Könyvek, tanulmánykötetek
Affron, Charles: Cinema and Sentiment. Chicago: University of Chicago Press, 1982.
Bartsch, Anne – Eder, Jens – Fahlenbrach, Kathrin (eds.): Audiovisuelle Emotionen: Emotionsdarstellung und Emotionsvermittlung durch audiovisuelle Medienangebote. Köln: Herbert von Halem Verlag, 2007.
Brütsch, Matthias – Hediger, Vinzenz – von Keitz, Ursula – Schneider, Alexandra – Tröhler, Margrit (eds.): Kinogefühle: Emotionalität und Film. Marburg: Schüren Verlag, 2005.
Draper, Jack A.: Saudade in Brazilian Cinema: The History of an Emotion on Film. Bristol – Chicago: Intellect, 2017.
Grodal, Torben Kragh: Moving Pictures. A New Theory of Film Genres, Feelings and Cognition. Oxford: Clarendon Press, 1999.
Grodal, Torben Kragh: Embodied Visions: Evolution, Emotion, Culture, and Film. Oxford: Oxford University Press, 2009.
Hanich, Julian: Cinematic Emotion in Horror Films and Thrillers: The Aesthetic Paradox of Pleasurable Fear. New York: Routledge, 2011.
Jenkins, Henry: The Wow Climax: Tracing the Emotional Impact of Popular Culture. New York: New York University Press, 2007.
Laine, Tarja: Feeling Cinema: Emotional Dynamics in Film Studies. New York: Bloomsbury Publishing, 2011.
Laine, Tarja: Shame and Desire: Emotion, Intersubjectivity, Cinema. New York: Peter Lang, 2007.
Laine, Tarja: Bodies in Pain: Emotion and the Cinema of Darren Aronofsky. Oxford: Berghahn Books, 2015.
Plantinga, Carl: Moving Viewers: American Film and the Spectator’s Experience. Berkeley: University of California Press, 2009.
Plantinga, Carl – Smith, Greg M. (eds.): Passionate Views: Film, Cognition, and Emotion. Baltimore: Johns Hopkins University Press, 1999.
Podalsky, Laura: The Politics of Affect and Emotion in Contemporary Latin American Cinema: Argentina, Brazil, Cuba, and Mexico. New York: Palgrave Macmillan, 2011.
Schick, Thomas: Filmstil, Differenzqualitäten, Emotionen: Zur affektiven Wirkung von Autorenfilmen am Beispiel der Berliner Schule. Wiesbaden: Springer-Verlag, 2017.
Singh, Greg: Feeling Film: Affect and Authenticity in Popular Cinema. New York: Routledge, 2014.
Smith, Greg M.: Film Structure and the Emotion System. Cambridge: Cambridge University Press, 2003.
Smith, Murray: Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press, 1995. [A könyv 3. fejezete magyarul: Megragadó karakterek (trans. Andorka György) //Metropolis //(2017) no. 3. pp. 16-44.]
Pribram, E. Deidre: Emotions, Genre, Justice in Film and Television: Detecting Feeling. New York – London: Routledge, 2012.
Tan, Ed S.: Emotion and the Structure of Narrative Film: Film as an Emotion Machine. Hillsdale NJ: Lawrence Erlbaum Associates, 1996.
Uhrig, Meike: Darstellung, Rezeption und Wirkung von Emotionen im Film: Eine interdisziplinäre Studie. Wiesbaden: Springer-Verlag, 2014.
Wassmann, Claudia (ed.): Therapy and Emotions in Film and Television: The Pulse of Our Times. Basingstoke: Palgrave Macmillan, 2016.
Wuss, Peter: Cinematic Narration and its Psychological Impact: Functions of Cognition, Emotion and Play. Newcastle upon Tyne: Cambridge Scholars Publishing, 2009.
Tanulmányok, cikkek, könyvrészletek
Bálint Katalin: A filmszereplő tekintete. A belső fokalizáció befogadás-lélektani vizsgálata. Imágó Budapest (2011) no. 3. pp. 77–94.
Bartsch, Anne – Anderson, J. D. – Anderson, N. Fisher: Meta-emotion and genre-preference. What makes horror films and tear-jerkers enjoyable. In: Anderson, J. D. – Anderson, N. Fischer (eds.): Narration and Spectatorship in Moving Images. Newcastle: Cambridge Scholar Publishing, 2007. pp. 124–35.
