Monográfiák, szerkesztett kötetek
Blake, Linnie: The Wounds of Nations: Horror Cinema, Historical Trauma and National Identity. Manchester: Manchester University Press, 2008.
Elm, Michael – Kobi Kabalek – Julia B. Köhne (eds.): The Horrors of Trauma in Cinema: Violence, Void, Visualization. Newcastle upon Tyne: Cambridge Scholars Publishing, 2014.
Elsaesser, Thomas: German Cinema – Terror and Trauma: Cultural Memory since 1945. New York: Routledge, 2013.
Gertz, Nurith – George Khleifi: Palestinian Cinema: Landscape, Trauma and Memory. Edinburgh: Edinburgh University Press, 2008.
Gutiérrez-Albilla, Julián Daniel: Aesthetics, Ethics and Trauma in the Cinema of Pedro Almodóvar. Edinburgh: Edinburgh University Press, 2018.
Hirsch, Joshua: Afterimage: Film, Trauma, and the Holocaust. Philadelphia: Temple University Press, 2004.
Hodgin, Nick – Amit Thakkar (eds.): Scars and Wounds: Film and Legacies of Trauma. Palgrave MacMillan, 2017.
Jelaca, Dijana: Dislocated Screen Memory: Narrating Trauma in Post-Yugoslav Cinema. Palgrave MacMillan, 2016.
Kaes, Anton: Shell Shock Cinema: Weimar Culture and the Wounds of War. Princeton, NJ: Princeton University Press, 2009.
Kaplan, E. Ann – Ban Wang (eds.): Trauma and Cinema: Cross-cultural Explorations. Hong Kong: Hong Kong University Press, 2004.
Kaplan, E. Ann: Climate Trauma: Foreseeing the Future in Dystopian Film and Fiction. Rutgers University Press, 2015.
King, Claire Sisco: Washed in Blood: Male Sacrifice, Trauma, and the Cinema. New Brunswick: Rutgers University Press, 2011.
Lowenstein, Adam: Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film. New York: Columbia University Press, 2005.
Rothberg, Michael: Traumatic Realism: The Demands of Holocaust Representation. Minneapolis: University of Minnesota Press, 2000.
Vighi, Fabio: Traumatic Encounters in Italian film: Locating the Cinematic Unconscious. Bristol: Intellect Books, 2006.
Yosef, Raz – Boaz Hagin (eds.): Deeper than Oblivion: Trauma and Memory in Israeli Cinema. New York: Bloomsbury Publishing, 2013.
Yosef, Raz: The Politics of Loss and Trauma in Contemporary Israeli Cinema. New York: Routledge, 2011.
Cikkek, tanulmányok, könyvfejezetek
Adam, Elena – Simona Mitroiu: Remembering the Past: Representations of Women’s Trauma in Post-1989 Romanian Cinema. Cogent Arts & Humanities 3 (2016) no. 1. pp. 1–14.
Austin, Guy: Seeing and Listening from the Site of Trauma. The Algerian War in Contemporary French Cinema. Yale French Studies 115 (2009) no. 2. pp. 115–125.
Bainbridge, Caroline: The Trauma Debate: Just Looking? Traumatic Affect, Film Form and Spectatorship in the Work of Lars von Trier. Screen 45 (2004) no. 4. pp. 391–400.
Baishya, Anirban Kapil: Trauma, Post-Apocalyptic Science Fiction and the Post-Human. Wide Screen 3 (2011) no. 1. pp. 1–25.
Baraban, Elena: The Fate of a Man by Sergei Bondarchuk and the Soviet Cinema of Trauma. The Slavic and East European Journal 51 (2007) no. 3. pp. 514–534.
Blaney, Aileen: Remembering Historical Trauma in Paul Greengrass’s Bloody Sunday. History & Memory 19 (2007) no. 2. pp. 113–138.
Bean, Jennifer M.: ‘Trauma thrills’: Notes on Early Action Cinema. In: Tasker, Yvonne (ed.): Action and Adventure Cinema. London: Routledge, 2004. pp. 17–30.
Cameron, Allan: History in Real Time: National Trauma and Narrative Synchrony in United 93 and Out of the Blue. Quarterly Review of Film and Video 29 (2012) no. 4. pp. 365–376.
Caruth, Cathy: Literature and the Enactment of Memory. Duras, Resnais: Hiroshima mon amour. In: Unclaimed Experience: Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press, 1996. pp. 25–56. [Magyarul: Caruth, Cathy: Az irodalom és az emlékezet működése (Duras, Resnais, Szerelmem, Hiroshima) Apertúra (2015) tél. uj.apertura.hu/2015/tel/caruth-az-irodalom-es-az-emlekezet-mukodese-duras-resnais-szerelmem-hiroshima/
Dragon Zoltán: Tanúvá válva. Julie Taymor Titus című filmjének traumatikus narratívája. Filológiai közlöny 59 (2013) no. 3. pp. 288–300.
Elsaesser, Thomas: Postmodernism as Mourning Work. Screen 42 (2001) no. 2. pp. 193–201.
Hallam, Lindsay: Genre Cinema as Trauma Cinema: Post 9/11 Trauma and the Rise of ‘Torture Porn’ in Recent Horror Films. In: Broderick, Mick – Antonio Traverso (ed.): Trauma, Media, Art: New Perspectives. Newcastle upon Tyne: Cambridge Scholars Publishing, 2010. pp. 228–236.
