Műfajtörténeti művek:

Brosnan, John: The Horror People. London: Macdonald and Jane’s, 1976.

Dika, Vera: Games of Terror: Halloween, Friday the 13th, and the films of the stalker cycle. Rutherford, N.J./London: Associated University Presses, 1990.

Everson, William K.: Classics of the Horror Film. Secaucus, N.J.: Citadel Press, 1974.

Fischer, Dennis: Horror Film Directors 1931–1990. Jefferson N.C.: McFarland, 1991.

Flynn, John L.: Cinematic Vampires: The Living Dead on Film and Television, from the Devil’s Castle (1896) to Bram Stoker’s Dracula (1992). Jefferson, N.C./London: McFarland, 1992.

Gagne, Paul: The Zombies That Ate Pittsburgh: The Films of George A. Romero. New York: Dodd, Mead & Co., 1987.

Gifford, Dennis: A Pictoral History of Horror Movies. London: Hamlyn, 1977.

Glut, Donald F.: The Dracula Book. Metuchen, N.J./London: Scarecrow Press, 1975.

Hardy, Phil: Horror. London: Aurum Press, 1993.

Hutchison, Tom: Horror and Fantasy in the Movies. New York: Crescent Books, 1974.

Jankovich, Mark: Horror. London: B. T. Batsford, 1992.

Jones, Stephen: The Illustrated Vampire Movie Guide. London: Titan Books, 1993.

Joslin, Lyndon W.: Count Dracula Goes to the Movies: Stoker's Novel Adapted, 1922-1995. Jefferson, N.C.: McFarland, 1999.

Kinnard, Roy: Horror in Silent Films: A Filmography, 1896-1929. Jefferson, N.C.: McFarland, 1995.

Maddrey, Joseph: Nightmares in Red, White and Blue. The Evolution of the American Horror Film. Jefferson, N.C.: McFarland, 2004.

Mank, Gregory W.: It’s Alive! The Classic Cinema Saga of Frankenstein. London: Tantivy Press, 1981.

Mank, Gregory W.: Karloff and Lugosi: The Story of a Haunting Collaboration. Jefferson, N.C./London: McFarland, 1990.

Mank, Gregory W.: Hollywood Cauldron: Thirteen Horror Films from the Genre’s Golden

Age. Jefferson, N.C.: McFarland, 1993.

Mank, Gregory W.: Women in Horror Films, 1930s. Jefferson, N.C.: McFarland, 1999.

McCallum, Lawrence.: Italian Horror Films of the 1960s: A Critical Catalog of 62 Chillers. Jefferson, NC: McFarland, 1998.

McCarty, John: Splatter Movies: Breaking the Last Taboo of the Screen. Bromley, Kent: Columbus Books, 1984.

McCarty, John: The Modern Horror Film: 50 Contemporary Classics. New York: Carol Publishing Group, 1990.

McCarty, John: Movie Psychos and Madmen: Film Psychopaths from Jekyll and Hyde to Hannibal Lecter. Secaucus, N.J.: Carol Pub. Group, 1993.

McDonagh, Maitland: Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento. London: Sun Tavern Fields, 1991.   

Newman, Kim: Nightmare Movies. A Critical History of the Horrorfilm. London: Bloomsbury, 1988.

Paul,William: Laughing, Screaming. Modern Hollywood Horror and Comedy. New York: Columbia University Press, 1994.

Pirie, David: A Heritage of Horror: The English Gothic cinema, 1946-1972. London: Gordon Fraser, 1973.

Pirie, David: Hammer: A Cinema Case Study. London: BFI Education, 1980.

Robb, Brian J.: Screams and Nightmares: The Films of Wes Craven. Woodstock N.Y.: Overlook, 1998.

Schoell, William: Stay out of the Shower: 25 Years of Shocker Films, Beginning with "Psycho". New York: Dembner Books, 1985.

Siegal, Joel E.: Val Lewton: The Reality of Terror. London: British film Institute, 1972.

