Folyóirat különszámok
Ça cinéma no. 15. (mai 1978), no. 16. (janvier 1979) Cinéma et psychanalyse I–II. Paris: Albatros.
CinémAction (1989) no. 50.
Communication (1975) no. 23.
Film Criticism 14 (1990) no. 3.
Iris (1990) no. 10. Christian Metz et la théorie du cinéma/Christian Metz and Film Theory
Persistence of Vision (1993) no. 3.
Psychanalyse et cinéma (1970) no. 1.
Könyvek, tanulmányok
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Armes, Roy: The Ambiguous Image. On Cinema. Bloomington: Indiana University Press, 1976.
Augst, Bertrand: The Lure of Psychoanalysis in Film Theory. In: Hak Kyung Cha (ed.): Apparatus. pp. 415–437.
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Buscomb, E.–Gledhill C.–Cowell A.–Williams, C.: Statement: Psychoanalysis and Film. Screen 16 (1975) no. 4. pp. 119–130.
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Comolli, Jean-Louis: Machines of the Visible. In: de Lauretis–Heath (eds.): The Cinematic Apparatus.
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de Lauretis, Teresa: Alice Doesn’t. Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984.
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de Lauretis, Teresa: The Stubborn Drive. Critical Inquiry 24 (Summer 1998) no. 4. pp. 851–877. Magyarul: de Lauretis: A konok késztetés (ford. Ragó Anett) Metropolis 3 (1999) no. 2. pp. 34–52.
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Doane, Mary Ann: Femmes Fatales. Feminism, Film Theory, Psychoanalysis. London: Routledge, 1991.
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Doane, Mary Ann: The Voice in the Cinema. The Articulation of Body and Space. In: Nichols (ed.): Movies and Methods II. pp. 565–576.
Dolan, Jill: Presence and Desire. Michigan: Michigan University Press, 1994.
Gardies, André: L’Espace au cinéma. Paris: Klincksieck, 1993.
Gledhill, Christine: Stardom. Industry of Desire. New York: Routledge, 1991.
Hak Kyung Cha, Teresa (ed.): Apparatus. New York: Tanam Press, 1980.
Hamilton, R. S.: Between the First and Second Semiologies. Psychoanalysis and Film Theory. Camera Obscura (Spring 1981) no. 7. pp. 66–87.
Heath, Stephen: Anato Mo. Screen 17 (1976–77) no. 4. pp. 49–66.
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Heath, Stephen: Notes on Suture. Screen 18 (1977–78) no. 4. pp. 48–76.
Heath, Stephen: On Suture. In: Heath: Questions of Cinema. Bloomington: Indiana University Press, 1981. pp. 76–112.
Heath, Stephen: The Turn of the Subject. In: Burnett: Cultures of Vision. Images, Media and the Imaginary. pp. 26–45.
Helman, A: Nawiedzenie przez obrar. Refleksje teoretynne. Kino 11 (July 1979) no. 7. p. 34.
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Lebeau, Vicky: Lost Angels. Psychoanalysis and Cinema. London: Routledge, 1995.
Lebel, Jean-Patrick: Cinéma et ideologie. Paris: Ed. Sociales, 1971.
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Lehman, Peter: Safeguarding the Real Advances. Psychoanalysis and the History of Film Theory. Post Script 14 (1995) nos. 1–2. pp. 14–21.
Livingston, Paisley: Film and the New Psychology. Poetics no. 21 (1992) pp. 93–116.
Lyon, E.: Discourse and Difference. Camera Obscura (Summer 1979) pp. 14–20.
MacCabe, Colin: Theory and Film. Principles of Realism and Pleasure. Screen 17 (Autumn 1976) no. 3.
Magny, Joël: Raymond Bellour: sémiologie, analyse de films, psychanalyse et puis? In: Magny, Joël (ed.): Cinémaction no. 60. Histoire des théories du cinéma. Paris: Ed. Corlet–Télérama, 1991. pp. 160–169.
Mannoni, Octave: Clefs pour l’imaginaire. Paris: Ed. du Seuil, 1969.
Margolis, Harriet E.: The Cinema Ideal. An Introduction to Psychoanalytic Studies of Film Spectator. New York: Garland, 1988.
Mayne, Judith: Cinema and Spectatorship. London: Routledge, 1993.
Metz, Christian: A propos de l’impression de la réalité. In: Metz: Essais sur la signification au cinéma I. Paris: Klicksieck, 1968.
Metz, Christian: Histoire/Discours. Notes sur deux voyeurismes. In: Langue, Discours, Société. Pour Émile Benveniste (Hommage collectif). Paris: Ed. du Seuil, 1975. pp. 301–306.; vagy: In: Metz: Le signifiant imaginaire. Psychanalyse et cinéma. pp. 111–120. Angolul: Metz: Story/Discourse. Notes on Two Kinds of Voyeurism. In: Nichols (ed.): Movies and Methods II. pp. 543–549.
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Mulvey, Laura: Visual Pleasure and Narrative Cinema. Screen 16 (Autumn 1975) no. 3.
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