Játékfilmek
Sebastiane
Elley, Derek: Sebastiane. Films & Filming 23 (1977) no. 4. p. 44.
JW: Boys and Arrows. Films & Filming 23 (1976) no. 2. pp. 46–50.
Kermode, Mark–Dean, Peter: Sebastiane. Sight & Sound 5 (1995) no. 4. p. 59.
Malcolm, Derek: Strings to his bow. Derek Malcolm interviews the man who made Sebastiane. The Guardian (21 December 1976) p. 23.
Mosk[owitz, Gene]: Sebastian. Variety 284 (1976) no. 3. p. 22.
Pérez, Michel: Sebastiane. Positif (1977) no. 193. p. 75.
Rayns, Tony: Sebastiane. Monthly Film Bulletin 43 (1976) no. 514. pp. 235–236.
Rayns, Tony: Unblocked Talents. Time Out (1976) no. 346. pp. 12–13.
Sanderson, Mark: Sebastiane. Time Out (1991) no. 1079. p. 150.
Sola, P.: Sebastiane. Bianco e nero 38 (1977) nos. 5–6. pp. 196–198.
Jubilee (Jubileum)
Bassan, Raphaël: Jubilee. La revue du cinéma (1980) no. 348. pp. 37–39.
Bassan, Raphaël: Jubilee. Image & Sound (1980) no. 348. pp. 37–39.
Carrčre, Emmanuel: Jubilee. Positif (1980) no. 231. p. 74.
‘Coli’: Jubilee. Variety 289 (1978) no. 13. p. 24.
Courant, Gérard: Immanence. Cinéma (1980) no. 255. pp. 92–93.
Darvell, M.: Jubilee. Film (1978) no. 60. p. 11.
Gow, Gordon: Jubilee. Films & Filming 24 (1978) no. 7. p. 40.
Jubilee. Films & Filming 24 (1978) no. 6. pp. 40–43.
Kermode, Mark–Dean, Peter: Jubilee. Sight & Sound 5 (1995) no. 4. p. 62.
Kömlődi Ferenc: Punk karnevál. Filmvilág 37 (1994) no. 5. pp. 8–9.
Meek, Scott: Jubilee. Monthly Film Bulletin 45 (1978) no. 531. p. 66.
Oakes, Philip: History is Punk. The Sunday Times (1978) no. 8069. p. 35.
[Pahlow], C.: Jubilee. Variety 289 (1978) no. 13. p. 24.
Ramasse, François: Jubilee. Positif (1978) nos. 208–209. pp. 89–90.
Rayns, Tony: Queendom Come. Time Out (1978) no. 412. p. 11.
The Tempest (A vihar)
Auty, Chris: The Tempest. Time Out (1980) no. 524. p. 49.
Auty, Martyn: The Tempest. Monthly Film Bulletin 47 (1980) no. 555. pp. 78–79.
Bán András: „Benned e sziget varázsa még”. Filmkultúra 27 (1991) no. 6. pp. 38–41.
Bilbow, Marjorie: The Tempest. Screen International (1980) no. 244. p. 15.
Csáky M. Caliban: Az eltörhetetlen pálca. Filmvilág 35 (1992) no. 7. pp. 18–21.
Holderness, Graham: Shakespeare Rewound. Shakespeare Survey (1993) no. 45. pp. 63–74.
Kennedy, Harlan: Prospero’s Flicks. Film Comment 28 (1992) no. 1. pp. 45–49.
Lefevre, Raymond: La tempete. L’eau, l’air, le feu. La revue du cinéma (1991) no. 469. pp. 25–26.
MacCabe, Colin: A Post National European Cinema. A Consideration of Derek Jarman’s The Tempest and Edward II. In: Petrie, Duncan (ed.): Screening Europe. Image and Identity in Contemporary European Cinema. London: British Film Institute, 1992. pp. 9–18.
MacPherson, Don: Visions of a Nightmare. Interview with Derek Jarman. Screen International (1979) no. 182. p. 19.
McFarlane, Brian: The Tempest. Cinema Papers (1980) no. 29. p. 381.
Perry, Simon: The Tempest. Variety 296 (1979) no. 6. p. 20.
Rayns, Tony: Rich and Strange. Time Out (1979) no. 475. p. 36.
Sonnabend, Yolanda: The ‘Fabric of this Vision’. Designing The Tempest with Derek Jarman. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 77–79.
Taylor, Maggie: Jarmans Gentle Joke. An Examination of the Use of Irony in Derek Jarman’s The Tempest. diplomamunka, University of Auckland, 1994.
The Tempest. Interview with Derek Jarman. Film Directions 2 (1979) no. 8. pp. 12–15.
Upor László: Kortársunk-e Shakespeare? Filmkultúra 28 (1992) no. 5. pp. 3–11.
Zarkin, Robert: The Tempest. Films & Filming 26 (1980) no. 9. p. 28.
The Angelic Conversation (Angyali párbeszéd)
Green, William: The Angelic Conversation. Sight & Sound 1 (1992) no. 9. p. 61.
‘Hitch’: Angelic Conversations. Variety 318 (1985) no. 10. p. 21.
Jenkins, Steve: The Angelic Connversation. Monthly Film Bulletin 52 (1985) no. 619. pp. 241–242.
Caravaggio
Baxter, Brian: Caravaggio. Films & Filming (1986) no. 379. pp. 33–34.
Colpart, Gilles: Caravaggio. Sacré et profane. La revue du cinéma (1988) no. 434. pp. 43–46.
Finch, Mark: Caravaggio. Monthly Film Bulletin 53 (1986) no. 627. pp. 99–100.
Fuller, Graham: On Location: Caravaggio. Stills (1985) no. 21. p. 27., 29.
Goodman, Walter: A Portrait of the Artist. The New York Times (1986) no. 135. p. C15.