Bondebjerg, Ib: Documentary and cognitive film theory. Narrative, emotion and memory. Media and Communication 2 (2014) no. 1. pp. 12–21.
Brain, Robert Michael: Self-projection: Hugo Münsterberg on empathy and oscillation in cinema spectatorship. Science in Context 25 (2012) no. 3. pp. 329–353.
Carroll, Noël: Character-identification? In: Carroll, Noël: The Philosophy of Horror, or Paradoxes of the Heart. New York: Routledge, 1990. pp. 88–96.
Carroll, Noël: Toward a theory of point-of-view editing: communication, emotion, and the movies. Poetics Today 14 (1993) no. 1. pp. 123–141.
Carroll, Noël: Movies, the moral emotions, and sympathy. Midwest Studies in Philosophy 34 (2010) no. 1. pp. 1–19.
Coplan, Amy: Catching characters’ emotions: Emotional contagion responses to narrative fiction film. Film Studies 8 (2006) no. 1. pp. 26–38. [Magyarul: Amikor a szereplők érzelme ragályos: A narratív fikciós filmek által kiváltott érzelmifertőzés-alapú reakciók. (trans. Czifra Réka) //Metropolis //(2017) no. 3. pp. 46-59. ]
Coplan, Amy: Empathic engagement with narrative fictions. The Journal of Aesthetics and Art Criticism 62 (2004) no. 1. pp. 141–152.
Coplan, Amy – Matravers, Derek: Film, literature and non-cognitive affect. Havi, Carel – Tuck, Greg (eds.): New Takes in Film-Philosophy. London: Palgrave Macmillan, 2011. pp. 117–134.
Cohen, Annabel J.: Music as a source of emotion in film. In: Julsin, Patrik N. – Sloboda, John (eds.): Handbook of Music and Emotion: Theory, Research, Applications. Oxford: Oxford University Press, 2011. pp. 879–908.
Curtis, Robin: Expanded empathy: movement, mirror neurons and Einfühlung. In: Anderson, J. D. – Anderson, N. Fischer (eds.): Narration and Spectatorship in Moving Images. Newcastle: Cambridge Scholar Publishing, 2007. pp. 49–62. [Magyarul: Kiterjesztett empátia: Mozgás, tükörneuronok és Einfühlung (trans. Lénárd-Bella Dorina) //Metropolis //(2017) no. 3. pp. 72-79.]
Dadlez, Eva M.: Seeing and imagination: emotional response to fictional film. Midwest Studies in Philosophy 34 (2010) no. 1. pp. 120–135.
Donladson, Lucy Fife: Feeling and filmmaking: the design and affect of film sound. The New Soundtrack 7 (2017) no. 1. pp. 31–46.
Eleftheriotis, Dimitris. Cosmopolitanism, Empathy and the Close-Up. In: Tzioumakis, Yannis – Molloy, Claire (eds.): The Routledge Companion to Cinema and Politics. New York: Routledge, 2016. pp. 203–217.
Fahlenbrach, Kathrin: Emotions in sound: Audiovisual metaphors in the sound design of narrative films. Projections 2 (2008) no. 2. pp. 85–103. [Magyarul: Fahlenbrach, Kathrin: Hangban kifejezett érzelmek. Audiovizuális metaforák a narratív filmek hangtervezésében. (trans. Czifra Réka) //Metropolis //(2015) no. 2. pp. 22–33.]
Gaut, Berys: Empathy and identification in cinema. Midwest Studies in Philosophy 34 (2010) no. 1. pp. 136–157.
Gilon, Daniel: Cinema as an emotional commodity. The horror genre and the commodification of fear. In: Illouz, Eva (ed.): Emotions as Commodities: Capitalism, Consumption and Authenticity. New York: Routledge, 2017. pp. 91–113.
Grodal, Torben Kragh: The PECMA flow: A general model of visual aesthetics. Film Studies 8 (2006) no. 1. pp. 1–11. [Magyarul: A PECMA-folyam: A vizuális esztétika egy általános modellje (trans. Andorka György) //Metropolis //(2017) no. 3. pp. 62-71.] Válogatott bibliográfia
Grodal, Torben Kragh: Pain, sadness, aggression, and joy: An evolutionary approach to film emotions. Projections 1 (2007) no. 1. pp. 91–107.
