As Tears Go By
’Rich’: As tears go by. Variety (Sept 20, 1989) no. 10. p. 32.
Days of Being Wild
Jousse, Thierry: Boy meets girls. Cahiers du Cinema (Mar 1996) no. 500. p. 112–113.
’Lomb’: Ah fei zheng zhuan (Days of being wild). Variety (Apr 1, 1991) no. 11. p. 71.
Niogret, Hubert: Nos années sauvages: d'une terre… l’autre. Positif (Mar 1996) no. 421. pp. 44–46.
Rayns, Tony: Ahfei zhenjuang (Days of being wild). Sight & Sound (Dec 1994) no. 12. pp. 41–42.
Csungking expressz
Charles, John: Chungking express. Video Watchdog (1997) no. 40. pp. 47–49.
Danel, Isabelle: Chungking Express. Télérama (Mar 22, 1995) p. 44.
Dominicus, Mart–Oey, Alexander: Tussen hollen en stilstaan. Skrien (Oct–Nov 1995) no. 204. pp. 14–19.
Elley, Derek: Chung King express (Chunghing samlam). Variety (Aug 22, 1994) no. 4. p. 58.
Győri Hanna: Hongkongi találkozások. Metropolis (2005) no. 4. pp. 92-101.
Hampton, Howard: Blur as Genre. Wong Kar-Wai's film 'Chungking Express'. Artforum 34 (March, 1996) no. 7. pp. 90-94.
Huang, Tsung-Yi: ChungKing Express: Walking with a Map of Desire in the Mirage of the Global City. Quarterly Review of Film and Video (2001) no. 2. pp. 129–142.
Huang, Tsung-yi: Hong Kong Blue: Flaneurie with the Camera's Eye in a Phantasmagoric Global City. International Journal of Narrative Theory 30 (Fall 2000) no. 3. pp. 385-402.
Koll, Horst Peter: Chungking Express. Film dienst (Mar 26, 1996) no. 7. pp. 24–25.
Kühn, Heike: Chungking Express. EPD Film (Apr 1996) no. 4. p. 36.
Pot, Bert: Lessen in camera. Christopher Doyle als smaakmaker. Skrien (May 1998) no. 223. pp. 16–18.
Rayns, Tony: Poet of time. Chungking express (Chongqing senlin). Sight & Sound (Sept 1995) no. 9. pp. 12–16., 47–48.
Ashes of Time
Dissanayake, Wimal: Wong Kar-wai’s Ashes of Time. Hong Kong: Hong Kong University Press, 2003.
Elley, Derek: Ashes of time (Dung che sai duk). Variety (Sept 19, 1994) no. 8. p. 81.
Morrison, Susan: John Woo, Wong Kar-wai, and me: an ethnographic mediation. CineAction (Feb 1995) no. 36. pp. 37–41.
Niogret, Hubert: Les cendres du temps. Positif (Jan 1997) no. 431. pp. 38–39.
Saada, Nicolas: Il était une fois Hong Kong. Cahiers du Cinéma (Dec 1996) no. 508. pp. 70–71.
Teo, Stephen: Wong életrajzi históriái kóbor lovagokról. Metropolis (2005) no. 4. pp. 52-62.
Bukott angyalkák
Ardai Zoltán: Déltengeri presszózene. Filmvilág (1996) no. 8. pp. 56–57.
Bouquet, Stéphane: En beauté. Cahiers du Cinéma (Mar 1997) no. 511. pp. 70–71.
Chiacchiari, Federico: Angeli perduti. Cineforum (May 1996) no. 354. pp. 73–75.
Gross, Larry–Rayns, Tony: Nonchalant grace. Fallen angels/Duoluo tianshi. Sight & Sound (Sept 1996) no. 9. pp. 6–10.
Klady, Leonard: Fallen angels (Duoluo tianshi). Variety (Oct 2, 1995) no. 9. p. 43.
Kühn, Heike: Fallen angels. EPD Film (Jan 1997) no. 1. pp. 42–43.
Minks, Patrick: Zwieren tot het breekpunkt. Skrien (June–July 1996) no. 208. pp. 18–19.
Morrison, Susan: La haine, Fallen angels, and some thoughts on Scorsese’s children. CineAction (Dec 1995) no. 39. pp. 44–50.
Rothe, Markus: En passant: Fluchtmomente. Filmbulletin (Feb 1997) no. 1. pp. 13–17.
Slappnig, Dominik–Kothenschulte, Daniel: Fallen angels. ’Ich bin der DJ meiner Filme’. Zoom (Jan 1997) no. 1. pp. 26–29.
Édes2kettes
Charles, John: Happy together. Video Watchdog (1998) no. 48. pp. 20–21.
Chow, Rey: Nostalgia of the New Wave: Structure in Wong Kar-wai´s Happy Together. Camera Obscura (1999) no. 42. pp. 31–49.
De Bernardinis, Flavio: Happy together. Segnocinema (Nov–Dec 1997) no. 88. pp. 34–35.