György Péter: A Kép és a Hírnév. Derek Jarman és a Caravaggio-mítosz. Filmvilág 33 (1990) no. 10. pp. 11–18. (vagy: In: György Péter: Az elsüllyedt sziget. Bp.: Képzőművészeti, 1992. pp. 206–217.)
Haenlein, Charlotte: Caravaggio. Du (1986) no. 7. pp. 82–83.
Heinrich, Donald: Dix-sept versions pour Caravaggio. Entretien avec Derek Jarman. Cinéma (1987) no. 420. pp. 5–6.
Heinrich, Donald: Ni espoir ni peur la recontre de deux peintres. Cinéma (1987) no. 420. p. 4.
Hewitt, Anne-Maree: This Jarman Man. Interview with Derek Jarman. Cinema Papers (1987) no. 65. pp. 12–14.
Jongh, Nicholas de: A Natural Obsession. Interview with Derek Jarman. The Guardian (17 April 1986) p. 13.
Kangasniemi, Hanna: „All Art Is against Lived Experience”. Filmihullu (1988) no. 1. p. 37.
Low-life Caravaggio. History Today (1986) no. 36. pp. 3–4.
Mars-Jones, Adam: More shadow than light. New Statesman 111 (1986) no. 2874. p. 29.
Masoni, Tullio: Caravaggio. Cineforum 27 (1987) no. 267. pp. 76–80.
Masson, Alain: Caravaggio. Positif (1988) no. 325. pp. 393–394.
Márton László: Kései melankólia. Filmvilág 34 (1991) no. 6. pp. 14–17.
Melocco Miklós: A botrányos festő. Filmvilág 30 (1987) no. 5. p. 37.
Murray, Timothy: Dirtier Still? Wistful gazing and homographic hieroglyphs in Jarman’s Caravaggio. In: Like a Film. Ideological fantasy on screen, camera and canvas. London–New York: Routledge, 1993. pp. 124–171.
Nřrrested, Carl: Low Budget og engelsk filmuge. Kosmorama 33 (1987) no. 180. pp. 65–66.
Olofsson, Anders: Det mest framgangsrika misslyokondet. Chaplin 31 (1989) no. 5. pp. 261–262.
Olofsson, Anders: Historiens narvaro. Chaplin 32 (1990) no. 1. pp. 16–20.
Prendergast, Mark: Caravaggio. The Making of a Dream. Films & Filming (1986) no. 376. pp. 27–30.
Rayns, Tony: Unnatural Lighting. American Film 11 (1986) no. 10. pp. 44–47., 59–61.
Scarrone, C: Caravaggio. Segnocinema 7 (1987) no. 29. p. 109.
Schutte, Wolfgang: The Cave. Artforum 24 (1986) no. 9. p. 13.
Sigal, C: Real Lives. Listener 95 (1986) no. 2959. pp. 32–33.
Slavin, John: Caravaggio. Cinema Papers (1987) no. 66. pp. 44–45.
Stanbrook, Alan: Cutting the Painter. Stills (1986) no. 26. p. 42.
‘Strat’: Caravaggio. Variety 322 (1986) no. 5. p. 16.
Stroh, F.: Caravaggio. EPD Film 4 (1987) no. 2. p. 35.
Suntinger, Diethard: Medusas Haupt. Blimp (1992) no. 19. pp. 26–28.
Sutton, Martin: Renaissance Man. Interview with Derek Jarman. Stills (1986) no. 26. p. 11.
Taylor, John Russell: Love among the waxworks. Sight & Sound 55 (1986) no. 2. pp. 136–137.
Tillman, Lynne: Love Story. Art in America (1987) no. 75. pp. 21–23.
Woodward, Richard B.: Caravaggio. The Movie. Art News (1986) no. 85. pp. 11–12.
Zuilhof, Gertjan: Vrolijke ode. Skrien (1987) no. 153. p. 24.
The Last of England (Anglia alkonya)
‘Adam’: The Last of England. Variety 328 (1987) no. 5. p. 18.
Bassan, Raphaël: The Last of England. La revue du cinéma (1989) no. 450. p. 32.
Cleave, Maureen: Painting the Big Screen. Interview with Derek Jarman. The Observer Magazine (22 February 1987) p. 18.
Greene, Kent: The Last of England. Cineaste 18 (1991) no. 4. pp. 59–60.
Harvey, Stephen: The Last of Enland. Film Comment 24 (1988) no. 6. p. 60.
Hoberman, Jason: Twilight Zone. Village Voice 34 (1989) no. 3. p. 61.
Jenkins, Steve: The Last of England. Monthly Film Bulletin 54 (1987) no. 645. pp. 307–308.
Marriott, John: The Last of England. Films & Filming (1987) no. 397. p. 37.
Maslin, Janet: Glimpses of a Depressing Future. The New York Times (28 September 1988) p. C18.
Nagy Zsolt: Anglia alkonya. Filmvilág 32 (1989) no. 2. p. 60.
Olofsson, Anders: Englands yttersta dagar. Audivisuellt filmer. Chaplin 31 (1989) no. 5. p. 265.
‘QSF’: The Last of England. Screen International (1987) no. 612. p. 26.
Vértessy Péter: Anglia alkonya. Magyar Nemzet 52 (1989) no. 22. p. 6.
Watney, Simon: Home Movie Man. Interview with Derek Jarman. Marxism Today 31 (1987) no. 10. pp. 40–41.
Williamson, Bruce: Pictures of pictures. The Last of England. New Statesman 114 (1987) no. 2952. p. 26.
War Requiem (Háborús rekviem)
‘Adam’: War Requiem. Variety 333 (1989) no. 11. p. 73.
Canby, Vincent: Britten’s War Requiem to Images by Derek Jarman. The New York Times (1990) no. 139. p. C10.