Hanich, Julian – Winfried Menninghaus – Steve Wilder: Beyond sadness: The multi-emotional trajectory of melodrama. Cinema Journal 56 (2017) no. 4. pp. 76–101.
Harold, James: Mixed feelings: Conflicts in emotional responses to film. Midwest Studies in Philosophy 31 (2010) no. 4. pp. 280–294.
Hesford, Daniel: “Action!... Suspense!... Emotion!” The trailer as cinematic performance. Frames Cinema Journal 3 (2013) http:framescinemajournal.com/article/actionsuspense-emotion-the-trailer-as-cinematicperformance/
Ingram, David: Emotion and affect in eco-films. In: von Mossner, Alexa Weik (ed.): Moving Environments: Affect, Emotion, Ecology, and Film. Waterloo, Ontario: Wilfrid Laurier University Press, 2014. pp. 23–40.
Klinger, Barbara: The art film, affect and the female viewer: The Piano revisited. Screen 47 (2006) no. 1. pp. 19–41.
Kovács András Bálint: Érzelem és gondolkodás a filmben. Az interpretáció megközelítése az érzelmek felől. In: Somlyó Bálint – Teller Katalin (szerk.): Filozófus a műteremben. Tanulmányok Radnóti Sándor 70. születésnapjára. Budapest: Eötvös Kiadó, 2016. pp. 99–104.
Locatelli, Massimo: The psychological construction of emotion. A filmological approach. Comunicazioni sociali 2 (2017) no. 2. pp. 265–275.
McMahon, Jennifer L.: Icons of stone and steel: Death, cinema, and the future of emotion. Death in Classic and Contemporary Film. Palgrave Macmillan, New York, 2013. pp. 73–90.
Michotte van der Berck, Albert: The emotional involvement of the spectator in the sction represented in a film: toward a theory (1953). In: Thinès, Georges – Costall, Allan – Butterworth, George (eds.): Michotte’s Experimental Phenomenology of Perception. Hillsdale: Lawrence Erlbaum, 1991. pp. 209–217.
Mitry, Jean: Participation et identification. In: Mitry, Jean: Esthétique et Psychologie du Cinéma. Paris: Editions Universitaires, 1963. pp. 180-270. [Magyarul: Mitry, Jean: Részvétel és azonosulás. In: Mitry, Jean: //A film esztétikája és pszichológiája//. Filmművészeti Könyvtár 35. Budapest: Filmtudományi Intézet, 1968. pp. 156–170.]
Münsterberg, Hugo: Emotions. In: Münsterberg, Hugo, and Richard Griffith. The film: A psychological study. Courier Corporation, 2004. pp. 48–56.
Neill, Akex: Empathy and (film) fiction. In: Bordwell, David – Carroll, Noël (eds.): Post-Theory. Reconstructing Film Studies. Madison: University of Wisconsin Press, 1996. pp. 175–194.
Oatley, Keith: How cues on the screen prompt emotions in the mind. In: Shimamura, Arthur P. (ed.): Psychocinematics: Exploring Cognition at the Movies. Oxford: Oxford University Press, 2013. pp. 269–284.
Papp-Zipernovszky Orsolya – Bálint Katalin – Kovács András Bálint: Értelem és érzelem filmes narratívumok befogadása során. In: Boros Gábor – Pólya Tibor (szerk.): Szenvedély, szerelem, narrációk. Filozófiai és pszichológiai tanulmányok. Budapest: Eötvös Kiadó, 2014. pp. 188–207.
Plantinga, Carl: The scene of empathy and the human face in film. In: Plantinga, Carl – Smith, Murray (eds.): Passionate Views. Thinking about Film and Emotion Baltimore-London: Johns Hopkins University Press, 1998. pp. 239–255.
Plantinga, Carl: Disgusted at the movies. Film Studies 8 (2006) no. 1. pp. 81–92.
Plantinga, Carl: Art moods and human moods in narrative cinema. New Literary History 43 (2012) no. 3. pp. 455–475.
Plantinga, Carl: The affective power of movies. In: Shimamura, Arthur P. (ed.): Psychocinematics: Exploring Cognition at the Movies. Oxford: Oxford University Press, 2013. pp. 94–112.
Plantinga, Carl: Putting cognition in its place: Affect and the experience of narrative film. In: Thomson-Jones, Katherine (ed.): Current Controversies in Philosophy of Film. New York: Routledge, 2016. pp. 131–147.
