Tanulmányok, cikkek, könyvrészletek
Anderson, Gillian: ‘No Music Until Cue’: The Recon-struction of D. W. Griffith’s Intolerance. Griffithiana (1990) nos. 38–39. pp. 158–169.
Palkó Gábor – Rapcsák Balázs (eds.): Az archívumok elméletei. Helikon (2014) no. 3. http:real-j.mtak.hu/1926/26/Helikon2014.3.pdf
Balogh Gyöngyi: Az első magyar Jókai-film restaurálása. Mire megvénülünk. Filmkultúra Online (2001) https:filmkultura.hu/regi/2001/articles/essays/jokaifilm.hu.html
Balogh Gyöngyi: Egy Janovics-film, Az utolsó éjszaka (1917) azonosításának és restaurálásnak krónikája. Filmspirál (2002) no. 2. pp. 129–155.
Barkóczi Janka: Red Reports: The Evolution of a Hungarian Newsreel Collection. Studies in Eastern European Cinema (2020) no. 2. pp. 140–156.
Besser, Howard: Digital Preservation of Moving Image Material? The Moving Image (2001) no. 2. pp. 39–55.
Bonnard, Martin: Méliès’s Voyage Restoration: Or, The Risk of Being Stuck in the Digital Reconstruction. The Moving Image (2016) no. 1. pp. 139–147.
Borde, Raymond: Film Restoration: Ethical Problems. Archives (1986) no. 1. pp. 90–98.
Bottomore, Stephen: Film Museums: A Bibliography. Film History (2006) no. 3. pp. 327–349.
Bowser, Eileen: Some Principles of Film Restoration. Griffithiana (1990) nos. 38–39. pp. 172–173.
Brandy, Mary Lea: Another Cinema Must be Saved. Journal of Film Preservation (1995) no. 50. pp. 31–35. [Magyarul: Brandy, Mary Lea: Másfajta filmek is megmentésre várnak. Az avantgárd és kísérleti filmek megőrzéséről. (trans. Gál Péter) //Filmspirál// (2000) no. 1. pp. 138–145.]
Brunow, Dagmar: Curating Access to Audiovisual Heritage: Cultural Memory and Diversity in European Film Archives. Image [&] Narrative (2017) no. 1. pp. 97–110.
Byrne, Rob: Restoring The Spanish Dancer. The Moving Image (2012) no. 2. pp. 161–169.
Busche, Andreas: Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration. The Moving Image (2006) no. 2. pp. 1–29.
Cave, Dylan: „Born Digital” – Raised an Orphan?: Acquiring Digital Media through an Analog Paradigm. The Moving Image 8 (2008) no. 1. pp. 1–13.
Cherchi Usai, Paolo: The Conservation of Moving Images. Studies in Conservation (2010) no. 55. pp. 250–257.
Costa, José Manuel: Film Archives in Motion. Journal of Film Preservation (2004) no. 68. pp. 4–13.
COVID-19 dossier. Journal of Film Preservation (2020) no. 103. pp. 7–54.
Crofts, Charlotte: Digital decay. The Moving Image 8 (2008). no. 2. pp. xiii–35.
Cuff, Paul: Interpretation and Restoration: Abel Gance’s La Roue (1922). Film History (2011) no. 2 pp. 223–241.
de Klerk, Nico: Opening the Gates: an Archival Perspective. Aniki: Revista Portuguesa da Imagem em Movimento 3 (2016) no. 2. pp. 214–227.
Enticknap, Leo: Archival Preservation and Restoration. In: Enticknap, Leo: Moving ImageTechnology: From Zoetrope to Digital. London: Wallflower Press, 2005. pp. 187–201.
Enticknap, Leo: Have Digital Technologies Reopened the Lindgren/Langlois Debate? Spectator (2007) no. 1. pp. 10–20.
Fairall, Charles: FoFA: The Future of Film Archiving. Journal of Film Preservation (2016) no. 94. pp. 9–16.