Ferdinand: Jarman’s Silent Movie. Sight & Sound 58 (1988) no. 1. p. 40.
Gomez, Joseph A.: The process of Jarman’s War Requiem. Personal vision and the tradition of fusion in the arts. In: Lippard, Chris (ed.): By angels driven. pp. 84–102.
Holden, Anthony: A lord lends his majestic style to War. Sunday Times (1988) no. 8568. p. B24.
Keates, Jonathan: The Art of War. Sight & Sound 58 (1989) no. 2. pp. 133–134.
Kerner, Leighton: Look Back in Anger. Village Voice 35 (1990) no. 5. p. 70.
McLellan, Joseph: War Requiem. The Washington Post (19 January 1990) p. B7.
Petley, Julian: War Requiem. Monthly Film Bulletin 56 (1989) no. 661. pp. 60–61.
Porter, Peter: War Requiem. Times Literary Supplement (1989) no. 4488. p. 368.
Powell, Dilys: Maggie’s Passion. Punch 269 (1989) no. 7721. p. 54.
Wagner, P. K: War Requiem. Filmfaust 13 (1989) no. 72. p. 53.
The Garden (A kert)
Clinch, Minty: Positive Direction. Interview with Derek Jarman. The Observer Magazine (13 October 1991) p. 62–63.
‘Devo’: The Garden. Variety 340 (1990) no. 13. p. 61.
Hoberman, Jason: A Sentimental Journey. The Garden written and directed by Derek Jarman. Village Voice 36 (1991) no. 4. p. 51.
Kozma György: Csendben megyek el. Filmvilág 34 (1991) no. 11. pp. 18–19.
Maslin, Janet: Derek Jarmans Garden Offers Visions of Decay. The New York Times (17 January 1991) p. C16.
Miltényi Tibor: A legutolsó vacsora. Filmkultúra 27 (1991) no. 6. pp. 41–44.
O’Pray, Michael: The Garden. Monthly Film Bulletin 58 (1991) no. 684. pp. 15–16.
Romney, Jonathan: The Garden of Earthly Delights. City Limits (3 January 1991) pp. 12–14.
Schwartzberg, Shlomo: The Garden. Screen International (1990) no. 775. p. 18.
Sexton, David: Jesus of Dungeness. Times Literary Supplement (1991) no. 4580. p. 10.
Timofeevsky, Aleksandr: The bitter end. Sight & Sound 1 (1991) no. 6. p. 32.
Turcsányi Sándor: Homo. Magyar Napló 4 (1992) no. 2. p. 40.
Varga Balázs: Megosztom veled az ürességet. Derek Jarman: A kert. Pannonhalmi Szemle 3 (1995) no. 2. pp. 80–86.
Edward II (II. Edward)
Boutroy, P.: Edward II. Séquences (1992) nos. 159–160. p. 77.
Bronski, Michael: Raging Correctly. Edward II directed by Derek Jarman. Gay Community News 19 (1992) nos. 37–38. pp. 16–17.
Chevassu, François: Edward II. Mensuel du cinéma (1992) no. 1. p. 52.
Comuzio, Cecilia: Marlowe Long Goodbye. Cineforum 31 (1991) no. 12. p. 94.
Comuzio, Ermanno: Edoardo II. Cineforum 31 (1991) no. 12. pp. 66–70.
Dufour, Dirk: Homofobie als tijdbom. Film & Televisie (1992) no. 425. pp. 20–21.
Ehrenstein, David: Jarman’s Edward II cuts to the Heart of the Gay Movie Revolution. Advocate (1992) no. 600. p. 79.
Feay, Suzi: Crimes of Fashion. Interview with Tilda Swinton. Time Out (1991) no. 1104. pp. 16–17., p. 63.
Feldvoss, Marli: Edward II. EPD Film 9 (1992) no. 5. p. 31.
Frascella, Lawrence: Edward II directed by Derek Jarman. Us (1992) no. 171. p. 86.
Gagne, Cole: Edward II. Film Journal 95 (1992) no. 3. pp. 38–39.
Gariazzo, Giuseppe: Bruciante Derek. Cineforum 33 (1993) no. 12. pp. 93–95.
Gehler, M.: Edward II. Film und Fernsehen 20 (1992) no. 2. p. 77.
Hammond, Wally: Mortal Coils. Time Out (1991) no. 1104. p. 63.
Hawkes, David: „The shadow of this time”. The Renaissance cinema of Derek Jarman. In: Lippard, Chris (ed.): By angels driven. pp. 103–116. [Magyarul ld. „E kor árnya”. Derek Jarman reneszánsz filmjei. (ford. Winkler Nóra) //Metropolis// 1 (1997) no. 3. pp. ]
Hebron, E.: Unjustly Ignorant. Sight & Sound 2 (1992) no. 4. p. 71.
Hoberman, Jason: Prisoners of Sex. Edward II directed by Derek Jarman. Village Voice 37 (1992) no. 12. p. 57.
Holden, Stephen: Historical Edward II and Gay issues Today. The New York Times (1992) no. 141. p. C16.
Hommel, Michel: De esthetiek van de macht. Skrien (1992) no. 183. p. 15.
Horger, J.: Derek Jarman’s Film Adaptation of Marlowe’s Edward II. Shakespeare Bulletin 11 (1993) no. 4. pp. 37–40.
Kennedy, Harlan: An Affectionate Beast. Film Comment 27 (1991) no. 6. pp. 42–44.
Kermode, Mark: Edward II. Sight & Sound 1 (1992) no. 12. p. 66.
Kolozsvári Papp László: Reneszánsz. Élet és Irodalom 36 (1992) no. 22. p. 13.
Koskinen, Maaret: Beslagtagen finkultur. Chaplin 34 (1992) no. 5. pp. 65–66.
