Könyvek
Balmain, Colette: Introduction to Japanese Horror Film. Edinburgh: Edinburgh University Press, 2008.
Berkes Ildikó – Nemes Károly: A japán film világa. Budapest: Magyar Filmintézet, 1997.
Berra, John (ed.): Directory of World Cinema: Japan. Bristol, Chicago: Intellect Books, 2010.
Bordwell, David: Ozu and the Poetics of Cinema. London: BFI Publishing, 1994.
Broderick, Mick (ed.): Hibakusha cinema: Hiroshima, Nagasaki, and the nuclear image in Japanese film. New York: Columbia University Press, 1996.
Burch, Noel: The Distant Observer. Form and Meaning in the Japanese Cinema. Berkeley, CA: University of California Press, 1979.
Cavanaugh, Carol – Washburn, Dennis (eds.): Word and Image in Japanese Cinema. Cambridge, New York: Cambridge University Press, 2001.
Deamer, David: Deleuze, Japanese Cinema, and the Atom Bomb. Bloomsbury Academic, 2014. [megjelenés előtt]
Desjardins, Chris: Outlaw Masters of Japanese Film. London, New York: L. B. Tauris, 2005.
Desser, David: Eros plus massacre: an introduction to the Japanese New Wave Cinema. Bloomington: Indiana University Press, 1988.
Desser, David (ed.): Ozu’s Tokyo Story. Cambridge: Cambridge University Press, 1997.
Desser, David – Nolletti, Arthur Jr. (eds.): Reframing Japanese cinema: authorship, genre, history. Bloomington: Indiana University Press, 1992.
Dissanayake, Wimal (ed.): Colonialism and nationalism in Asian cinema. Bloomington: Indiana University Press, 1994.
Dissanayake, Wimal (ed.): Melodrama and Asian Cinema. Cambridge: Cambridge University Press, 1993.
Eleftheriotis, Dimitris – Needham, Gary (eds.): Asian Cinemas: A Reader And Guide. Honolulu: University of Hawai’i Press, 2006.
Gerow, Aaron: Visions of Japanese Modernity. Articulations of Cinema, Nation and Spectatorship 1895–1925. Berkeley, CA: University of California Press, 2010.
High, Peter B.: The Imperial Screen: Japanese Film Culture in the Fifteen Years’ War, 1931–1945. Madison: University of Wisconsin Press, 2003.
Hirano, Kyoko: Mr. Smith goes to Tokyo: Japanese Cinema under the American Occupation, 1945–1952. Washington–London: Smithsonian Institution Press, 1992.
Hunter, Jack: Eros in hell: sex, blood and madness in Japanese cinema. London–San Francisco: Creation Books, 1999.
Iles, Timothy: The Crisis of Identity in Contemporary Japanese Film. Personal, Cultural, National. Leiden: Brill, 2008.
Kalat, David: The Definitive Guide to The Ring, The Grudge, and Beyond. New York: Vertical, 2007.
Ko Mika: Japanese Cinema and Otherness: Nationalism, Multiculturalism and the Problem of Japaneseness. New York: Routledge, 2010.
McCarthy, Helen: Hayao Miyazaki: Master of Japanese Animation: Films, Themes, Artistry. Berkeley, CA: Stone Bridge Press, 2002.
McDonald, Keiko I.: From Book to Film: Modern Japanese Literature in Film. New York: M. E. Sharpe, Inc., 2000.
McDonald, Keiko I.: Japanese Classical Theater in Films. London: Associated University Presses, 1994.
McRoy, Jay (ed.): Japanese Horror Cinema. Honolulu: University of Hawai’i Press, 2005.
McRoy, Jay: Japanese Horror Cinema. Edinburgh: Edinburgh University Press, 2006.
McRoy, Jay: Nightmare Japan. Contemporary Japanese Horror Cinema. Amsterdam – New York: Rodopi B. V., 2008.
Michelson, Annette (ed.): Cinema, Censorship and the State: The Writings of Nagisa Oshima 1958–1978. London, Cambridge: October Books, 1992.
Miyao Daisuke: The Aesthetics of Shadow. Lightning and Japanese Cinema. Durham: Duke University Press, 2013.
Nornes, Abé Mark: Japanese Documentary Film: The Meiji Era Through Hiroshimak. Minneapolis: University of Minnesota Press, 2003.
Papp, Zilia: Traditional Monster Imagery in Manga, Anime and Japanese Cinema. Kent: Brill, 2010.
Phillips, Alastair – Stringer, Julian (eds.): Japanese Cinema: Texts and contexts. Abingdon, New York: Routledge, 2007.