Fazekas Eszter: Zöldeskék, bíbor, sárga. Az 1945 után készült színes filmek fakulásának, felújításának típusproblémái. Filmkultúra Online (2001) https:filmkultura.hu/regi/ 2001/articles/essays/zoldeskek.hu.html.
Fazekas Eszter: Az egyik arc bíbor, a másik penészzöld. Az első magyar színes film, a Ludas Matyi 98%-ban eltűnt színeinek restaurálásáról. Filmkultúra Online (2004) https:filmkultura.hu/regi/2004/articles/essays/ ludasfazek.hu.html
Fossati, Giovanna: Multiple Originals: the (Digital) Restoration and Exhibition of Early Films. In: Gaudreault, André – Dulac, Nicolas – Hidalgo, Santiago (eds.): A Companion to Early Cinema. Malden: Wiley-Blackwell, 2012. pp. 550–567.
Fisher, Bob: Off to Work We Go: The Digital Restoration of Snow White. American Cinematographer (1993) no. 9. pp. 48–54
Francis, David: From Parchment to Picture to Pixels Balancing the Accounts: Ernest Lindgren and the National Film Archive, 70 Years On. Journal of Film Preservation (2006) no. 71. pp. 21–41.
Gracy, Karen F.: Documenting the Process of Film Preservation. The Moving Image (2003) no. 1. pp. 1–41.
Hamar Péter: Csak a fejléc maradt. Volt egyszer egy Filmtudományi Intézet. Filmvilág (2016) no. 4. pp. 23–26.
Heftberger, Adelheid: Access is Not a One-way Street: the Relation between Access to Collections and Cataloguing. Journal of Film Preservation (2022) no. 107. pp. 47–52.
Herrick, Doug.: Toward a National Film Collection: Motion Pictures at the Library of Congress. Film Library Quarterly (1980) nos. 2–3. pp. 5–25.
Horak, Jan-Christopher: Out of the Attic: Archiving Amateur Film. Journal of Film Presevation (1998) no. 56. pp. 50–53. [Magyarul: Horak, Jan-Christopher: A padlás mélyéről: az amatőr filmek archiválása. (trans. Gál Péter) //Filmspirál// (2001) no. 1. pp. 52–58.]
Horwath, Alexander: The Market vs. the Museum. Journal of Film Preservation (2005) no. 70. pp. 5–9.
Jamieson, Krista: Ethical Film Restoration and Concepts of „Original”. Journal of Film Preservation (2015) no. 93. pp. 11–16.
Jenkinson, Brian: The Restauration of Archives Using Digital Techniques. Journal of Film Presevation (1997) no. 54. pp. 35–39. [Magyarul: Jenkinson, Brian: Digitális technológia alkalmazása filmarchívumokban. (trans. Farkas Csaba) //Filmspirál// (1999) no. 5. pp. 143–149.]
Kilcoyne, Sean Patrick: You Shouldn’t Have Been that Senti- mental: Film Restoration Ethics in Hitchcock’s Vertigo. Journal of Information Ethics (2010) no. 1. pp. 57–73.
Koerber, Martin: Notes on the Proliferation of Metropolis (1927). The Moving Image (2002) no. 1. pp. 73–89.
Kurutz Márton: A 9,5 mm-es filmek átmentése a Magyar Nemzeti Filmarchívumban. Filmkultúra Online (2001) https:filmkultura.hu/regi/2001/articles/essays/amatorfilm.hu.html
Lipman, Ross: The Gray Zone: A Restorationist’s Travel Guide. The Moving Image (2009) 2. pp. 1–29.
Mattock, Lindsay Kistler: From Film Restoration to Digital Emulation: The Archival Code of Ethics in the Age of Digital Reproduction. Journal of Information Ethics (2010) no. 1. pp. 74–85.
Matuszewski, Bolesław: A történelem új forrása. (trans. Dávid Csaba) Filmspirál (2000) no. 23. pp. 23–28.
Meyer, MarkPaul: Ethics of Archive Film Restoration Using New Technology. Image Technology (1996) no. 8. pp. 10–12.
Munro, Emily: Living Proof: Exploring the Climate Crisis through Archive Footage. Journal of Film Preservation (2022) no. 106. pp. 12–22.