Lux, Stefan: Edward II. Film-dienst 45 (1992) no. 8. pp. 22–23.
MacCabe, Colin: A Post National European Cinema. A Consideration of Derek Jarman’s The Tempest and Edward II. In: Petrie, Duncan (ed.): Screening Europe. Image and Identity in Contemporary European Cinema. London: British Film Institute, 1992. pp. 9–18.
MacCabe, Colin: Throne of Blood. Sight & Sound 1 (1991) no. 6. pp. 12–14.
Martini, Emanuela: The 1991 Venice Film Fest. Elizabethian Rage. Cineforum 31 (1991) no. 10. pp. 10–12.
McFarlane, Brian: Literature-film Connections. Cinema Papers (1992) no. 89. pp. 32–35.
O’Pray, Michael: Damning Desire. Sight & Sound 1 (1991) no. 6. pp. 8–11.
Prasch, Thomas: Edward II. American Historical Review 98 (1993) no. 4. pp. 1164–1166.
Richard, Frédéric: Edward II. Positif (1992) no. 382. p. 58.
Romney, Jonathan: Edward II. Sight & Sound 1 (1991) no. 7. pp. 41–42.
Rozen, Leah: Picks and Pans. Edward II directed by Derek Jarman. People Weekly 37 (1992) no. 13. p. 22.
Spufford, Francis: Black verse and body fluids. Times Literary Supplement (1991) no. 4624. p. 19.
Stratton, David: Edward II. Variety 344 (1991) no. 10. p. 90.
Struck, Andreas: Derek Jarmans Edward II. Ein Arbeitsbericht von den Dreharbeiten zu dem Film. Filmfaust 16 (1991) no. 82. pp. 42–47.
Takács Ferenc: Christopher Marlowe és a manierista filmkép. II. Edward. Filmvilág 35 (1992) no. 7. pp. 12–15.
Talvacchia, Bette: Historical Phallicy. Derek Jarman’s Edward II. Oxford Art Journal 16 (1993) no. 1. pp. 112–128.
Travers, Peter: Edward II directed by Derek Jarman. Rolling Stone (1992) no. 627. pp. 41–42.
Waugh, Harriet: Not a pretty story. Spectator 267 (1991) no. 8519. pp. 48–49.
Williamson, Bruce: Edward II directed by Derek Jarman. Playboy 39 (1992) no. 5. p. 20.
Wittgenstein
Balzarro, P.: Wittgenstein. Cinema nuovo 42 (1993) no. 346. pp. 43–45.
Beaucage, P.: Wittgenstein. Ciné-Bullets 13 (1994) no. 3. pp. 53–54.
Bori Erzsébet: Az utolsó utáni mondat. Beszélő 4 (1993) no. 47. pp. 32–34.
Boutroy, P.: Wittgenstein. Séquences (1994) no. 169. pp. 45–46.
Bowen, Peter: In the Company of Saints. Derek Jarman’s Wittgenstein and Beyond. Filmmaker 2 (1993) no. 1. pp. 18–19.
Bölcs István: Wittgenstein. 168 óra 5 (1993) no. 38. p. 23.
Cohen, Jessica: Wittgenstein. Interview 23 (1993) no. 9. p. 56.
Darke, Chris: Wittgenstein. Sight & Sound 3 (1993) no. 4. p. 63.
de Gaetano, Roberto: Wittgenstein. Cineforum 33 (1993) no. 10. pp. 57–59.
Elley, Derek: Wittgenstein. Variety 350 (1993) no. 3. p. 86.
Farkas Zsolt: Wittgenstein. Filmkultúra 30 (1994) no. 12. pp. 30–29.
Földényi F. László: A rosszkedvű filozófus. Filmvilág 36 (1993) no. 9. pp. 32–35.
Fredriksson, Gunnar: Spex eller ej? Chaplin 35 (1993) no. 5. pp. 38–40.
Gagne, Cole: Britain’s Jarman unveils portrait of Wittgenstein. Film Journal 96 (1993) no. 9. p. 18.
Gerszewski, Nikolaus: Derek Jarman szereti az ő Ludwigját. (ford. Ambrus Erzsébet) Balkon 1 (1993) no. 2. p. 44.
Hammond, Wally: Wittgenstein. Time Out (1993) no. 1179. p. 61.
Hohenberger, Eva: Wittgenstein. Film-dienst 47 (1994) no. 3. pp. 24–25.
The importance of being Ludwig. Economist 327 (1993) no. 7807. p. 88.
Indiana, Gary: Philosopher in the Bedroom. Wittgenstein directed by Derek Jarman. Village Voice 38 (1993) no. 38. p. 60.
Kauffmann, Stanley: A pilgrimage. The New Republic 209 (1993) no. 15. pp. 38–39.
Klawans, Stuart: Films: Blue directed by Derek Jarman/Wittgenstein directed by Derek Jarman. Nation 257 (1993) no. 10. pp. 364–366.
Kreimeyer, K.: Wittgenstein. EPD Film 11 (1994) no. 3. pp. 32–33.
Letts, Vanessa: All green to me. Spectator 270 (1993) no. 8595. p. 36., p. 38.
Malmberg, Carl-Johan: En oliksidig tvakĺnt. Chaplin 35 (1993) no. 5. pp. 41–43.
Maslin, Janet: Wittgenstein. The New York Times (1993) no. 143. p. N12.
Milanesi, Marzia: Trattato emotivo-filosofico su Ludwig Wittgenstein. Cineforum 33 (1993) no. 4. pp. 6–8.
Monk, Ray: Between earth and ice. Derek Jarman’s film of the life of Wittgenstein. Times Literary Supplement (1993) no. 4694. p. 16.
O’Pray, Michael: Philosophical Extras. Sight & Sound 3 (1993) no. 4. pp. 24–25.