Prince, Stephen: The Warrior’s Camera: The Cinema of Akira Kurosawa. Princeton, N.J. : Princeton University Press, 1999.
Richie, Donald: A Hundred Years of Japanese Film. Tokio: Kodanasha International Ltd., 2005.
Richie, Donald: Japanese Cinema: Film Style and National Character. New York: Anchor Books, 1971.
Russel, Catherine: The Cinema of Naruse Mikio. Women and Japanese Modernity. Durham : Duke University Press, 2008.
Russel, Catherine: Classical Japanese cinema revisited. New York: Continuum, 2011.
Quandt, James (ed.): Kon Ichikawa. Toronto: Cinematheque Ontario, 2001.
Sato, Tadao: Kenji Mizoguchi and the art of Japanese Cinema. New York, Oxford: Berg Editorial Offices, 2008.
Schilling, Mark: Contemporary Japanese Film. New York: Weatherhill, 1999.
Schrader, Paul: Transcendental style in film: Ozu, Bresson, Dreyer. New York, N.Y.: Da Capo Press, 1972. [Magyarul: Schrader, Paul: //A transzcendentális stílus a filmben: Ozu / Bresson / Dreyer//. (trans. Kiss Marianne – Novák Zsófia) Budapest: Francia Új Hullám Kiadó, 2011.]
Sharp, Jasper: Behind the pink curtain: the complete history of Japanese sex cinema. Godalming, Surrey: FAB, 2008.
Standish, Isolde: A new history of Japanese cinema: a century of narrative film. London, New York: Continuum, 2006.
Standish, Isolde: Politics, Porn and Protest: Japanese Avant Garde Cinema In The 1960s And 1970s. New York: Continuum, 2011.
Suzuki Ajumi: Animating the Chaos: Contemporary Japanese Anime, Cinema, and Postmodernity. Carbondale, Illinois: Southern Illinois University of Carbondale, 2008.
Tansman, Alain: The Culture of Japanese Fascism. Durham: Duke University Press, 2009.
Tezuka, Yoshiharu: Japanese Cinema Goes Global. Filmworkers’ Journey. Hongkong: Hongkong University Press, 2012.
Turim, Maureen Cheryn: The Films of Oshima Nagisa: Images of a Japanese Iconoclast. Berkeley, CA: University of California Press, 1998.
Vágvölgyi B. András: Tokyo Underground. Budapest: Új Mandátum, 2000.
Wada-Marciano, Mitsuo: Nippon Modern: Japanese Cinema of the 1920s and 1930s. Honolulu: University of Hawai’i Press, 2008.
Wada-Marciano, Mitsuyo: Japanese cinema in the digital age. Honolulu: University of Hawai‘i Press, 2012.
Weisser, Yoko Michara: Japanese Cinema Encyclopedia: Horror, Fantasy and Science Fiction Films. Miami, Florida: Vital Books Incorporated, 1998.
Yoshimoto, Mitsuhiro: Film Studies and Japanese Cinema: Kurosawa. Durham: Duke University Press, 2000.
Folyóirat összeállítás
Sindó Kaneto 100. Filmszem (2012) no. 1. www. filmszem.net; http:issuu.com/filmszem/docs/ filmszem_ii._vf_1.sz_m (utolsó hozzáférés: 2013. 07. 30.)
Cikkek, tanulmányok, könyvfejezetek
Benke Attila: Oshima, a japán élet „pornófilmese”. Oshima Nagisa és a japán identitás. Filmszem 3 (2013 tavasz) no 1. pp. 5–15.
Benke Attila: Felkelő Napok – Politikai modernizmus a japán újhullámban (1960–1972). Metropolis 17 (2013) no. 1. pp. 8–22.
Cubbison, Laurie: Anime Fans, DVDs, and the Authentic Text. The Velvet Light Trap (2005 ősz) no. 56. pp. 45–57.
Csiger Ádám: Harcosok klubja. Japán radikális rendezői. Filmvilág (2013) no. 4. pp. 8–11.
Davis, Darell Williams: Reigniting Japanese Tradition with Hana-Bi. Cinema Journal (2001 Summer) no. 4. pp. 55–80.
Dixon, Wheeler Winston: An Interview with Takashi Shimizu. Quarterly Review of Film & Video (2005) no. 1. pp. 1–16.
Fábics Natália: Kortárs japán horrorfilmek amerikai remake-jei. Metropolis 17 (2013) no. 1. pp. 46–63.
Forgách András: Az utolsó jakuza. A Kitano-kollekció. Filmvilág (2000) no. 11. pp. 4–9.
Fujiki Hideaki: Save Citation Benshi as Stars: The Irony of the Popularity and Respectability of Voice Performers in Japanese Cinema. Cinema Journal (2006 Winter) no. 2. pp. 68–84.