Nikolaidou, Elli – King, Harrison – Coley, David: Archive Film Stores in the Global South: Can they Combine Film Preservation with Sustainability? Journal of Film Preservation (2021) no. 104. pp. 41–47.
Perjési Zsuzsa: A néma híradók megújulnak. Filmspirál (2001) no. 2. pp. 24–31.
Pescetelli, Marco: Textual Criticism, Hermeneutics and the Restoration of Silent Films. Iris (2012) no. 1. pp. 1–13.
Prelinger, Rick: Archives and Access in the 21st Century. Cinema Journal (2007) no. 3. pp. 114–118.
Ricci, Steven: Saving, Rebuilding, or Making: Archival (Re)Constructions in Moving Image Archives. The American Archivist (2008) no. 71. pp. 433–455.
Russell, Cathrine: The Restoration of The Exiles: The Untimeliness of Archival Cinema. Screening the Past (2012) no. 34. http:www.screeningthepast.com/2012/08/the-restoration-of-the-exiles-the-untimeliness-of-archival-cinema/
Sarikakis, Katharine – Kolokytha, Olga – Rozgonyi, Krisztina: Copyright (and) Culture: The Governance of Audiovisual Archives. Info (2016) no. 6. pp. 42–54.
Schaefer, Eric: In Focus: The 21st Century Archive. Cinema Journal (2007) no. 3. pp. 109–114.
Shuaib, Keith: Copyright and Film Restoration. Journal of Film Preservation (2015) no. 92. pp. 9–14.
Stoddard, Matthew: The Virtual Metropolis: Restoration as Simulacrum. Canadian Journal of Film Studies (2013) no. 2. pp. 2–18.
Thompson, Kristin – Bordwell, David: Film Scholars and Film Archives. Bulletin FIAF (1992) no. 45. pp. 38–43. [Magyarul: Thompson, Kristin – Bordwell, David: Filmet kutatók és filmarchívumok. (trans. Gál Péter) Filmspirál (2000) no. 1. pp. 19–29.
Torma Galina: One-Hundred-Year-Old Hungarian Newsreels – The Latest Research. Journal in Film Preservation (2020) no. 103. pp. 118–128.
Tsuneishi, Fumiko: Resisting Xenophobia: Restoring Die Stadt ohne Juden. Journal of Film Preservation (2021) no. 105. pp. 115–125.
Turci, Arianna: The Use of Digital Restoration within European Film Archives: a Case Study. The Moving Image (2006) no. 1. pp. 111–124.
Skare, Roswitha: Digital Film Preservation: The Search for the Original. Proceedings from the Document Academy (2017) no. 2. pp. 1–8.
Uricchio, William: Archives and Absences. Film History (1995) no. 3. pp. 256–263.
Wallmüller, Julia: Criteria for the Use of Digital Technology in Moving Image Restoration. The Moving Image (2007) no. 2. pp. 78–91.
Walsh, David: How to Preserve Your Films Forever. The Moving Image. 8 (2008) no. 1. pp. 38–41.
Könyvek
Amad, Paula: Counter-Archive: Film, the Everyday, and Albert Kahn’s Archives de la Planète. New York – Chichester: Columbia University Press, 2010.
Blot-Wellens, Camille (ed.): Brown, Harold: Physical Characteristics of Early Films as Aids to Identification. (New expanded edition) Brussels: FIAF, 2020.
Bosma, Peter: Film Programming: Curating for Cinemas, Festivals, Archives. London – New York: Wallflower Press – Columbia University Press, 2015.
Bowser, Eileen – Kuipe, John (eds.): A Handbook for Film Archives. Brussels: FIAF, 1980.
Cere, Rinella: An International Study of Film Museums. London and New York: Routlegde, 2021.
Cherchi Usai, Paolo: The Death of Cinema: History, Cultural Memory and the Digital Dark Age. London: British Film Institute, 2001.
Cherchi Usai, Paolo: Silent Cinema: a Guide to Study, Research and Curatorship. London: British Film Institute, 2019.