Paech, Anne: Köpfe/tętes/heads. EPD Film 10 (1993) no. 4. pp. 8–9.
Perloff, Marjorie: From Theory to Grammar. Wittgenstein and the Aesthetic of Extraordinary. New Literary History 25 (1994) no. 4. pp. 899–923.
Rayns, Tony: Witt’s End. Interview with Derek Jarman. Time Out (1993) no. 1179. p. 60.
Romney, Jonathan: Baroque and role-reversal. New Statesman & Society 6 (1993) no. 243. pp. 34–35.
Romney, Jonathan: When Films Goes Awol. New Statesman & Society 6 (1993) no. 245. pp. 32–33.
Sanzone, D.: Wittgenstein. Film (1993) no. 6. pp. 277–288.
Seligman, Craig: Fanciful Fiction. Wittgenstein directed by Derek Jarman. Advocate (1993) no. 636. p. 71.
Simons, Jan: Wittgenstein vu par Brecht. Skrien (1993) no. 191. p. 15.
Simpson, Mark: Wittgenstein. Modern Review 1 (1993) no. 8. p. 18.
Sneé Péter: Wittgenstein. Filmkultúra 29 (1993) no. 4. pp. 35–34.
Struck, Andreas: Wittgenstein in Waterloo. Filmfaust 17 (1993) no. 87. pp. 28–33.
Sugár János: Wittgenstein kalandjai. Magyar Narancs 5 (1993) no. 38. p. 36.
Suntinger, Diethard: ‘Die Welt ist alles, was der Fall ist.’ Zu Jarmans ‘Wittgenstein’. Blimp (1993) no. 25. pp. 28–32.
Turcsányi Sándor: Wittgenstein. Magyar Napló 5 (1993) no. 20. p. 43.
Blue
Brown, Georgia: Blue written and directed by Derek Jarman. Village Voice 38 (1993) no. 42. p. 56.
Burston, Paul: Blue Yonder. Time Out (1993) no. 1200. pp. 20–21.
Dargis, Manohla: Even cinema gets the blues. Interview 23 (1993) no. 12. p. 54.
Darke, Chris: Blue. Sight & Sound 3 (1993) no. 10. pp. 40–41.
Dean, Peter: Blue. Sight & Sound 4 (1994) no. 1. p. 62.
Del Re, Gianmarco: La trilogia di Jarman al grado zero dell’immagine. Cineforum 33 (1993) no. 6. pp. 46–48.
Hohenberger, Eva: Blue. Film-Dienst 47 (1994) no. 5. p. 23.
Holden, Stephen: A Movie Where all Motion is Metaphorical. The New York Times (1993) no. 143. p. C16.
Hooks, Bell: Blue. Book Review. Artforum 33 (Bookforum) (1994) no. 3. p. 10.
Kermode, Mark: End Notes. Sight & Sound 5 (1995) no. 9. p. 32.
Klawans, Stuart: Films: Blue directed by Derek Jarman/Wittgenstein directed by Derek Jarman. Nation 257 (1993) no. 10. pp. 364–366.
Kühn, Detlef: Blue. EPD Film 11 (1994) no. 3. pp. 33–34.
Lombardo, Patrizia: Cruellement bleu. Critical Quarterly 36 (1994) no. 1. pp. 131–133.
McCarthy, Todd: Blue. Variety 352 (1993) no. 7. p. 38.
Romney, Jonathan: Living colour slowly fades. New Statesman & Society 6 (1993) no. 269. pp. 35–36.
Shulman, Ken: When Creation fills a Deathly Silence. The New York Times (1993) no. 143. p. H13.
Smith, Paul Julian: Blue and the Outer Limits. Sight & Sound 3 (1993) no. 10. pp. 18–19.
Smith, Paul Julian: Szineva i vneštje predeli. Iszkussztvo Kino (1994) no. 1. pp. 44–46.
Thomas, Michael Anthony: Derek Jarman’s Blue. Art and Understanding 3 (1994) no. 1. p. 30.
Walters, Barry: Mood indigo. Blue by Derek Jarman. Advocate (1994) no. 653. pp. 72–73.
Zellmann, G: Blue. Film und Fernsehen 22 (1994) no. 2. p. 48.
Rövidfilmek, videoklipek
Chion, Michel: Opéra, sirenes et sorcieres. Cahiers du cinéma (1987) no. 398. p. 50.
Cunliffe, Simon: Back on song. Interview with Don Boyd. The Guardian (29 October 1987) p. 8.
Hauser, C.–Schonholzer, A.: Visueller Sound. Musikvideos zwischen Avantgarde und Populärkultur. Luzern: Zyklop Verlag, 1994.
Hebdige, Dick: Digging for Britain. An Excavation in Seven Parts. In: Strinati, Dominic–Wagg, Stephen (eds.): Come On Down? Popular Media Culture in Post-war Britain. London–New York, Routledge, 1992. pp. 336–377.
Huhtamo, Erkki: Englantilainen ilmestyskirja. Derek Jarman kotielokuvasta musikvideon. Filmihullu (1988) no. 5. pp. 8–14.
Jenkins, Steve: In the Shadow of the Sun. Monthly Film Bulletin 48 (1981) no. 569. p. 115.
Kennedy, Harlan: The Dream Machine – Imagining October. Film Comment 21 (1985) no. 6. p. 76.
Kermode, Mark–Dean, Peter: Glitterburg. Sight & Sound 4 (1994) no. 4. p. 59.
Malcolm, Derek: Rameau – first blood. The Guardian (29 October 1987) p. 8.
Romney, Jonathan: Business and Pleasure. New Statesman & Society 7 (1994) no. 292. pp. 34–35.
Rooney, David: Glitterburg. Variety 355 (1994) no. 1. p. 91.