Hales, Barbara: Projecting Trauma: The Femme Fatale in Weimar and Hollywood Film Noir. Women in German Yearbook 23 (2007) pp. 224–243.
Hodgkins, John: Not Fade Away: Adapting History and Trauma in László Krasznahorkai’s The Melancholy of Resistance and Béla Tarr’s Werckmeister Harmonies. Adaptation 2 (2009) no. 1. pp. 49–64.
Kalmár György: Testekbe írott kegyetlenség. Sport, trauma és férfiasság a Fehér tenyérben. Apertúra (2015) ősz. uj.apertura.hu/2015/osz/kalmar-testekbe-irott-kegyetlenseg-sport-trauma-es-ferfiassag-a-feher-tenyerben/
Kaplan, E. Ann: Melodrama, Cinema and Trauma.Screen 42 (2001) no. 2. pp. 201–205.
Luckhurst, Roger: Flashbacks, Mosaics and Loops: Trauma and Narrative Cinema. In: The Trauma Question. London – New York: Routledge, 2013. pp. 177–208.
Maron, Jeremy: Bringing the Psychological Past into the Physical Present: The Formal and Narrative Emergence of Traumatic Memory in Sidney Lumet’s The Pawnbroker (1964). Holocaust Studies 15 (2009) no. 3. pp. 57–70.
Maseda, Rebeca: The Secret Lives of Women in the Aftermath of Combat: Female Post Traumatic Stress Disorder in European Cinema. International Journal of the Humanities 9 (2011) no. 9. pp. 123–134.
Narine, Neil: Global Trauma and Narrative Cinema. Theory, culture & society 27 (2010) no. 4. pp. 119–145.
Morag, Raya: Defeated Masculinity: Cost-traumatic cinema in the Aftermath of the Vietnam War. The Communication Review 9 (2006) no. 3. pp. 189–219.
Pheasant-Kelly, Fran: The Ecstasy of Chaos: Mediations of 9/11, Terrorism and Traumatic Memory in The Dark Knight (2008). Journal of War & Culture Studies 4 (2011) no. 2. pp. 235–249.
Portuges, Catherine: Traumatic Memory, Jewish Identities: Remapping the Past in Hungarian Cinema. In: Imre, Anikó (ed.): East European Cinemas. New York: Routledge, 2005. pp. 121–133.
Radstone, Susannah: Trauma and Screen Studies: Opening the Debate. Screen 42 (2001) no. 2. pp. 188–193.
Radstone, Susannah: Screening Trauma: Forrest Gump, Film and Memory. Memory and Methodology (2000) no. 4. pp. 79–110.
Rashkin, Esther: Unmourned Dead, Filtered History, and the Screening of Anti-Semitism in Kieślowski’s A Short Film About Killing. American Imago 66 (2009) no. 3. pp. 311–342. [Magyarul: Rashkin, Esther: El nem gyászolt halál, átszűrt történelem és az antiszemitizmus ábrázolása Kieślowski //Rövidfilm a gyilkolásról// című alkotásában. (trans. Hárs György Péter) //Imágó Budapest //(2013) no. 3. pp. 71–100.]
Rutherford, Anne: Film, Trauma and the Enunciative Present. In: Atkinson, Meera – Richardson, Michael (eds.): Traumatic Affect. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013. pp. 80–102.
Rutten, Ellen: Art as Therapy. Sorokin’s Strifle with the Soviet Trauma Across Media. Russian Literature 65 (2009) no. 4. pp. 539–559.
Turim, Maureen: The Trauma of History: Flashbacks upon Flashbacks. Screen 42 (2001) no. 2. pp. 205–210.
Varga Balázs: Kézzel kikapart múlt. Trauma, emlékezés és identitás kortárs lengyel filmekben. In: Szűcs Teri (ed.): Bevésett nevek. Konferenciakötet. Budapest: Eötvös Loránd Tudományegyetem, 2015. pp. 292–304.
Virginás Andrea: Katalin Varga és Lisbeth Salander: a trauma közvetlen és hipermediális nyomai. In: Kalmár György – Győri Zsolt (eds.): Test és szubjektivitás a rendszerváltás utáni magyar filmben. Debrecen: Debreceni Egyetemi Kiadó, 2013. pp. 15–30.
Virginás, Andrea: Female Trauma in the Films of Szabolcs Hajdu, David Lynch, Cristian Mungiu and Peter Strickland. Studies in Eastern European Cinema 5 (2014) no. 2. pp. 155–168.
Virtue, Nancy E.: Memory, Trauma, and the French-Algerian War: Michael Haneke’s Cache (2005). Modern & Contemporary France 19 (2011) no. 3. pp. 281–296.
Walker, Janet: Trauma Cinema: False Memories and True Experience. Screen 42 (2001) no. 2. pp. 211–216.
Zeng, Li: Ghostly Vengeance, Historical Trauma: The Lonely Ghost in the Dark Mansion (1989). Journal of Chinese Cinemas 7 (2013) no. 2. pp. 109–121.
Zombory Máté – Lénárt András – Szász Anna Lujza: Elfeledett szembenézés. Holokauszt és emlékezet Fábri Zoltán Utószezon című filmjében. Buksz 25 (2013) no. 3. pp. 245–257.
Wells, Robert: Trauma, Male Fantasies, and Cultural Capital in the Films of Pablo Larraín. Journal of Latin American Cultural Studies 26 (2017) no. 4. pp. 503–522.