Cherchi Usai, Paolo – Francis, David – Horwath, Alexander – Loebenstein, Michael (eds.): Film Curatorship: Archives, Museums, and the Digital Marketplace. Vienna: Synema, 2008.
Decherney, Peter: Imagining the Archive: Film Collecting in America Before MoMA. Ann Arbor: University of Michigan Press, 2001.
de Klerk, Nico: Showing and Telling: Film Heritage Institutes and Their Performance of Public Accountability. Vienna: Ludwig Boltzmann Institute for History and Society, 2017.
Derrida, Jaques: Az archívum kínzó vágya. Freudi impresszió (trans. Bereczki Péter). Ernst, Wolfgang: Archívumok morajlása: rend a rendetlenségből. (trans: Lénárt Tamás). Budapest: Kijárat, 2008
Edmondson, Ray: Audiovisual Archiving: Philosophy and Principles. Third Edition. Paris – Bangkok: United Nations Educational, Scientific and Cultural Organization – UNESCO Bangkok Office, 2016.
Enticknap, Leo: Film Restoration: The Culture and Science of Audiovisual Heritage. Basingstoke, UK: Palgrave Macmillan, 2013.
Erdogan, Nezih – Kayaalp, Ebru (eds.): Exploring Past Images in a Digital Age. Reinventing the Archive. Amsterdam: Amsterdam University Press, 2023.
Fossati, Giovanna: From Grain to Pixel: The Archival Life of Film in Transition. Third Revised Edition. Amsterdam: Amsterdam University Press, 2018.
Fossati, Giovanna – van den Oever, Annie (eds.): Exposing the Film Apparatus: the Archive as a Research Laboratory. Amsterdam University Press, 2016.
Foucault, Michel: A tudás archeológiája. (trans. Perczel István) Budapest: Atlantisz, 2001.
Frick, Caroline: Saving Cinema: The Politics of Preservation. New York: Oxford University Press, 2011.
Forgács Iván (ed.): A Filmarchívum. A Magyar Nemzeti Film- archívum története a kezdetektől napjainkig. Budapest: Magyar Nemzeti Filmarchívum, 2009.
Gracy, Karen: Film Preservation: Competing Definitions of Value, Use, and Practice. Chicago: Society of American Archivists, 2007.
Head, Anne: A True Love for Cinema: Jacques Ledoux, Curator of the Royal Film Archive and Film Museum of Belgium, 1948-1988. The Hague, Netherlands: Universitaire Pers Rotterdam, 1988.
Houston, Penelope: Keepers of the Frame: The Film Archives. London: British FIlm Institute, 1994.
Jones, Janna: The Past Is a Moving Picture: Preserving the Twentieth Century on Film. Florida: University of Florida, 2012.
Lajta Andor: A Filmarchívum és Filmmúzeum emlékirata. Budapest, 1953. Kézirat.
Lameris, Bregt: Film Museum Practice and Film Historiography. Amsterdam: Amsterdam University Press, 2017.
Marlow-Mann, Alex (ed.): Archival Film Festivals. Volume 5. of Film Festival Yearbooks. St Andrews, UK: St Andrews Film Studies, 2013.
Matuszewski, Bolesław: Une nouvelle source de l’histoire. Création d’un dépot de cinématographie historique. Paris: 1898.
Mazzanti, Nicola (ed.): Digital Agenda for the European Film Heritage: Challenges of the Digital Era for Film Heritage Institutions. Final report prepared for the European Commission, DG Information Society and Media, 2011.
McGreevey, Tom – Yeck, Joanne L.: Our Movie Heritage. New Brunswick, NJ: Rutgers University Press, 1997.
Meden, Jurij: Observations on Preserving and Exhibiting Cinema in the Early 21st Century. Vienna: Synema, 2021.
Myrent, Glenn – Langlois, Georges P.: Henri Langlois: First Citizen of Cinema. Paris: Editions Denoël, 1986.
Nissen, Dan – Richter Larsen, Lisbeth – Christensen, Thomas C. – Stub Johnsen, Jesper (eds.): Preserve Then Show. Copenhagen: Danish Film Institute, 2002.