Skal, David J.: Hollywood Gothic: The Tangled Web of Dracula from Novel to Stage to Screen. London: W. W. Norton, 1990.

Skal, David J.: The Monster Show: A Cultural History of Horror. New York: W. W. Norton, 1993.

Stell, John: Psychos! Sickos! Sequels!: Horror Films of the 1980s. Baltimore, M.D.: Midnight Marquee Press, 1998.

Ursini, James & Silver, Alain: The Vampire Film: from Nosferatu to Bram Stoker’s Dracula. New York: Limelight Editions, 1993.

Tudor, Andrew: Monsters and Mad Scientists. A Cultural History of the Horror Movie. Oxford: Basil Blackwell, 1989. [Magyarul részlet: Narratívák. (ford. Simon Vanda) //Metropolis 10 //(2006) no. 1. pp. 68-86.]

Tohill, Cathal& Tombs, Pete: Immoral tales: European Sex & Horror Movies 1956-1984. New York: St. Martin's Griffin, 1995.

Weaver, Tom: Poverty Row Horrors! Jefferson N.C.: McFarland, 1993.

Wells, Paul: The Horror Genre: From Beelzebub to Blair Witch. London: Wallflower, 2000.

Williams, Tony: Hearths of Darkness: The Family in the American Horror Film. Madison: Fairleigh Dickinson University Press, 1996.

Wood, Robin: Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986.

Műfajelméleti művek:

Benshoff, Harry M.: Monsters in the Closet: Homosexuality and the Horror Film. New York: Manchester University Press, 1997.

Berenstein, Rhona J.: Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema. New York: Columbia University Press, 1996.

Carroll, Noël: The Philosophy of Horror or Paradoxes of the Heart. New York/London: Routledge, 1990. [Magyarul részlet: A horror paradoxona. (ford. Buglya Zsófia) //Metropolis 10 //(2006) no. 1. pp. 32-66.]

Clover, Carol J.: Men, Women, and Chain Saws: Gender in the Modern Horror Film. Princeton, N.J.: Princeton University Press, 1992.

Creed, Barbara: The Monstrous-Feminine: Film, Feminism, and Psychoanalysis. London: Routledge, 1993.

Derry, Charles: Dark Dreams: a Psychological History of the Modern Horror Film. South Brunswick: A. S. Barnes, 1977.

Freeland, Cynthia: The Naked and the Undead: Evil and the Appeal of Horror. Boulder, C.O.: Westwiew Press, 1999.

Hawkins, Joan: Cutting Edge: Art-Horror and the Horrific Avant-Garde. Minneapolis:

University of Minnesota Press, 2000.

Hogan, David J.: Dark Romance: Sexuality in the Horror Film. Jefferson, N.C./London: McFarland, 1986.

Iaccino, James F.: Psychological Reflections on Cinematic Terror: Jungian Archetypes in Horror Films. Westport, Conn.: Praeger, 1994.

King, Stephen: Danse Macabre. London: Macdonald Futura, 1981. [Magyarul részletek: Haláltánc. (ford. Varró Attila) //Filmvilág 42 //(1999) no. 3. pp. 30–33.]

Kristeva, Julia: Powers of Horror: An Essay on Abjection. New York: Columbia University Press, 1982.

Leffler, Yvonne: Horror as Pleasure: The Aesthetics of Horror Fiction. Stockholm: Almqvist & Wiksell, 2000.

Newman, Kim: Nightmare movies: a critical guide to contemporary horror films. New York: Harmony Books, 1988.

Pinedo, Isabel Cristina: Recreational Terror: Women and the Pleasures of Horror Film Viewing. Albany, N.Y.: State University of New York Press, 1997.

Rasmussen, Randy Loren: Children of the Night: The Six Archetypal Characters of Classic Horror Films. Jefferson, N.C.: McFarland, 1998.

Tudor, Andrew: Monsters and mad scientists: a cultural history of the horror movie. Oxford–New York: B. Blackwell, 1989.