Doyle, Christopher: Don’t Try for Me, Argentina: A Photographic Journal. Hong Kong: City Entertainment, 1996.
Elley, Derek: Happy together (Cheun gwong tsa sit). Variety (May 19, 1997) no. 3. p. 50.
Guérin, Nadine: Happy together. Jeune Cinéma (Nov–Dec 1997) no. 246. pp. 49–50.
Jousse, Thierry: Happy together. Cahiers du Cinéma (June 1997) no. 514. p. 20.
Lalanne, Jean-Marc–Burdeau, Emmanuel: Dernier tango… Buenos Aires. Wong Kar-wai, l’alchimiste. Cahiers du Cinéma (Dec 1997) no. 519. pp. 24–29.
Löhndorf, Marion: Happy together. EPD Film (Sept 1997) no. 9. p. 34.
McElhaney, Joe: Happy Together. Senses of Cinema online. www.sensesofcinema.com/contents/cteq/00/10/happy.html
Oosterom, Chris: Uitgebalanceerde verbrokkeling. Skrien (Oct 1997) no. 217. pp. 10–11.
O’Sullivan, Charlotte: Happy together/Chunguang zhaxie. Sight & Sound (May 1998) no. 5. p. 49.
Royer, Geneviève: Happy together. Séquences (Sept–Oct 1997) no. 192. pp. 26–27.
Siegel, Marc: The Intimate Spaces of Wong Kar-Wai. In: Esther C. M. Yau (ed.): At full speed: Hong Kong cinema in a borderless world. Minneapolis and London: Minnesota University Press, 2001. pp. 277–294.
Slappnig, Dominik: Happy together. Cheun gwong tsa-sit. Zoom (Sept 1997) no. 9. pp. 36–37.
Tambling, Jeremy: Wong Kar-Wai’s Happy Together. Hong Kong: Hong Kong University Press, 2003.
Yue, Audrey: What’s so queer about Happy Together? Inter-Asia Cultural Studies (2000) no. 2. pp. 251–264.
Szerelemre hangolva
Cook, Pam: Rethinking Nostalgia. In the Mood for Love and Far from Heaven. In: Cook, Pam: Screening the Past: Memory and Nostalgia in Cinema. London: Routledge, 2004. pp. 1–19.
Forgách András: Túl közel a távolsághoz. Filmvilág (2001) no. 4. pp. 20–24.
Martin, Adrian: Perhaps. Senses of Cinema online. www.sensesofcinema.com/contents/01/13/wong-perhaps.html
Teo, Stephen: Wong Kar-wai’s In the Mood for Love: Like a Ritual in Transfigured Time. Senses of Cinema online. www.sensesofcinema.com/contents/01/13/mood.html
Travers, Peter: In the mood for a great movie? Try ’In The Mood For Love’ Rolling Stone (February 15, 2001) no. 862. p. 84.
2046
Aponyi Noémi: A változatlanság lehetetlensége. Metropolis (2005) no. 4. pp. 102-111.
Ardai Zoltán: Örök szobaszámok. Filmvilág (2005) no. 4. pp. 18–21.
Kenny, Glenn: 2046. Premiere (July 2005) no. 10. p. 48.
Elley, Derek: 2046. Variety (31 May–6 June 2004)
Pamuki Krisztián: Közel az extázishoz. Filmkultúra online. www.filmkultura.hu/2005/articles/films/2046.hu.html
Schwarzbaum, Lisa: 2046: A lush, romantic visin of an emotionally desolate future. Entertainment Weekly (July 12, 2005) p. 57.
Teo, Stephen: 2046: A Matter of Time, a Labour of Love. Senses of Cinema online. www.sensesofcinema.com/contents/05/35/2046.html
A kéz – Eros
Balázs Áron: Eros. MoziNet (2005 október) no. 8. p. 25.
Brunette, Peter: Wong Kar-wai Dominates Uneven ’Eros’. indieWIRE online. www.indiewire.com/movies/movies_040917eros.html
Hornaday, Ann: Unrequited Affection: The Trilogy ’Eros’ Has Too Much Fooling Around. The Washington Post (April 8, 2005) no. 124.
Kenny, Glenn: Eros. Premiere (May 2005) no. 8. p. 36., 38.
Parádi Orsolya: A Vágy hármas tükrében. Filmkultúra online. www.filmkultura.hu/2005/articles/films/eros.hu.html
Schwarzbaum, Lisa: Eros. Entertainment Weekly (April 15, 2005) p. 59.
Thomson, Desson: Eros. The Washington Post (April 8, 2005) no. 124. pp. 46–47.
Zoltán Gábor: Erotikus mintakollekció. Filmvilág (2005) no. 11. pp. 54–56.
Összefoglaló írások, elemzések és interjúk
Ackbar, Abbas: A kiábrándulás erotikája. Metropolis (2005) no. 4. pp.
Ackbar, Abbas: Wong Kar-wai: Hong Kong Filmmaker. In: Ackbar, Abbas: Hong Kong: Culture and Politics of Disappearance. Minneapolis–London: University of Minnesota Press, 1997.