Stringer, Julian: Serendipity into Style. The Queen Is Dead. Millenium 27 (1993) no. 214. p. 93.
Walsh, Michael: ‘Aria’ Operatunities. Film Comment 24 (1988) no. 3. pp. 76–77.
Watson, Don: Left to His Own Devices. Interview with Derek Jarman. City Limits (1989) no. 405. pp. 12–13.
Jarman festészete
Baer, Volker: Bilder des Protestes. Arbeiten von Derek Jarman im Potsdamer Filmmuseum. Film-dienst 46 (1993) no. 18. p. 40.
Butler, Ken: All the Rage. Vogue (December 1993) p. 157–160.
Gosling, Nigel: The Camden fifteen. The Observer Review (1967) no. 9143. p. 25.
Morgan, Stuart: Borrowed Time. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 113–120.
Petry, Michael: Derek Jarman. Interview. Arts Review 41 (27 February 1989) p. 55.
Roberts, John: Painting the Apocalypse. Afterimage (1985) no. 12. pp. 36–39.
Searle, Adrian: London: Derek Jarman. Artforum 26 (1988) no. 7. pp. 154–155.
Jarman könyvei
Althey, Ron: Saint, Martyr, Queer. The Activist testaments of Derek Jarman. LA Weekly (6 August 1992) pp. 35–36.
Buck, Louisa: Bright sparks. New Statesman & Society 7 (1994) no. 289. pp. 38–39.
Camhi, Leslie: Chroma by Derek Jarman. Village Voice 40 (1995) no. 15. pp. 5–6.
Chua, Lawrence: Dancing Ledge. Modern Nature. Artforum 32 (Bookforum) (1993) no. 4. pp. 67–68.
Clark, John: Shelf life. Dancing Ledge by Derek Jarman. Premiere 6 (1993) no. 12. p. 36.
Cook, Matt: ‘Words Written without Any Stopping’. Derek Jarman’s Written Work. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 105–111.
Ehrenstein, David: Dancing Ledge. Film Quarterly 39 (1985) no. 1. pp. 57–58.
Fletcher, Martin: Bombs of Bitterness. At Your Own Risk. New Statesman & Society 5 (1992) no. 202. p. 38.
Fletcher, Martin: Shining on. Modern Nature. The Journals of Derek Jarman. New Statesman & Society 4 (1991) no. 184. pp. 37–38.
Frith, Simon: Art of the Book of the Film. Sight & Sound 1 (1991) no. 8. p. 32.
Luckhardt, C. G.: Wittgenstein. Choice 31 (1994) no. 6. pp. 948–949.
McGinn, Colin: Soul on Fire. The New Republic 210 (1994) no. 25. pp. 34–39.
Motion, Andrew: Modern Nature. The Observer Magazine (2 August 1991) p. 51.
O’Pray, Michael: Lines and Ledges. Undercut (1984) no. 12. pp. 57–58.
Pickles, Stephen: Modern Nature. The Journals of Derek Jarman. Times Literary Supplement (1991) no. 4614. p. 19.
Rothke, Joy: Modern Nature by Derek Jarman. 10 Percent 2 (1994) no. 7. p. 10.
Steinberg, Sybil: Fiction. Blue. Publisher’s Weekly 241 (1994) no. 22. p. 36.
Thomson, David: The British Invasion. The New Republic 210 (1994) no. 17. pp. 39–41.
True Colors. Economist 330 (1994) no. 7852. p. 92.
Welt, Bernard: Jarman Meets Marlowe. Queer Edward II by Derek Jarman. Lambda Book Report 3 (1994) no. 4. pp. 29–30.
Woods, Gregory: A Distinctly Jolly Martyr. At Your Own Risk. Times Literary Supplement (1992) no. 4656. p. 32.
Yacovar, Maurice: Dancing Ledge. Choice 31 (1993) no. 4. p. 612.
Jarman kertje
Lloyd, Christopher: The Jarman Garden Experience. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 147–152.
Tillmann J. A.: A tengerparti kert. Filmvilág 39 (1996) no. 6. pp. 34–37.
Átfogó tanulmányok, interjúk, megemlékezések
Aasarřd, Pauline: Derek Jarman. Perspektiver pa ‘No Budget’ filmproduksjon. Z (1993) no. 46. pp. 26–27.
AIDS, könnyek nélkül. Beszélgetés Derek Jarmannel. Filmvilág 36 (1993) no. 10. p. 60.
An Artist in the Cinema. Continental Film and Video Review 28 (1981) no. 7. p. 52.
Bacon, Henry: Aistillisuuden ja vakivallen alkemisti. Filmihullu (1988) no. 5. pp. 15–19.
Bakács Tibor Settenkedő: Pogány evangélium. Filmvilág 37 (1994) no. 5. pp. 4–5.
Ball, Edward: I, Camera. Village Voice 36 (1991) no. 5. p. 54.
Barber, Lynn: A Modern Kind of Hero. Inteview with Derek Jarman. Independent on Sunday (4 August 1991) pp. 2–5.
Bennett, Catherine: Lesson of the Gay Guru. The Guardian (9 April 1992) p. 27.
Biga, Tracy: The principle of non-narration in the films of Derek Jarman. In: Lippard, Chris (ed.): By angels driven. pp. 12–30.
Bjřrn, Niels: Nĺr ćstetik bliver til sprog. Kosmorama 39 (1993) no. 206. pp. 20–25.
Blaney, Martin: Derek Jarman. Filmfaust-Gesprach. Filmfaust 11 (1986) no. 54. pp. 8–14.
Bori Erzsébet: Átvérző ornamensek. Biciklitolvaj (1994 december) pp. 14–15.
Brown, Georgia: Gardening Angel. Village Voice 39 (1994) no. 13. p. 51.
Chalmers, Robert: Please God, send me to Hell. Interview with Derek Jarman. Sunday Correspondent (18 November 1990) pp. 36–37.