Géczi Zoltán: Az acéltól a szellemig. Kardforgatók Kurosawa árnyékában. Filmvilág (2010) no. 6. pp. 28–32.
Hillenbrand, Margaret: Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema. Cinema Journal (2008 Summer) no. 4. pp. 50–75.
Jurdi Leila: Az incesztus motívuma a japán újhullám filmjeiben. Metropolis 17 (2013) no. 1. pp. 24–44.
Komatsu Hiroshi: Japanese Cinema in the Year 1927. Film History: An International Journal (2005) no. 2–3. pp. 363–375.
Kubiszyn Viktor: A sokk esztétikája. X-generáció: Miike Takashi. Filmvilág (2003) no. 10. pp. 30–35.
Kubiszyn Viktor: Szellem a rendszerben. Kiyoshi Kurosawa. Filmvilág (2005) no. 1. pp. 40–41.
Martin, Daniel: Japan’s Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring. Cinema Journal (2009 Spring) no. 3. pp. 35–51.
Napier, Susan J.: Panic Sites: The Japanese Imagination of Disaster from Godzilla to Akira. Journal of Japanese Studies (1993 Summer) no. 2. pp. 327–351.
Nelson, Kim: Oshima Nagisa. Senses of Cinema (2004 April) no. 31. (http:sensesofcinema.com/2004/ great-directors/oshima/, utolsó hozzáférés: 2013. 01. 21.)
Nuckolls, Charles W.: The Banal Nationalism of Japanese Cinema: The Making of Pride and the Idea of India. The Journal of Popular Culture (2006 October) no. 5. pp. 817–837.
Pusztai Beáta: Képregény + film = rajzfilm? A japán rajzfilm a médiumközi adaptáció hálójában. Apertúra (2012) no. 2. www.apertura.hu/2012/ nyar/pusztai-kepregenyfilm=rajzfilm (utolsó hozzáférés: 2013. 03. 20.)
Pusztai Beáta: Az egészestés mangafeldolgozások narratívájának töredezettsége. Metropolis 17 (2013) no. 1. pp. 64–77.
Serper, Zvika: Kurosawa’s Dreams: A Cinematic Reflection of a Traditional Japanese Context. Cinema Journal (2001 Summer) no. 4. pp. 81–103.
Shapiro, Jerome F.: Atomic Bomb Cinema: Illness, Suffering, and the Apocalyptic Narrative. Literature and Medicine (1998 Spring) no. 1. pp. 126–148.
Stőhr Lóránt: A fantázia forradalma: Oshima, Terayama, Wakamatsu. Filmvilág (2008) no. 12. pp. 8–12.
Vágvölgyi B. András: Erósz és mészárlás. Japán ‘68. Filmvilág (2008) no. 12. pp. 4–7.
Vágvölgyi B. András: Fehér paraszt. Shohei Imamura. Filmvilág (2006) no. 10. pp. 18–22.
Vágvölgyi B. András: Kopár szigetek. Japán ezredvég. Filmvilág (2003) no. 11. pp. 34–38.
Vágvölgyi B. András: A törvényen kívüli. Koji Wakamatsu 1936-2012. Filmvilág (2013) no. 2. pp. 34–35.
Varró Attila: A háromarcú filmes. Kitano Takeshi. In: Zalán Vince (ed.): Filmrendezőportrék. Budapest, Osiris, 2003. pp. 353–369.
Varró Attila: Apokalipszis után. X-generáció: Aoyama Shinji. Filmvilág (2003) no. 10. pp. 36–39.
Varró Attila: Pandemónium Mozi. Art Theatre Guild. Filmvilág (2008) no. 12. pp. 13–15.
Wee, Valerie: Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring. Cinema Journal (2011 Winter) no. 2. pp. 41–60.
Wetmore, Jr. – Kevin, J.: Technoghosts and Culture Shocks: Sociocultural Shifts in American Remakes of J-horror. Post Script (2009) no. 2. pp. 72–81.
Yoshimoto Mitsuhiro: Hollywood, Americanism and the imperial screen: geopolitics of image and discourse after the end of the Cold War. Inter-Asia Cultural Studies (2003) no. 3. pp. 451–459.
Yoshimoto Mitsuhiro: The Difficulty of Being Radical. The Discipline of Film Studies and the Postcolonial World Order. Boundary 2 (1991) no. 3. pp. 242–257. [Magyarul: Yoshimoto Mitsuhiro: A radikalizmus nehézségei. A filmtudomány és a posztkoloniális világrend. (trans. Simon Vanda) //Metropolis// (2001) no. 1. pp. 41–49.]