Raz, Gal – Talma Hendler: Forking cinematic paths to the self: neurocinematically informed model of empathy in motion pictures. Projections 12 (2014) no. 3. pp. 89–114.
Raz, Gal – Hagin, Boaz – Hendler, Talma: E-Motion pictures of the brain: Recursive paths between affective neuroscience and film studies. In: Shimamura, Arthur P. (ed.): Psychocinematics: Exploring Cognition at the Movies. New York: Oxford University Press, 2013. pp. 285–313. [Magyarul: Raz, Gal – Hagin, Boaz – Hendler, Talma: Az agy érzelmi felvételei. Rekurzív utak az affektív idegtudomány és a filmtudomány között. (trans. Krizsán Mónika és Kiss Zoltán Gergő) //Metropolis //(2014) no. 1. pp. 16–43.]
Rooney, Brendan – Eilis Hennessy: Actually in the cinema: A field study comparing real 3D and 2D movie patrons’ attention, emotion, and film satisfaction. Media Psychology 16 (2013) no. 4. pp. 441–460.
Shaw, Dan: Mirror neurons and simulation theory.: A neurophysiological foundation of cinematic empathy. In: Thomson-Jones, Katherine (ed.): Current Controversies in Philosophy of Film. New York: Routledge, 2016. pp. 148–162.
Smith, Murray: Imagining from Inside. In: Allen, Richard – Smith, Murray (eds.): Film Theory and Philosophy. Oxford: Clarendon Press, 1997. pp. 412–430.
Smith, Murray: Engaging characters: Further reflections. In: Eder, Jens – Jannidis, Fotis – Schneider, Ralf (eds.): Characters in Fictional Worlds: Understanding Imaginary Beings in Literature, Film, and Other Media. Berlin: Walter de Gruyter, 2010. pp. 232–258.
Stadler, Jane: Cinema’s compassionate gaze: Empathy, affect, and aesthetics in The Diving Bell and the Butterfly. In: Choi, Jinhee – Frey, Mattias (eds.): Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship. New York: Routledge, 2013. pp. 37–52.
Stadler, Jane: Empathy and Film. In: Heidi L. Maibom (ed.): Routledge Handbook of Philosophy of Empathy. New York: Routledge, 2017. pp. 317–326.
Visch, Valentijn T. – Ed S. Tan – Molenaar, Dylan: The emotional and cognitive effect of immersion in film viewing. Cognition and Emotion 24 (2010) no. 8. pp. 1439–1445.
Tan, Ed S.: Film-induced affect as a witness emotion. Poetics 23 (1995) no. 1-2. pp. 7–32.
Tan, Ed S.: Three views of facial expression and its understanding in the cinema. Anderson, Joseph D. – Anderson, Barbara F. (eds.): Moving Image Theory. Ecological Considerations. Carbondale: Southern Illinois University Press, 2005. pp. 107–128.
Turvey, Malcolm: Seeing theory: On perception and emotional response in current film theory. In: Allen, Richard – Smith, Murray (eds.): Film Theory and Philosophy. Oxford: Clarendon Press, 1997. pp. 431–457.
Von Moltke, Johannes: Sympathy for the Devil: Cinema, history, and the politics of emotion. New German Critique 102 (2007) pp. 17–43.
Wiley, Norbert: Emotion and film theory. Studies in Symbolic Interaction 26 (2003) pp. 169–187.
Wilson, Emma: Children, emotion and viewing in contemporary European film. Screen 46 (2005) no. 3. pp. 329–340.
Winters, Ben: Corporeality, musical heartbeats, and cinematic emotion. Music, Sound, and the Moving Image 2 (2008) no. 1. pp. 3–25.
Zumalde-Arregi, Imanol: The filmic emotion. A comparative analysis of film theories. Revista Latina de Comunicación Social 66 (2011) pp. 326–349.
Folyóirat-összeállítások
Film and Emotion. Midwest Studies in Philosophy 34 (2010) no. 1.
Viewer Engagement. Cognitive Film Theory. Film Studies 8 (2006) no. 1.
Neurofilmology. Audiovisual Studies and the Challenge of Neuroscience. Cinéma&Cie 14 (2014). no. 22–23.
Online bibliográfia
https:filmstudiesforfree.blogspot.hu/2011/11/onaffect-and-emotion-in-film-and-media.html