Clare, Anthony: Positive Thinking. Interview with Derek Jarman. Listener 124 (1990) no. 3178. pp. 7–10.
Comino, Jo: Passion to Purge. City Limits (17 February 1984) pp. 16–17.
Comuzio, Cecilia: A vostro riscio e pericolo. Testamento di un santo. Cineforum 35 (1995) no. 3. pp. 94–95.
Cook, Matthew D.: Derek Jarman. Reclaiming the Past, Writing the Future. diplomamunka, London: Queen Mary and Westfield College, London University, 1994.
Cook, Roger: Derek Jarman. Art Monthly (1994) no. 174. p. 34.
Cooper, Dennis: The Queer King. Derek Jarman and the New Gay Film. LA Weekly (10 April 1992) p. 22.
Dieckmann, Katherine: Dancing among the Ruins. Village Voice 33 (1989) no. 4. pp. 59–60.
Dollin, Stuart: Super 8 Artist. Interview with Derek Jarman. Movie Maker 18 (1984) no. 7. pp. 41–43.
Driscoll, Lawrence: „The rose revived”. Derek Jarman and the British tradition. In: Lippard, Chris (ed.): By angels driven. pp. 65–83.
Driscoll, Lawrence: Burroughs/Jarman. Anamorphosis, Homosexuality and the Metanarratives of Restraint. The Spectator 10 (1990) no. 2. pp. 78–95.
Farkas Zsolt: Szép új világ I. Szellemkép 5 (1994) nos. 1–2. pp. 4–7.
Farkas Zsolt: Szép új világ II. Szellemkép 5 (1994) no. 3. pp. 4–11.
Feldvoss, Marli: Derek Jarman. EPD Film 11 (1994) no. 5. pp. 10–11.
Field, Simon: The Troublesome Cases. Afterimage (1985) no. 12. pp. 3–5.
Field, Simon: The Garden of Earthly Delights. The Face (21 January 1993) p. 62.
Finch, Mark: Where Angels Tread. Interview with Derek Jarman. City Limits (18 October 1985) pp. 17–18.
Field, Simon–O’Pray, Michael: Imaging October, Dr. Dee and Other Matters. An Interview with Derek Jarman. Afterimage (1985) no. 12. pp. 40–59.
Frick, Thomas: Fragments of History, Tinted Blue. LA Weekly (13 May 1994) pp. 27–28.
Górka, Witek–Kapuscinski, Jerzy: Nienawidze Hithcocka – mówi Derek Jarman. Kino 24 (1990) no. 6. pp. 44–45.
Gardner, David: Perverse law. Jarman as gay criminal hero. In: Lippard, Chris (ed.): By angels driven. pp. 31–64.
Gill, John: Longing for Paradise. Documentary Content in the Work of Derek Jarman. Dox (1995) no. 7. pp. 44–47.
Grundmann, Roy: History and the Gay Viewfinder. Interview with Derek Jarman. Cineaste 18 (1991) no. 4. pp. 24–27.
Hacker, Jonathan–Price, David: Derek Jarman. In: Hacker, Jonathan–Price, David: Take Ten. Contemporary British Film Directors. Oxford–New York: Oxford University Press, 1991. pp. 229–269.
Hobbs, Christopher: In Memory of Derek Jarman. Sight & Sound 4 (1994) no. 4. p. 7.
Horrigan, William: Of Angels and Apocalypse. Minneapolis: Walker Art Center, 1986.
Hyman, Timothy: Cinema. Talking to Derek Jarman. London Magazine 20 (1980) no. 7. pp. 70–75.
Kennedy, Harlan: The Two Gardens of Derek Jarman. Film Comment 29 (1993) no. 6. pp. 28–31., pp. 33–35.
Królikowska-Avis, Elzbieta: Derek Jarman. Kino 28 (1994) no. 4. pp. 38–39.
Lipman, Andy: Currents. Learning to Dream. City Limits (1985) no. 170. p. 45.
Lippard, Chris (ed.): By Angels Driven. The Films of Derek Jarman. Trowbridge: Flick Books, 1996.
Lippard, Chris: Interview with Derek Jarman. In: Lippard, Chris (ed.): By angels driven. pp. 161–169.
Lippard, Chris–Johnson, Guy: Private Practice, Public Health. The Politics of Sickness and the Films of Derek Jarman. In: Friedman, Lester (ed.): Fires Were Started. British Cinema and Thatcherism. Minneapolis: University of Minnesota Press, 1993. pp. 278–293.
Loewe, Feter: Gayfilmvagen. Chaplin 33 (1991) no. 6. pp. 30–36.
Lucas, Ian: Impertinent Decorum. London: Cassell, 1994.
Lyons, James: A Dream for Derek. Village Voice 39 (1994) no. 15. p. 60.
Máthé Adrienn: A homoszexualitás szemiotikai ábrázolása Derek Jarman filmjeiben és Gus Van Sant Otthonom, Idahójában. In: Kopasz Fabióla (szerk.): A filmről jutott eszünkbe. Tanulmányok. Szeged: Juhász Gyula Tanárképző Főiskola, 1996. pp. 57–63.
MacCabe, Colin: Derek Jarman – Obituary. Independent (21 February 1994) p. 14. (Vagy: Critical Quarterly 36 (1994) no. 1. pp. IV–IX.)
MacKay, James: Low-Budget British Production. A Producer’s Account. In: Petrie, Duncan (ed.): New Questions of British Cinema. London: British Film Institute, 1992. pp. 52–64.
Mazierska, Ewa: Co znaczy byc manierysta. Kino 24 (1990) no. 7. pp. 31–35.
Messias, Hans: Arbeit im Garten. Zum Tode von Derek Jarman. Film-dienst 46 (1994) no. 6. pp. 16–17.
