Jungen, Christian: Hollywood in Cannes: The History of a Love-hate Relationship. Amszterdam: Amsterdam University Press. 2014.
Karl, Lars (ed.): Leinwand zwischen Tauwetter und Frost: Der osteuropäische Spiel- und Dokumentarfilm im Kalten Krieg. Berlin: Metropol. 2007.
Kötzing, Andreas: Kultur- und Filmpolitik im Kalten Krieg: Die Filmfestivals von Leipzig und Oberhausen in gesamtdeutscher Perspektive, 1954—1972. Göttingen: Wallstein. 2013.
Marlow-Mann, Alex (ed.). Film Festival Yearbook 5: Archival Film Festivals. St Andrews: St Andrews Film Books. 2013.
Moine, Caroline: Cinéma et guerre froide: Histoire du festival de films documentaires de Leipzig (1955—1990). Paris: Publications Sorbonne. 2014.
Porton, Richard (ed.): Dekalog 3: On Film Festivals. London: Wallflower Press. 2009.
Pisu, Stefano: Stalin a Venezia: L’Urss alla Mostra del cinema fra diplomazia culturale e scontro ideologico (1932-1953). Soveria Mannelli: Rubbettino. 2013. Reichel-Heldt, Kai: Filmfestivals in Deutschland: Zwischen kulturpolitischen Idealen und wirtschaftspolitischen Realitäten. Frankfurt am Main: Lang. 2007.
Ruoff, Jeffrey (ed): Coming to a Festival Near You: Programming Film Festivals. St Andrews: St Andrews University Press. 2012.
Tascon, Sonia M.: Human Rights Film Festivals: Activism in Context. London, New York: Palgrave Macmillan. 2015.
Taillibert, Christel: Tribulations festivalières: Les festivals de cinéma et audiovisuel en France. Párizs: Harmattan. 2009.
Turan, Kenneth: Sundance to Sarajevo: Film Festivals and the World They Made. Berkley: University of California Press. 2002.
Vallejo, Aida — Peirano, Mariìa Paz (eds.): Film Festivals and Anthropology. Cambridge: Cambridge Scholars Publishing. 2017.
Wong, Cindy Hing-Yuk: Film Festivals: Culture, People, and Power on the Global Screen. New Brunswick, NJ: Rutgers Univ. Press. 2011.
Folyóirat-összeállítás
Festivales cinematográficos [Filmfesztiválok]. Secuencias: Revista de Historia del Cine különkiadás. (2014) 39.
Film Festivals. Film International különkiadás. (2008) 6:4.
Filmove Festivaly [Filmfesztiválok] különkiadás. Iluminace: ˇcasopis pro teorii, historii a estetiku filmu [Journal for Film Theory, History, and Aesthetics] (2014) 26:1. Bláhová Jindˇriška (ed.). Prága.
Metropolis (2016) no. 3.
Other Networks: Expanding Film Festival Perspectives. Synoptique különkiadás. (2015) 3:2.
Cikkek, tanulmányok, könyvfejezetek
Di Chiara, Francesco — Valentina Re: Film Festival/ Film History: The Impact of Film Festivals on Cinema in Democratizing Germany: Reconstructing National Identity after Hitler. Chapel Hill/London: University of North Carolina Press. 1995. pp. 234—259.
Gallinari, Pauline: L’URSS au festival de Cannes 1946-1958: un enjeu des relations francosoviétiques à l’heure de la «guerre froide». 1895: Revue de l’Association Française de Recherche sur l’Histoire du Cinéma 51 (2007). pp. 23—43.
Gimello-Mesplomb, Frédéric — Loredana, Latil: Une politique de cinéma: La sélection française pour Cannes. Protée (2003) 31:2. pp. 17—28.
Gregor, Ulrich: Filmfestival-Chronik des Jahres 1968: Berlin, Cannes, Venedig, Knokke. Recherche Film und Fernsehen (2008) 3. pp. 36—38.
Hagener, Malte: Institutions of Film Culture: Festivals and Archives as Network Nodes. In: Hagener, Malte (ed.): The Emergence of Film Culture: Knowledge Production, Institution Building, and the Fate of the Avant-garde in Europe, 1919—1945. New York: Berghahn. 2014. pp. 283—305.
Iordanova, Dina: The Film Festival as an Industry Node. Media Industries (2015) 1:3. pp. 7—11. (http:www.mediaindustriesjournal.org/index.php/ mij/article/view/98, utolsó hozzáférés: 2017.05.19.) Iordanova, Dina: Showdown of the Festivals: Clashing Entrepreneurships and Post-Communist Management of Culture. Film International (2006) 4:5. pp. 25—37.