Twitchell, James B.: Dreadful Pleasures. An Anatomy of Modern Horror. New York/ Oxford: Oxford University Press, 1985.

Tanulmányok, tanulmánykötetek:

Brophy, Phil: Horrality – The Textuality of Contemporary Horror Films. Screen 27 (1986) no. 1. pp. 2–13.

Carroll, Noël: Nightmare and the Horror Film: The Symbolic Biology of Fantastic Beings. Film Quarterly 34 (1981) no. 3. Pp. 16–25.

Carroll, Noël: Horror and Humor. Journal of Aesthetics & Art Criticism 57 (1999) no. 2. pp. 145–60.

Creed, Barbara: Horror and the Monstrous-Feminine. Screen 27 (1986) no. 1. pp. 44–70. [Magyarul: A horror és az iszonytató nőiség (ford. Vajdovich Györgyi) //Metropolis 10 //(2006) no. 1. pp. 88-108.]

Clover, Carol J.: Her Body, Himself: Gender in the Slasher Film. Representations 20 (1987) ősz. pp. 187–228.

Collins, Michael J.: Medicine, Surrealism, Lust, Anger, and Death: Three Early Films by David Cronenberg. Post-Script: Essays in Film and the Humanities 15 (1996) no. 2. pp. 62–69.

Dillard, R. H. W.: A rémfilm borzalma és költészete. (ford. Hernádi Miklós) In: Kenedi János (szerk.): Írók a moziban. Budapest: Magvető, 1971. pp. 384–390.

Evans, Walter: Monster Movies: A Sexual Theory. Journal of Popular Film 2 (1973) no. 4. pp. 253–265.

Freeland, Cynthia: Feminist Frameworks for Horror Films. In: Bordwell, David – Carroll, Noël (eds.): Post-Theory: Reconstructing Film Studies. University of Wisconsin Press, 1996. pp. 195–218.

Grant, Barry Keith (ed.): Planks of Reason: Essays on the Horror Film. Metuchen, N.J.: Scarecrow Press, 1984.

Grant, Barry Keith (ed.): The Dread of Difference: Gender and the Horror Film. Austin: University of Texas Press, 1996.

Grant, Michael: The „Real” and the Abominations of Hell. Carl Theodor Dreyer’s Vampyr and Lucio Fulci’s The Beyond. http:www.kinoeye.org/03/02/grant02.php

Guerrero, Edward: Az AIDS mint szörnyeteg a tudományos-fantasztikus és horrorfilmekben. (ford. Turcsányi Sándor) In: Nagy Zsolt (szerk.): Tarantino előtt. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum Kiadó, 2000. pp. 106–120.

Heller, Terry: A terror és a fenséges. (ford. Hegedűs Orsolya) Prae 5 (2004) no. 1. pp. 5–17.

Hendershot, Cyndy: The Cold War Horror Film: Taboo and Transgression in The Bad Seed, The Fly, and Psycho. Journal of Popular Film and Television 29 (2001) no. 1. pp. 20–31.

Humphries, Reynold: The Semiotics of Horror: The Case of Dracula's Daughter. Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis 5 (2000) no. 2. pp. 273–289.

Ishii-Gonzales, Sam: Mario Bava. http:www.sensesofcinema.com/contents/directors/04/bava.html

Jackson, Neil: Cannibal Holocaust, Realist Horror and Reflexivity. Post Script: Essays in Film & the Humanities 21 (2002) no. 3. pp. 32–45.

Johnston, Deirdre D: Adolescents' Motivations for Viewing Graphic Horror. Human Communication Research 21 (1995) no. 4. pp. 522–553.

Levine, Michael: A Fun Night Out: Horror and Other Pleasures of the Cinema. http:www.sensesofcinema.com/contents/01/15/horror_fun.html

MacCormack, Patricia: Barbara Steele’s Ephemeral Skin: Feminism, Fetishism and Film. http:www.sensesofcinema.com/contents/02/22/steele.html

McGee, Chris: Reading the Horrible Body – Horror Film in its Context. http:www.ilstu.edu/~/cwmcgee/horror.htm. [Magyarul: A borzalmas test olvasása – A horrorfilm kontextusban. (ford. Tóth Tamás) //Metropolis 10 //(2006) no. 1. pp. 10-31.]