Bíró Yvette: Hongkong blues. Láz és melankólia. In: Bíró Yvette: Nem tiltott határátlépések. Budapest: Osiris 2003. pp. 95–115.
Bordwell, David: Planet Hongkong: Popular Cinema and the Art of Entertainment. Cambridge, MA: Harvard University Press, 2000. pp. 261–289.
Brunette, Peter: Wong Kar-wai. Urbana: University of Illinois Press, 2005.
Chong, Ethel: Urban Alienation in Wong Kar-wai’s Films. Kinema (Spring 2003) kinema.uwaterloo.ca/chong031.htm
Chow, Rey: Sentimental Returns: On the Uses of the Everyday in the Recent Films of Zhang Yimou and Wong Kar-Wai. New Literary History 33 (2002) no. 4, pp. 639-654.
Gan, Wendy: Surviving Desire: Rewriting the Romance in the Films of Wong Kar Wai. SPAN: Journal of the South Pacific Association for Commonwealth Literature and Language Studies 50 (Spring 2000) pp. 83-98.
Gross, Larry: "Nonchalant Grace." (analyses of Wong Kar-Wai's films) Sight and Sound 6 (Sept, 1996) no. 9. pp. 6-12.
Havis, Richard J.: Wong Kar-wai: One Entrance, Many Exits. Cinemaya (Oct/Dec 1997) pp. 15-16.
Lalanne, Jean-Marc–Martinez, David–Abbas, Ackbar–Ngai, Jimmy (eds.): Wong Kar-wai. Paris: Dis Voir, 1997.
Margitházi Beja: A stílus szűrőjén át. Wong Kar-wai filmjeinek facialitásáról. Metropolis (2005) no. 4. pp. 112-132.
Mazierska, Eva–Rascaroli, Laura: Trapped in the Present: Time in the Films of Wong Kar-Wai. Film Criticism (Winter 2000–2001) no. 2. pp. 2–20.
Nánay Bence: Az idő közelképe. A lassítás Wong Kar-wai filmjeiben. Metropolis (2005) no. 4. pp. 134-141.
Nevelős Zoltán–Speier Dávid: Hongkongi képfegyver. Filmvilág (1996) no. 2. pp. 38–43.
Payne, Robert M.: Ways of seeing wild: the cinema of Wong Kar-wai. Jump Cut (Fall 2001) no. 44. www.ejumpcut.org/archive/jc44.2001/payne%20for%20site/wongkarwai1.html
Rouyer, Philippe–Carbon, Julien–Ciment, Michel: Wong Kar-wai. Positif (Apr 1995) no. 410. pp. 33–45.
Siegel, Marc: The Intimate Spaces of Wong Kar-wai. In: Esther C.M. Yau (ed.): At full speed: Hong Kong cinema in a borderless world. Minneapolis: University of Minnesota Press, 2001. pp: 277-94.
Stephens, Chuck: Time Pieces: Wong Kar-Wai and the Persistence of Memory. Film Comment (1996) no .1. pp. 12–18.
Stőhr Lóránt: Wong Kar-wai és a melodráma. Metropolis (2005) no. 4. pp. 36-51.
Teo, Stephen: Wong Kar-wai: Auteur of Time. London: British Film Institute, 2005.
Toh, Hai Leong: Wong Kar-wai: Time, Memory, Identity. Kinema (Spring 1995) kinema.uwaterloo.ca/toh951.htm
Tsui, Curtis: Subjective Culture and History: The Ethnographic Cinema of Wong Kar-wai. Asian Cinema (1995) no. 2. pp. 93–124.
Vágvölgyi B. András: Hongkongi nouvelle vague. Filmvilág (1997) no. 8. pp. 52–54.
Varga Balázs: Határhelyzetek. Metropolis (2005) no. 4. pp. 8-19.
Vazquez, Louis: Die Kreativität der Verlorenen im Angesicht Babylons. Fragmentierung und Großstadt in den Filmen von Wong Kar-wai. In: Stiglegger, Marcus (ed.): Splitter im Gewebe. Filmemacher zwischen Autorenfilm und Mainstreamkino. Mainz: Bender Verlag, 2000. pp. 286–301.
Vincze Teréz: Anamnézia. Idő, emlékezés, felejtés Wong Kar-wai filmjeiben. Metropolis (2005) no. 4. pp. 64-75.
Wong Kar-wai-összeállítás. Positif (Dec 1997) no. 442. pp. 4–22.
Rayns, Tony (ed.): Wong Kar-Wai on Wong Kar-Wai. London: Faber, 2002.
Wright, Elizabeth: Wong Kar-wai. Senses of cinema online. www.sensesofcinema.com/contents/directors/02/wong.html
Yeh, Emilie Yueh-Yu: Önálló élet: zenei diskurzusok Wong Kar-wai filmjeiben. Metropolis (2005) no. 4. pp. 76-90.