Noordegraaf, Julia – Hediger, Vizenz – Saba, Cosetta – Le Maître, Barbara (eds.): Preserving and Exhibiting Media Art: Challenges and Perspectives. Amsterdam: Amsterdam University Press, 2013.
Op den Kamp, Claudy: The Greatest Films Never Seen: The Film Archive and the Copyright Smokescreen. Amsterdam: Amsterdam University Press, 2018.
Parth, Kerstin (ed.): Work/s in Progress: Digital Film Restoration Within Archives. Vienna: Synema, 2013.
Pelletier, Louis – Stoeltje, Rachael (eds.): Tales from the Vaults: Film Technology over the Years and across Continents. Brussels: FIAF – Techné, 2023.
Read, Paul – Meyer, Mark-Paul (eds.): Restoration of Motion Picture Film. Oxford: Butterworth-Heinemann, 2000.
Roud, Richard: A Passion for Films: Henri Langlois and the Cinémathèque Française. New York: Viking, 1983.
Russell, Catherine: Archiveology: Walter Benjamin and Archival Film Practices. Duke University Press, 2018.
Siewert, Senta: Performing Moving Images. Access, Archives and Affects. Amsterdam: Amsterdam University Press, 2020.
Sitton, Robert: Lady in the Dark. Iris Barry and the Art on Film. New York: Columbia University Press, 2014.
Slide, Anthony: Nitrate Won’t Wait: A History of Film Preservation in the United States. Jefferson, NC: McFarland, 1992.
Smither, Roger – Surowiec, Catherine A. (eds.): This Film Is Dangerous: A Celebration of Nitrate Film. Brussels: FIAF, 2002.
Szabó György (ed.): Magyar Filmtudományi Intézet és Filmarchívum 1957–1982. Budapest: Magyar Filmtudományi Intézet, 1982.
Thompson, Frank T.: Lost Films: Important Movies That Disappeared. Secaucus, NJ: Carol Pub. Group, 1996.
The Film Preservation Guide: The Basics for Archives, Libraries, and Museums. San Francisco: National Film Preservation Foundation, 2004.
Torlasco, Domietta: The Heretical Archive: Digital Memory at the End of Film. Minneapolis: University of Minnesota Press, 2013.
Waldman, Harry: Missing Reels: Lost Films of American and European Cinema. Jefferson, NC: McFarland, 2008.
Wasson, Haidee: Museum Movies: The Museum of Modern Art and the Birth of Art Cinema. Berkeley: University of California Press, 2005
Szakmai folyóiratok
IASA Journal. (Kiadó: International Association of Sound and Audiovisual Archives)
Journal of Film Preservation. (Kiadó: International Federation of Film Archives [FIAF])
The Moving Image. (Kiadó: Association of Moving Image Archivists [AMIA])
Online bibliogáfiák
Film Preservation and Restoration – Oxford bibliography www.oxfordbibliographies.com › obo-9780199791286
Reel Heritage: Film Archives and Scholarship Selected Bibliography, assets.ctfassets.net › Bibliography
Audiovisual archive literature: select bibliography https:unesdoc.unesco.org/ark:/48223/pf0000092444
Glosszáriumok
FIAF Glossary of Filmographic – Terms, https:www.fiafnet.org/pages/E-Resources/Glossary.html
IASA – Cataloguing Rules Appendix D. Glossary, https: www.iasa-web.org/cataloguing-rules/appendix-d-glossary
National Archives – Archival Formats: Glossary of Terms, www.archives.gov/preservation/formats/glossary.html
The National Film and Sound Archive - Preservation Glossary, https:www.nfsa.gov.au/preservation/preservation-glossary
UNESCO – Glossary of Terms Related to the Archiving of Audiovisual Materials, https:webarchive.unesco.org/20160908215803/http:/portal.unesco.org/ci/fr/files/7746/10448729330glossary.pdf/glossary.pdf
A bibliográfiát összeállította: Barkóczi Janka és Margitházi Beja