Modleski, Tania: The Terror of Pleasure: The Contemporary Horror Film and Postmodern Theory. In: Leo Braudy, Marshall Cohen (eds): Film Theory and Criticism: Introductory Readings. New York: Oxford University Press, 1999. pp: 691–700.

Newman, Kim: You better watch out: Christmas in the horror film. In: Mark Connelly (ed.): Christmas at the Movies: Images of Christmas in American, British and European Cinema. London/New York: I.B. Tauris Publishers, 2000. pp. 135–142.

Rathgeb, Douglas L.: Az ösztön-én szörnyei – Rémálom és valóság a Halloween és a Rémálom az Elm utcában című filmben. (ford. Rákár Gábor) In: Nagy Zsolt (szerk.): Tarantino előtt. Tömegfilm a nyolcvanas években. Budapest: Új Mandátum Kiadó, 2000. pp. 89–105.

Rhodes, Gary D: Mockumentaries and the Production of Realist Horror. Post Script: Essays in Film & the Humanities 21 (2002) no. 3. pp. 46–60.

Russell, David J.:  Monster Roundup. Reintegrating the Horror Genre. In: Nick Browne (ed.): Refiguring American Film Genres. History and Theory. Berkley/Los Angeles/London: University of California Press, 1998. pp. 233–254.

Schechter, Harold: The Bloody Chamber: Terror Films, Fairy Tales, and Taboo. In: Irons, Glenwood (ed.): Gender, Language, and Myth: Essays on Popular Narrative. Toronto/Buffalo: University of Toronto Press, 1992. pp. 233–251.

Schneider, Steven J.: Psychoanalysis in/and/of the Horror Film. http:www.sensesofcinema.com/contents/01/15/horror_psych.html

Schneider, Steven J. (ed.): Freud’s Worst Nightmares: Psychoanalysis and the Horror Film. Cambridge: Cambridge University Press, 2003.

Silver, Alain & Ursini, James (eds.): Horror Film Reader. New York: Limelight, 2000.

Sharrett, Christopher: The Horror Film in Neoconservative Culture. (Ethical Issues in Film and Television) Journal of Popular Film and Television 21 (1993) no. 3. pp. 100–111.

Sobchack, Vivian: A fantasztikus film. (ford. Trethon Judit) In: Nowell-Smith, Geoffrey (ed.): Oxford Filmenciklopédia. Budapest: Glória Kiadó, 1998. pp. 323–331.

Svehla, Gary J. & Svehla, Susan (eds.): Bitches, Bimbos, and Virgins: Women in the Horror Film. Baltimore, MD.: Midnight Marquee Press, 1996.

Totaro, Donato: The Final Girl: A Few Thoughts on Feminism and Horror. http:www.horschamp.qc.ca/new_offscreen/final_girl.html

Trencansky, Sarah: Final Girls and Terrible Youth: Transgression in 1980s Slasher Horror. Journal of Popular Film and Television 29 (2001) no. 2. 63–73.

Waller, Gregory A. (ed.): American Horrors: Essays on the Modern American Horror Film. Urbana: University of Illinois Press, 1987.

Wood, Robin – Lippe, Richard (eds.): The American Nightmare: Essays on the Horror Film. Toronto: Festival of Festivals, 1979.

Cikkek, tanulmányok magyar nyelven:

Ardai Zoltán: Mária az Antikrisztussal. (Rosemary gyermeke) Filmvilág 32 (1989) no. 1. pp. 35–36.

Ardai Zoltán: Remekbe vágva. (A texasi láncfűrészes gyilkosságok) Filmvilág 46  (2003)  no. 2. pp. 33–35.

