Különszámok, tematikus folyóiratok és honlapok
CTheory. http:www.ctheory.com]
Digital Image – Digital Cinema: Siggraph 1990 Art Show Catalog: Leonardo (1990)
Interactivities: Millenium Film Journal 28 (1995)
Lev Manovich: http:www.manovich.net
Screen 40 (1999) no. 2.
Seulemonde
T/E/L/E/C/I/N/E. http:www.rtvf.nwu.edu/telecine/]
Cikkek, tanulmányok, könyvek
Anderson, Christopher: Easy-to-Alter Digital Images. Science (1994) no. 263.
Ars electronica (ed.): Philosophien der neuen Technologie. Berlin: Merve, 1989.
Baecker, R. (ed.): Readings in Human-Computer Interaction: Toward the Year 2000. Morton Kaufman, 1995.
Binckley, Tim: Camera Fantasia. Millennium Film Journal 20 (1988 Fall/Winter) pp. 7–43.
Carley, Verena Andermatt: Rethinking Technologies. Minneapolis: University of Minnesota Press, 1993.
Computer Lib/Dream Machines. Redmond: Microsoft, 1987.
Cubitt, Sean: Digital Aesthetics. London: SAGE, 1998.
Darius, Joh: Beyond Vision. Oxford: Oxford University Press, 1984.
Dencker, K. P. (ed.): Weltbilder/Bildwelten. Interface 2. Hamburg: Hans-Bredow-Institut, 1995.
Dodsworth, C.: Digital Illusion: Entertaining the Future with Interactive Technology. Reading: Addison-Webley, 1997.
Druckery, Timothy (ed.): Electronic Culture: Technology and Visual Representation. Aperture, 1996.
Elsaesser, Thomas: Cain, Abel, or Cable? The Screen Arts in the Digital Age. Amsterdam: Amsterdam University Press, 1998.
Gaggi, Silvio: From Text to Hypertext: Decentering the Subject in Fiction, Film, the Visual Arts and Electronic Media. Pennsylvania: UPP, 1997.
Garrand, Timothy: Scripting Narrative for Interactive Media. Journal of Film & Video 49 (1997) nos. 1–2. pp. 66–79.
Hayles, N. Katherine: Simulating Narratives: What Virtual Creatures Can Teach Us? Critical Inquiry 26 (1999) no. 1. pp. 1–26.
Hayward, Philip–Wollen, Tana (eds.): Future Visions: New Technologies of the Screen. London: BFI, 1993.
Herschman, Lynn Leeson (ed.): Clicking In: Hot Links to a Digital Culture. Seattle: Bay Press, 1996.
Johnston, John: Machinic Vision. Critical Inquiry 26 (1999) no. 1. pp. 27–48. [Magyarul ld. Johnston: Gépies látásmód (Simon Vanda ford.) //Metropolis 5// (2001) no. 2. pp. 44–59.]
Laurck, Brenda (ed.): The Art of Human-Computer Interface Design. Reading: Addison-Wesley, 1990.
Lister, Martin (ed.): The Photographic Image in the Digital Culture. London: Routledge, 1995.
Lovejoy, Margot: Postmodern Currents: Art and Artists in the Age of Electronic Media. Ann Arbor: UMI Research Press, 1988.
Loveless, Richard L. (ed.): The Computer Revolution in the Arts. Tampa: University of South Florida Press, 1989.
Manovich, Lev: Cinema as a Cultural Interface. http:www.manovich.net/text/cinema-cultural.html. [Magyarul ld. Manovich: A film mint kulturális interface (Vajdovich Györgyi ford.). //Metropolis 5// (2001) no. 2. pp. 24–43.]
Marchessault, Janine (ed.): Mirror Machine: Video In The Age of Identity. Toronto: XYZ Publications, 1995.
McMahan, Alison: Branching Characters, Branching Plots: A Narratology of Interactive Media. Amsterdam: Amsterdam University Press, forthcoming.
McMahan, Alison: The Effect of Multiform Narrative on Subjectivity. Screen 40 no. 2. (Summer 1999) pp. 146–157. [McMahan: A többalakú elbeszélés hatásai a szubjektivitásra (Varró Attila ford.). //Metropolis 5// (2001) no. 2. pp. 60–71.]
McQuire, Scott: Crossing the Digital Treshold. Australian Key Centre for Cultural and Media Policy, 1997.
McQuire, Scott: Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera. London: SAGE, 1997.
Mitchell, William, J. T.: The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge: MIT Press, 1992.
Moser, Mary Anne–MacLeod, Douglas (eds.): Art and Virtual Environments. Cambridge: MIT Press, 1996.
Paech, Joachim: Film, Fernsehen, Video un die Künste: Strategien der Intermedialität. Stuttgart–Weimar: Metzler, 1994.
Parkes, Walter: Random Access, Remote Control: The evolution of storytelling. Omni Magazine 1994 January
Passages de l’image. Paris: Centre Georges Pompidou, 1990.
Penny, Simon (ed.): Critical Issues in Electronic Media. New York: SUNY Press, 1995.
Petro, Patrice (ed.): Fugitive Images: From Photography to Video. Bloomington: Indiana University Press, 1995.
Popper, Frank: The Art of the Electronic Age. London: Thames and Hudson, 1993.
Punt, M.: CD ROM: Radical Nostalgia? Cinema History, Cinema Theory and New Technology. Leonardo 28 1995 no. 5.
Robins, Kevin: Into the Image: Culture and Politics in the Field of Vision. London – New York: Routledge, 1996.
Sherman, Barrie – Judkins, Phil: Glimpses of Heaven, Visions of Hell: Virtual Reality and Its Implications. London: Hodder & Stoughton, 1992.
Sobchack, Vivian: The Scene of the Screen: Envisioning Cinematic and Electronic Presence. In: Hans Ulrich Gumbrecht–K. Ludwig Pfeiffer (eds.): Materialities of Communication. Stanford: Stanford University Press, 1994. pp. 83–106. [Magyarul ld. Sobchack: A vászon és a képernyõ színhelye: A filmes és az elektronikus „jelenlét” (Kaposi Ildikó ford.). //Metropolis 5// (2001) no. 1. pp. 8–22.]
Turkle, Sherry: Life on the Screen: Identity in the Age of the Internet. London: Phoenix, 1997.
Zizek, Slavoj: The Plague of Fantasies. London – New York: Verso, 1997.