Jiřiště, Jakub: Iluzorní obrodný proces karlovarského filmového festivalu: XVI. Mezinárodní festival Karlovy Vary (1968) v reflexi dobového tisku. [The Illusive Revival Process of the Karlovy Vary Film Festival. A Reflection on the 16th Karlovy Vary Film Festival (1968) in the Period Press.] Filmove Cinema Historiography. Il cinema ritrovato and Festivaly különkiadás, Iluminace: ˇcasopis pro teorii,beyond. Cinémas: Revue d’étudescinématographiques (2011) 21:2—3. pp. 131—151.
Elsaesser, Thomas: Film Festival Networks: The New Topographies of Cinema in Europe. Elsaesser, Thomas: European Cinema: Face to Face with Hollywood. Amsterdam: Amsterdam University Press. 2005. pp. 82—107.
Fehrenbach, Heidi: Mass Culture and Cold War Politics: The Berlin Film Festival of the 1950s. In:historii a estetiku filmu (2014) 26:1. pp. 9—37.
Krainhöfer, Tanja C. — Schreiber, Konrad — Wiedemann, Thomas Dr.: Stories and Films Have [no] Boundaries. Study on the Programme Diversity of the Berlin International Film Festival from 1980 to 2016. München: Hochschule für Fernsehen und Film (HFF). 2017.
Lee, Sangjoon: The Emergence of the Asian Film Festival: Cold War Asia and Japan’s Reentrance to the Regional Film Industry in the 1950s. In: Miyao, Daisuke (ed.): The Oxford Handbook of Japanese Cinema. Oxford, New York: Oxford University Press. 2014. pp. 226—244.
Loist, Skadi: Cultural Transfer and Political Conflicts. Film Festivals during the Cold War: 09.05.2014— 10.05.2014, Leipzig. IN H-Soz-Kult (2014. szeptember 11.) (http:hsozkult.geschichte.hu- berlin.de/tagungsberichte/id=5533, utolsó hozzáférés: 2017.05.22.)
Mezias, Stephen, et al.: Much Ado about Nothing? Untangling the Impact of European Premier Film Festivals. Creative Encounters Working Papers 14. Institut for Interkulturel Kommunikation og Ledelse. 2008. szeptember. (http:hdl.handle.net/ 10398/7781, utolsó hozzáférés: 2017.05.19.)
Moine, Caroline: Le fascisme ordinaire’ de Mikhaïl Romm au festival de Leipzig (1965). In: Feigelson, Kristian (ed.): Caméra politique: Cinéma et stalinisme. Theorem. 8. Paris: Presse Sorbonne nouvelle. 2005. pp. 228—239.
Moine, Caroline: Festivals de cinéma et politiques culturelles dans l’Europe de la guerre froide: diversité des enjeux et des acteurs. Territoires contemporains (2012) 3. (http:tristan.u- bourgogne.fr/CGC/publications/Festivals_societes/ C_Moine.html, utolsó hozzáférés: 2017.05.22.)
Moine, Caroline: Z Cannes pˇres Karlovy Vary do Západního Berlína a Benátek: mezinárodní filmové festivaly v bouˇrlivém roce 1968. Film Festivals különkiadás, Iluminace: ˇcasopis pro teorii, historii a estetiku filmu (2014) 26:1. pp. 39—48.
Neves, Joshua: Media Archipelagos: Inter-Asian Film Festivals. Discourse (2012) 34.2—3. pp. 230—239.
Rangan, Pooja: Some Annotations on the Film Festival as an Emerging Medium in India. South Asian Popular Culture (2010) 8:2. pp. 123—141.
Stein, Gabby: Censorship and the Film Festival.Cinema Papers (1997. július) no. 118. pp. 58—59. Stone, Marla: Challenging Cultural Categories: The Transformation of the Venice Biennale Under Fascism. Journal of Modern Italian Studies (1999) 4:2. pp.184—208.
Stringer, Julian: Global Cities and the International Film Festival Economy. In: Fitzmaurice, Tony—Shiel, Mark (eds.): Cinema and the City: Film and Urban Societies in a Global Context. Oxford: Blackwell. 2001. pp. 134—144.
Zielinski, Ger (ed.): Film Festival Pedagogy: Using the Film Festival in or as a Film Course. Spec. Issue of Scope: An Online Journal of Film & TV Studies (2014) 26. (http:www.nottingham.ac.uk/scope/ documents/2014/february/zielinksi.pdf, utolsó hozzáférés: 2017.05.19.)