Beregi Tamás: Passio Diabolica. (Sátánfilmek) Filmvilág 43 (2000) no. 2. pp. 28–33.

Beregi Tamás: Skizofrén angyalok. (Polanski-hősnők) Filmvilág 46 (2003) no. 4. pp. 30–33.

Beregi Tamás: A borzalom otthona. (Kísértetházak) Filmvilág 44 (2001) no. 8. pp. 24–30.

Bergendy Péter: Fesd falra az ördögöt! (Az ördögűző) Filmkultúra 25 (1989) no. 1. pp. 70–76.

Bergendy Péter: Az orvos válaszol. (Rosemary gyermeke) Filmkultúra 25 (1989) no. 4. pp. 59–63.

Bíró Gyula: Vámpírok újjászületése. (Nosferatu) Filmkultúra 17 (1981) no. 1. pp. 32–42.

Facsády Eszter: Skizofrén tudatok. Tudásadagolás a kortárs horrorfilmben: Távol-Kelet és Hollywood. http:www.filmkultura.hu/2005/articles/essays/horrortudas.hu.html

Hegyi Gyula: Félelempirula (Ghost; Jákob lajtorjája) Filmvilág 34 (1991) no. 1. pp. 31–33.

Hungler Tímea: Szép a rút. (Sorozatgyilkos-filmek) Filmvilág 44 (2001) no. 2. pp. 45–47.

Hungler Tímea: Ördöggel cimborálva. (Dario Argento gótikája) Filmvilág 44 (2001) no. 6. pp. 37–39.

Hungler Tímea: Képáldozat. (Peeping Tom) Filmvilág 45 (2002) no. 7. pp. 32–35.

Hungler Tímea: Halvajárók. (Romero zombifilmjei) Filmvilág 47 (2004) no. 7. pp. 45–47.

Janisch Attila: Ki nyitotta ki az ajtót? (Ragyogás) Filmvilág 38 (1995) no. 5. pp. 28–33.

Király Jenő: A borzalom esztétikája. Filmvilág 31 (1988) no. 7. pp. 8–15.

Király Jenő: „Csak ami nincs, annak van bokra…” (Ragyogás) Filmkultúra 25 (1989) no. 4. pp. 4–19.

Király Jenő: A romlás vad- és művirágai. (A fekete fantasztikum világa) In: Uő: Frivol múzsa II. Budapest: Nemzeti Tankönykiadó, 1993. pp. 611–685.

Király Jenő: Frankenstein és Faust. Filmvilág 38 (1995) no. 2. pp. 20–25.

Kisantal Tamás: Ez csak film… (Horror a moziban) Prae 5 (2004) no. 1. pp 33–45.

Kovács Marcell: Mösziő Ordas. Filmvilág 44 (2001) no. 6. pp. 40–41.

Kovács Marcell: Szörnyek keringői. (Lugosi és Karloff) Filmvilág 46 (2003) no. 2. pp. 29–32.

Kömlődi Ferenc: Szörnyek évadnyitója. (Tod Browning) Filmvilág 38 (1995) no. 7. pp. 33–35.

Kömlődi Ferenc: Sóhajok, könnyek, sötétség. (Dario Argento poklai) Filmvilág 40 (1997) no. 8. pp. 36–38.

Kuczka Péter: A holtak gyorsan lovagolnak. (Vámpírok) Galaktika no. 51. (1983) pp. 3–9.

Nagy Zsolt: Egy szorongó közép-európai. (Roman Polanski filmjei) Filmkultúra 25 (1989) no. 4. pp. 36–58.

Pápai Zsolt: Mindenszentek éjszakája. (John Carpenter-portré) Filmvilág 41 (1998) no. 7. pp. 26–30.

Pápai Zsolt: Játék az árnyakkal. (Stephen King-adaptációk) Filmvilág 42 (1999) no.3. pp. 26–29.

Pápai Zsolt: Fekete alakok sötét háttér előtt. A horrorfilm története 1. Filmtett 2 (2001) no. 7. pp. 27–30.