Middleton, Peter: Middleton Remembers Jarman. Eyepiece 17 (1996) no. 1. pp. 8–11.
Morrison, Richard: Derek Jarman. The Final Interview. Art and Understanding 3 (1994) no. 1. pp. 17–22.
Nash, Mark: Innocence and Experience. Afterimage (1985) no. 12. pp. 30–35.
Natale, Richard: Derek Jarman. Variety 354 (1994) no. 4. p. 74.
Nádasdy Ádám: Körülötte angyalok. Filmvilág 37 (1994) no. 5. pp. 6–7.
Nánay Bence: Apró gesztusok mozija. Filmvilág 38 (1995) no. 11. pp. 29–32.
Nowlan, Bob: Reflections. Jarman’s Life and Work. Against the Current (May–June 1995) pp. 32–36.
O’Pray, Michael: News from Home. Interview with Derek Jarman. Monthly Film Bulletin 51 (1984) no. 605. pp. 189–190.
O’Pray, Michael: Derek Jarman’s Cinema: Eros and Thanatos. Afterimage (1985) no. 12. pp. 6–21. [Magyarul ld. Derek Jarman filmjei: Erósz és Thanatosz. (ford. Vajdovich Györgyi) //Metropolis// 1 (1997) no. 3. pp. 99–99.]
O’Pray, Michael: Britannia on Trial. Interview with Derek Jarman. Monthly Film Bulletin 53 (1986) no. 627. pp. 100–101.
O’Pray, Michael: The Art of Mirrors – Derek Jarman. Monthly Film Bulletin 58 (1991) no. 684. p. 28.
O’Pray, Michael: Tilda Swinton. Sight & Sound 1 (1991) no. 6. pp. 26–29.
O’Pray, Michael: If You Want to Make Films. Sight & Sound 4 (Art into Film) (1994) no. 7. pp. 20–22.
O’Pray, Michael: Derek Jarman. Dreams of England. London: British Film Institute, 1996.
O’Pray, Michael: Derek Jarman. The Art of Films/Films of Art. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 65–75.
Parkes, James Cary: Et In Arcadia... Homo. Sexuality and Gay Sensibility in the Art of Derek Jarman. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 137–145.
Porter, Ed: Son of the Pink Pantheon. Modern Review 1 (1994) no. 14. p. 31.
Porton, Richard: Language games and aesthetic attitudes. Style and ideology in Jarman’s late films. In: Lippard, Chris (ed.): By angels driven. pp. 135–160.
Quinn–Meyler, Martin: Opposing „Heterosoc”. Jarman’s counter-hegemonic activism. In: Lippard, Chris (ed.): By angels driven. pp. 117–134.
Raymond, Gerard: Fade to Blue. Genre 19 (June 1994) pp. 44–47.
Rayns, Tony: Private Viewing. Time Out (1984) no. 702. p. 31.
Rayns, Tony: Submitting to Sodomy. Propositions and Rhetorical Questions about an English Film-maker. Afterimage (1985) no. 12. pp. 60–65.
Robinson, David: Jarman i Anglicy. Kino 26 (1992) no. 10. pp. 20–21.
Robinson, David: A subversive master of art. The Guardian (21 February 1994) pp. 4–6.
Rothwell, Kenneth S.: Jarman Versus Branagh. Sight & Sound 1 (1991) no. 9. p. 63.
Sauvaget, Daniel: ‘Je meurs si silencieusement…’ Mensuel du cinéma (1994) no. 16. pp. 77–79.
Self, Will: Birth of the Cool. The Guardian Weekend (6 August 1994) pp. 27–28.
Sewell, Dennis: Not the Last of Jarman. Spectator 260 (1988) no. 8339. pp. 17–18.
Shaw, Gaia: Queer Gravity. Alchemy and Sexuality in Derek Jarman’s Films and Paintings. Wimbledon School of Art and University of Surrey, 1994.
Skwara, Anita: „101 lat mieszczanskiej pewnosci siebie...”. Kino 24 (1990) no. 7. pp. 28–30.
Skwara, Anita: Cichnacy rytm obrazów. Kino 26 (1992) no. 10. pp. 22–27.
Snow, Peter: Designing for the Theatre and Cinema. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 81–88.
Taubin, Amy: Am I Blue? Village Voice 39 (1994) no. 10. pp. 58–59.
Taylor, John Russell: Derek Jarman. The Times (21 February 1994) p. 17.
Thomas, Kevin: Jarman. Artist, Activist and Iconoclast. Los Angeles Times (24 February 1994) p. C3.
Tookey, Christopher: How can they turn this Man into Saint? Daily Mail (23 February 1994) p. 8.
Walker, Alexander: Young Prospero and Punk Circumstance. In: National Heroes. British Cinema in the Seventies and Eighties. London: Harrap, 1985. pp. 228–239.
Walker, Alexander: A Prospero whose magic bewitched a generation. London Evening Standard (24 February 1994) p. 14.
Watney, Simon: Derek Jarman 1942–94. A Political Death. Artforum 32 (1994) no. 9. pp. 84–85., p. 119., p. 125.
Watson, Gray: An Archaeology of Soul. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 33–48.
Wollen, Peter: The Last New Wave. Modernism in the British Films of the Thatcher Era. In: Freedman, Lester (ed.): Fires Were Started. British Cinema and Thatcherism. Minneapolis: University of Minnesota Press, 1993. pp. 35–51.
Wollen, Roger (ed.): Derek Jarman. A Portrait. London: Thames & Hudson, 1996.
Wollen, Roger: Facets of Derek Jarman. In: Wollen, Roger (ed.): Derek Jarman. A Portrait. pp. 15–31.
Woods, Chris: Derek Jarman Breaks the Rules. Advocate (1991) no. 593. pp. 64–66.