Pápai Zsolt: A suspense-tól a sokkig. A horrorfilm története 2. Filmtett 2 (2001) no. 8. pp. 31–34.

Pápai Zsolt: Jobb megijedni, mint félni. A horrorfilm története 3. Filmtett 2 (2001) no. 9. pp. 29–32.

Pápai Zsolt: Tetemrehívás. (Az ördögűző – Rendezői változat) Filmvilág 44 (2001) no. 8. pp. 31–33.

Pápai Zsolt: Kísért a jövő. (Ne nézz vissza!) Filmvilág 49 (2006) no. 3. pp. 22–23.

Réz András: Armageddon a nappaliban. (Zombifilmek) Filmvilág 28 (1985) no. 11. pp. 31–35.

Schreiber András: Független borzongások. (Magyar amatőrhorror) Filmvilág 48 (2005) no. 2. pp. 32–33.

Schubert Gusztáv: Síron túli históriák. (Szellemmozi) Filmvilág 34 (1991) no. 1. pp. 28–30.

Schubert Gusztáv: Az álom napja. (Stephen King, a rémkirály) Filmvilág 34 (1991) no. 10. pp. 18–22

Schubert Gusztáv: A ponyvahősök lázadása. (Interjú a vámpírral) Filmvilág 38 (1995) no. 4. 32–35.

Varga Zoltán: Óh, irgalom anyja! (Családi horror) Filmvilág 47 (2004) no. 3. pp. 32–37.

Varga Zoltán: A sikoltástól a létértelmezésig. A nők szerepe a horrorfilmben. Prae 5 (2004) no. 2. pp 81–91.

Varga Zoltán: Damien visszatér. (Ómen-trilógia) Filmtett 6 (2006) no. 1. pp. 38–41.

Varga Zoltán: Fölébredni a (rém)álmokból? Álomkoncepciók a horrorfilmben. Metropolis 10 (2006) no. 1. pp. 124-137. 

Varró Attila: X-ekták. Filmvilág 41 (1998) no. 7. pp. 30–34.

Varró Attila: Amerikai gótika. (Kosztümös horrorfilmek) Filmvilág 43 (2000) no. 4. pp. 18–21.

Varró Attila: Nosferatu árnyéka. (Vampiria) Filmvilág 44 (2001) no. 6. pp. 30–37.

Varró Attila: Kaidan a vásznon. (Japán kísértetfilmek) Filmvilág 46 (2003) no. 3. pp. 28–32.

Varró Attila: A testrabló támadása. (Cronenberg parazitái) Filmvilág 47 (2004) no. 3. pp. 38–39.

Varró Attila: A mi húsunk. (Zombi genezis) Filmvilág 47 (2004) no. 7. pp. 42–44.

Varró Attila: Fúriák az angol parkban. (A brit horror és a nők) Filmvilág 49 (2006) no. 4. pp. 32–34.

Varró Attila: A Kép és a Szörny. A klasszikus horrorfilm mozgóképi önreflexiója. Metropolis 10 (2006) no. 1. pp. 110-123.

Weboldalak:

British Horror Films – http:www.britishhorrorfilm.co.uk

Classic Horror – http:classic-horror.com

Horror Film – http:en.wikipedia.org/wiki/Horror_film

Horror.lap – http:www.horror.lap.hu

Horrorwatch – http:www.horrorwatch.com

House of Horrors – http:houseofhorrors.com

The 100 Scariest Movie Scenes – http:www.retrocrush.com/scary

Pretty Scary: For Women in Horror By Women in Horror – http:www.pretty-scary.net

The SF, Horror and Fantasy Film Review – http:www.moria.co.nz

Sokkmagazin – www.sokkmagazin.hu

The Terror Trap: Horror Movies, Reviews, Profiles and Reviews – http:www.terrortrap.com

Top 50 Horror Movies – http:www.bloodletters.com/movies

Top 50 Horror Titles – http:www.imdb.com/chart/horror

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